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Poetic Interplay
The lives of Catullus and Horace overlap by a dozen years in the first century BC. Yet, though they are the undisputed masters of the lyric voice in Roman poetry, Horace directly mentions his great predecessor, Catullus, only once, and this reference has often been taken as mocking. In fact, Horace's allusion, far from disparaging Catullus, pays him a discreet compliment by suggesting the challenge that his accomplishment presented to his successors, including Horace himself. In Poetic Interplay, the first book-length study of Catullus's influence on Horace, Michael Putnam shows that the earlier poet was probably the single most important source of inspiration for Horace's Odes, the later author's magnum opus. Except in some half-dozen poems, Catullus is not, technically, writing lyric because his favored meters do not fall into that category. Nonetheless, however disparate their preferred genres and their stylistic usage, Horace found in the poetry of Catullus, whatever its mode of presentation, a constant stimulus for his imagination. And, despite the differences between the two poets, Putnam's close readings reveal that many of Horace's poems echo Catullus verbally, thematically, or both. By illustrating how Horace often found his own voice even as he acknowledged Catullus's genius, Putnam guides us to a deeper appreciation of the earlier poet as well.
eBook
Vergil's green thoughts : plants, humans, and the divine
The Eclogues, Georgics, and Aeneid abound with plants, yet much Vergilian criticism underestimates their significance beyond attractive background detail or the occasional symbolic set-piece. This volume joins the growing field of nature-centred studies of literature, looking head-on at Vergil's plants and trees to reveal how fundamental they are to an understanding of the poet's outlook on religion, culture, and mankind's place within the world. 0Divided into two parts, the first explores the religious and more diffusely numinous aspects of Vergil's plants, from awe-inspiring sacred groves to divinely promoted fields of corn, and shows how both cultivated and uncultivated plants fit within and help to shape the complex landscape of Vergilian (and, more broadly, Roman) religious thought. In the second half of the book, the focus shifts towards human interactions with plants from the perspectives of both cultivation and relaxation, exploring the love-hate relationship with vegetation which sometimes supports and sometimes contests the human self-image as the world's dominant species. Combining a series of close readings of a wide range of passages with the identification of broader patterns of association, Vergil's Green Thoughts appositely reveals and celebrates the complexity and variety of Vergilian flora.
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Virgil the Blind Guide
Virgil the Blind Guide examines the repetition of certain linguistic configurations that have remained hidden because the meanings of the words involved do not relate to Virgil’s competence as guide. Uncovering tropes that have yet to be studied, Howard allows us to see new junctures in the poet’s travels, while highlighting Virgil’s impotence and diminishing his authority as regards other poets, guides, and the demons of Hell’s lower gate. The concealed route revealed by Dante’s figurative signposts establishes Virgil’s traits as foundational to the poem and allows for new perspectives and understandings of this critical character. Using this distinctive strategy, Virgil the Blind Guide helps us to piece together the complex puzzle that is Dante’s pagan guide and suggests new ways of understanding important characters that are applicable to a broad range of poetry and prose.
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A companion to Vergil's Aeneid and its tradition
This is a collection of original interpretive essays by an international team of renowned scholars. Topics covered include Vergil's handling of sources; the history of Vergil reception in literature; and the enduring influence of Vergilian themes in prose, music, and art.
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Virgil's Homeric Lens
Virgil's Homeric Lens reevaluates the traditional view of the Aeneid's relationship to Homer's Iliad and Odyssey. Almost since the death of Virgil, there has been an assumption that the Aeneid breaks into two discrete halves: Virgil's Odyssey, and Virgil's Iliad. Although modified in various ways over the centuries, this neat dichotomy has generally diminished the complexity and resonance of the connection between the two canonical epic poets. This work offers an alternate approach in which Virgil uses the transformative power of the Odyssey as a precise filter through which to read the Iliadic experience.
By examining the ways in which Virgil bases his own epic project on the dynamic interaction between the two Homeric poems themselves, Edan Dekel proposes a system in which the Aeneid uses the Odyssey both as a conceptual model for writing an intertextual epic and as a powerful refracting lens for the specific interpretation of the Iliad and its consequences. The traditional view of the Homeric poems as static sources for the construction of distinct \"Odyssean\" and \"Iliadic\" halves of the Aeneid is supplanted by an analysis which emphasizes the active and persistent influence of the Odyssey as a guide to processing the major thematic concerns of the Iliad and exploring the multiple aftermaths of the Trojan war.
eBook
A commentary on Vergil, Aeneid 3
The Aeneid, generally considered the greatest poem of Roman literature, is a story of migration, and Book 3 is at the heart of this story-the arrestingly dramatic account that Aeneas gives to the Carthaginian Queen Dido of his people's journey from the sacked city of Troy. This journey sees them encounter a series of brilliantly characterized individuals and visit some of the most extraordinary places in the central Mediterranean, both real and imaginary: shrines and volcanoes, floating islands and monsters. Yet though it is on one level a thrilling traveller's tale, it is also a profound story of a voyage from a dead past to an uncertain, but ultimately glorious, future in Augustan Rome. This new edition contains an introduction, the Latin text, and a detailed commentary, as well as an extensive Appendix illustrating the rich variety of texts that Vergil used as his models through an ample collection of relevant passages: from the heroic voyages described in the Odyssey and the Argonautica, to tragic explorations of the aftermath of Troy's fall (especially Euripides' Hecuba, Troades, and Andromache) and texts on Delos and Etna. The introduction grounds the book in its historical and literary contexts, while the commentary itself aims to bring out the poet's artistry and learning, keeping the dramatic situation of Aeneas' story-telling in view throughout. Translations of all cited Latin and Greek and regular references to Roman history will provide readers new and old with a clear understanding not only of the original text, but also of the poet's vision of Rome, history, and humanity.
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