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26 result(s) for "Venice (Italy) Drama"
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The merchant of Venice
\"For this updated edition of one of Shakespeare's most problematic plays, Tom Lockwood has added a new introductory section on the latest scholarly trends, performance and adaptation practices which have occurred over the last two decades. Investigating the latest critical frames through which the play has been interpreted, the updated introduction also focuses on recent international performances on stage and screen (including Al Pacino's performances on film and in Daniel Sullivan's production in New York, the Habima National Theatre's production for the Globe to Globe Festival, Jonathan Munby's touring production for the Globe performed in London, New York and Venice, and Rupert Goold's production for the Royal Shakespeare Company). Finally, new forms of adaptation are considered: a performance transposed to the different generic mode of a New York auction room, and the remaking of the play in Howard Jacobson's 2016 novel, Shylock Is My Name\"-- Provided by publisher.
The Notorious Mrs Ebbsmith
'That is what marriage gives – the right to destroy years and years of life.' Venice, Easter 1895. In the cafes around St Mark's Square, all the gossip among the English ex-pat community is about two mysterious arrivals in the city. Agnes Ebbsmith is a young widow with a scandalous past. Travelling with her is Lucas Cleeve, an up-and-coming Tory MP who has abandoned his wife in London. Defying convention, Agnes and Lucas are refusing to marry, and living in a 'compact' together. But before long their peace is shattered by the arrival of Lucas's aristocratic family from London. The Notorious Mrs Ebbsmith is a dramatic, entertaining, and utterly enthralling play by one of the greatest Victorian dramatists. This playtext, slightly adapted from the original, was prepared for its first ever revival, presented by Primavera at Jermyn Street Theatre in 2014. The Notorious Mrs Ebbsmith was last performed by Mrs Patrick Campbell in the West End in 1895. With an introduction to the play and its historical context by Dr Sos Eltis.
Three loves for three oranges : Gozzi, Meyerhold, Prokofiev
In 1921, Sergei Prokofiev's Love for Three Oranges—one of the earliest, most famous examples of modernist opera—premiered in Chicago. Prokofiev's source was a 1913 theatrical divertissement by Vsevolod Meyerhold, who, in turn, took inspiration from Carlo Gozzi's 1761 commedia dell'arte–infused theatrical fairy tale. Only by examining these whimsical, provocative works together can we understand the full significance of their intertwined lineage. With contributions from 17 distinguished scholars in theater, art history, Italian, Slavic studies, and musicology, Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev illuminates the historical development of Modernism in the arts, the ways in which commedia dell'arte's self-referential and improvisatory elements have inspired theater and music innovations, and how polemical playfulness informs creation. A resource for scholars and theater lovers alike, this collection of essays, paired with new translations of Love for Three Oranges, charts the transformations and transpositions that this fantastical tale underwent to provoke theatrical revolutions that still reverberate today.