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result(s) for
"Visual communication Egypt."
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Seen and unseen : visual culture of imperialism
\"Seen and Unseen teases out and explores how visual mediums construct visual cultures that often create limited perspectives of certain issues and groups, specific to this volume, the representation of Islam and Muslims. It deals with fixed and stereotypical visual representations and explores alternative and challenging visual representations which reconstruct and dismantle existing belief systems. It approaches the topic from a vantage point of diverse multiple perspectives. Covering issues from Brunei, Iran, Egypt, and England and cyberspace, essays examine the visual cultures of how Islam and Muslim people are understood, misunderstood, misrepresented, or even embraced visually. Scholars in this volume draw on historical paintings, books and their covers, photography, and news to demonstrate the diversity and sometimes contradictory visual cultures that construct and adhere meaning to how Islam and Muslim people are seen. Contributors: Hoda Afshar, Jared Ahmed, Syed Farid Alatas, Sanaz Fotouhi, Christiane Gruber, Layla Hendow, Raihana M.M., Bruno Starrs and Esmaeil Zeiny\"-- Provided by publisher.
Visual and written culture in ancient Egypt
2007
A generously illustrated selection of John Baines’s influential writings on two core areas of ancient Egyptian civilization: the role of writing, which was very different in antiquity from what is familiar in the modern world, and the importance of visual culture. These questions are explored through a number of case studies. The volume assembles articles that were scattered in publications in a variety of disciplines, making available key contributions on core problems of theory, comparison, and analysis in the study of many civilizations and offering important points of departure for further research. Three wholly new essays are included, and the overall approach is an interdisciplinary one, synthesizing insights from archaeology, anthropology, and art history as well as Egyptology.
Community and identity in ancient Egypt : the Old Kingdom cemetery at Qubbet el-Hawa
by
Vischak, Deborah, 1971-
in
Cemeteries Egypt Qubbat al-Hawهa® Site.
,
Tombs Egypt Qubbat al-Hawهa® Site.
,
Community life Egypt Aswهan History To 1500.
2014
\"This book examines a group of twelve ancient Egyptian tombs (c. 2300 BCE) in the elite Old Kingdom cemetery of Elephantine at Qubbet el-Hawa in modern Aswan. It develops an interdisciplinary approach to the material--drawing on methods from art history, archaeology, anthropology, and sociology, including agency theory, the role of style, the reflexive relationship between people and landscape, and the nature of locality and community identity. A careful examination of the architecture, setting, and unique text and image programs of these tombs in context provides a foundation for considering how ancient Egyptian provincial communities bonded to each other, developed shared identities within the broader Egyptian world, and expressed these identities through their personal forms of visual and material culture\"-- Provided by publisher.
The written word in the medieval Arabic lands
2012,2011
The Middle East was one of the most literate civilizations during the high and late medieval period and home to bustling book markets, voluminous libraries and sophisticated book production. After the \"paper revolution\" of the ninth and tenth centuries, the number of books and the availability of the written word increased dramatically. In the scholarly world the written word played an increasingly prominent role and reading was taken up by wider sections of the population.
Amheida III
by
Roger S. Bagnall
,
Rodney Ast
,
Clementina Caputo
in
Amheida Site
,
Amheida Site (Egypt)
,
Ancient
2017
This archaeological report provides a comprehensive study of the excavations carried out at Amheida House B2 in Egypt's Dakhleh Oasis between 2005 and 2007, followed by three study seasons between 2008 and 2010. The excavations at Amheida in Egypt's western desert, begun in 2001 under the aegis of Columbia University and sponsored by NYU since 2008, are investigating all aspects of social life and material culture at the administrative center of ancient Trimithis. The excavations so far have focused on three areas of this very large site: a centrally located upper-class fourth-century AD house with wall paintings, an adjoining school, and underlying remains of a Roman bath complex; a more modest house of the third century; and the temple hill, with remains of the Temple of Thoth built in the first century AD and of earlier structures. Architectural conservation has protected and partly restored two standing funerary monuments, a mud-brick pyramid and a tower tomb, both of the Roman period.
This is the second volume of ostraka from the excavations Amheida (ancient Trimithis) in Egypt. It adds 491 items to the growing corpus of primary texts from the site. In addition to the catalog, the introductory sections make important contributions to understanding the role of textual practice in the life of a pre-modern small town. Issues addressed include tenancy, the administration of water, governance, the identification of individuals in the archaeological record, the management of estates, personal handwriting, and the uses of personal names. Additionally, the chapter \"Ceramic Fabrics and Shapes\" by Clementina Caputo breaks new ground in the treatment of these inscribed shards as both written text and physical object. This volume will be of interest to specialists in Roman-period Egypt as well as to scholars of literacy and writing in the ancient world and elsewhere.
Image Politics in the Middle East
2013,2012
Politics in the Middle East is now ‘seen’ and the image is playing a central part in processes of political struggle. This is the first book in the literature to engage directly with these changing ways of communicating politics in the region - and particularly with the politics of the image, its power as a political tool. Lina Khatib presents a cross-country examination of emerging trends in the use of visuals in political struggles in the Middle East, from the Cedar Revolution in Lebanon to the Green Movement in Iran, to the Arab Spring in Egypt, Syria and Libya. She demonstrates how states, activists, artists and people ‘on the street'’ are making use of television, the social media and mobile phones, as well as non-electronic forms, including posters, cartoons, billboards and graffiti to convey and mediate political messages. She also draws attention to politics as a visual performance by leaders and citizens alike.
Planners Becoming Visualizers in the Mediatized World: Actor-Network Analysis of Cairo’s Street Billboards
2024
While visual communication is crucial in urban planning, there is a gap in understanding how dominant narratives and visuals affect professional planning practice and planners’ roles, particularly in mediatized urban environments. This study addresses this gap by examining street billboards in Cairo to understand how planning visualizations contribute to the restructuring of the planning profession. It explores how these visual tools shape the practice and roles of urban planners, who are increasingly becoming visualizers. Employing actor-network theory, the study traces the relationships between billboards, planners, and other network actors. The primary research question is: How and why does the use of planning visualizations (billboards) restructure the profession of planning, including planning practice and the roles of planners? Utilizing a qualitative exploratory methodology, the study focuses on billboards along Cairo’s 6th of October Bridge. Data were analyzed through visual and content analysis of 209 billboards to understand their language, content, patterns, and geo-positioning. The analysis revealed that billboards in Cairo significantly impact urban landscapes and the visual culture of urbanization, often promoting exclusive real estate projects to a socio-economic elite. The research highlights the dilemmas in the changing professional roles of planners within a mediatized world and underscores the need for more inclusive planning practices. By employing actor-network theory, the study provides a nuanced understanding of the complex relationships that shape and are shaped by the visual culture of urban planning, offering insights into how planners can navigate and influence these dynamics for more equitable urban development.
Journal Article
Everyday writing in the graeco-roman east
2011,2010,2012
Most of the everyday writing from the ancient world—that is, informal writing not intended for a long life or wide public distribution—has perished. Reinterpreting the silences and blanks of the historical record, leading papyrologist Roger S. Bagnall convincingly argues that ordinary people—from Britain to Egypt to Afghanistan—used writing in their daily lives far more extensively than has been recognized. Marshalling new and little-known evidence, including remarkable graffiti recently discovered in Smyrna, Bagnall presents a fascinating analysis of writing in different segments of society. His book offers a new picture of literacy in the ancient world in which Aramaic rivals Greek and Latin as a great international language, and in which many other local languages develop means of written expression alongside these metropolitan tongues.
Seen and Unseen: Visual Cultures of Imperialism
Seen and Unseen teases out and explores how visual mediums construct visual cultures that often create limited perspectives of certain issues and groups. This volume focuses in particular on the representation of Islam and Muslims. It deals with fixed and stereotypical visual representations and explores alternative and challenging visual representations that reconstruct and dismantle existing belief systems. It approaches the topic from a vantage point of diverse multiple perspectives. Covering issues from Brunei, Iran, Egypt, and England and cyberspace, the essays in this volume examine the visual cultures of how Islam and Muslims are understood, misunderstood, misrepresented, or even embraced visually. Scholars in this volume draw on historical paintings, books and their covers, photography, and news to demonstrate the diversity and sometimes contradictory visual cultures that construct and adhere meaning to how Islam and Muslim people are seen.Contributors: Hoda Afshar, Jared Ahmed, Syed Farid Alatas, Sanaz Fotouhi, Christiane Gruber, Layla Hendow, Raihana M.M., Bruno Starrs and Esmaeil Zeiny.