Catalogue Search | MBRL
Are you sure you want to remove the book from the shelf?
{{itemTitle}}
134
result(s) for
"Water supply Fiction."
Sort by:
Historiographic Metafiction: A Study of Susan Abulhawa’s The Blue Between Sky and Water
This article aims to show the application of historiographic metafiction in Susan Abulhawa’s The Blue Between Sky and Water (2016), highlighting the embodiment of historiographic metafictional characteristics in rewriting Palestinian history, exactly the Nakba (1948). Since Linda Hutcheon calls for revision of the past in order to rewrite history, Abulhawa’s work has granted her a place among postmodern literary authors since she does so. Such an aesthetic and resisting act aims at acknowledging falsity and prejudice practiced by both ends responsible of historical documentation: the winner and the looser. This study argues that metafictional techniques allow the author to re-visit the Nakba (1948), re-present the events and eventually allow readers to re-pen history. Simultaneously, the novel’s historiographic metafictional characteristics will be underscored including challenging one historical truth, blending history and fiction, using self-reflexive narration, narrating through an openly controlling narrator, and importing real and famous historical and political personalities. The findings show that historiographic metafiction is applicable in Abulhawa’s novel. Interestingly, this paper demonstrates how the author enlarges her scope of writing, by adding postmodern dimension to the political and historical issues she depicts.
Journal Article
Memory of water : a novel
\"The award-winning speculative debut novel, now in English for the first time! In the far north of the Scandinavian Union, now occupied by the power state of New Qian, seventeen-year-old Noria Kaitio studies to become a tea master like her father. It is a position that holds great responsibility and a dangerous secret. Tea masters alone know the location of hidden water sources, including the natural spring that once provided water for her whole village. When Noria's father dies, the secret of the spring reaches the new military commander. and the power of the army is vast indeed. But the precious water reserve is not the only forbidden knowledge Noria possesses, and resistance is a fine line. Threatened with imprisonment, and with her life at stake, Noria must make an excruciating, dangerous choice between knowledge and freedom\"-- Provided by publisher.
Book
Murder and Aesthetics in Patricia Highsmith’s Deep Water
Patricia Highsmith’s fifth novel, Deep Water (1957), revolves around three murders committed by 36-year-old Victor Van Allen, head of Greenspur Press in Little Wesley, Massachusetts, and a genuine aesthete whose interests include handset colophons, snails, bee culture, carpentry, music, painting, stargazing, and gardening. An esteemed non-conformist in an upscale New England community, Van Allen is initially tolerant of his wife’s serial infidelities but reaches a breaking point when he kills two of her lovers before strangling his spouse. Highsmith’s mordantly unsettling narrative anticipates the mimetic fascination with murder in postmodern popular culture that ever since Thomas De Quincey’s 1827 satirical essay on the subject has abounded in fiction, nonfiction, and film. Writing against the grain of post-World War II conformism, Highsmith proleptically addresses issues of maladaptation in her portrait of a repressed sociopath who attempts to mask his inner rage via the sublimation of aesthetic pursuits.
Journal Article
Raiders : water thieves of Mars
In 2335 the most precious resource on Mars is water, and Water Raiders are attacking farm communities and stealing the water--with very little help coming from the authorities in Tharsis City, Belle Song, her parents, and their friends from the neighboring farms join together to defeat the Raiders and protect their farms.
Book
Uncanny Waters
In this article, I argue for the notion of what I term ‘uncanny water’ as a conceptual tool for reading contemporary oceanic fictions. The uncanny’s affective capacity to destabilise epistemological and ontological certainties makes it a particularly potent literary tool for challenging the nature/culture binary. I argue that fictions which actively defamiliarise the ocean can be used to redress the anthropocentric privilege found in hitherto narratives of the oceanic that were predicated upon mastery and control, and that uncanny moments of displacement and uncertainty can illuminate human/oceanic interconnections and foster a sense of responsibility and compassion towards the oceans. I identify resonances between the uncanny’s continuing referentiality and the notion that feminist transcorporeality interrelates the subject into networks of materiality which extend across time and space in unknowable ways. Both transcorporeality and the uncanny work against the conceit of the individual through the dissolution of boundaries, and, crucially, both require a suspension of assumptions of the self as whole, discrete and impermeable. To demonstrate this, I read the uncanny waters of contemporary fictions from the Northern Atlantic Littoral (Atlantic Canada and the westernmost parts of the UK). The littoral position of these spaces makes them ideally placed to negotiate the borders between habitable and unhabitable spaces, and the limitations of knowledge that run alongside this. I assert that iterations of uncanny water offer a transoceanic dialogue which shifts constructions of subjectivity away from national and terrestrial boundaries to one more akin to the fluid and relational dialectics of transcorporeality.
Journal Article
Watery planet
'Watery Planet' looks at the reasons behind our looming water crisis - from uneven distribution to water wastage, pollution and climate change. It explores how floods, droughts and rising sea levels are becoming a stark reality as the world warms and describes how we are adapting to these challenges. It also looks at some positive, practical solutions to our water problems and explains how we can all do our part to help save Earth's most precious resource.
BOOK
State of Praxis in The Oath of Vayuputras: An Eco-Critical Perspective
The depletion and drying of river water across India is a growing problem in the contemporary period. The ecologists have raised a huge concern regarding the depletion of river water in India. The drying, depletion, and disappearance of the rivers in India can be traced back to the Indus Valley Civilization. The ecological disturbance on land resulted in the loss of the Saraswati River. Amish Tripathi is a renowned figure in the realm of popular Indian mythological fiction. He has not only re-narrated the mythology of India but has also retold the history and geological reasons for the disappearance of the Saraswati River in his novel The Oath of Vayuputras (2013). The research article views the novel from a deep eco-critical perspective to examine the rationale behind the drying and depletion of the Saraswati River due to the destructive production and disposal of Somras and its toxic waste in the river. The article aims at showing the ecological disturbance in the biosphere which is the result of the progress of the human race towards civilization. The shunning of the eco-centric attitude and the development of a capitalistic attitude in humans towards other living beings have resulted in this disrupted eco-system in the present biosphere.
Journal Article
The flying beaver brothers and the hot air baboons
Ace and Bub must stop a team of smooth-talking baboons from stealing Beaver Island's water to supply their water park.
Book
Friendly Ghosts, Horrifying Reality: Female Infanticide in Ranjit Lal's Faces in the Water
Despite horror being often deemed inappropriate for children, it can be an important genre in portraying the terrors of the real world to young readers. Horror, Jessica McCort argues, \"offers young readers...a dreamscape that parallels their reality, sometimes making it easier to cope with the monsters they must face in the real world\" (22). Within children's literature, horror allows young readers to face and experience the negative elements of reality through the grotesque in an entertaining fashion. An example of this is Ranjit Lal's Faces in the Water, an Indian children's novel addressing female infanticide through protagonist Gurmi's encounter with the ghosts of his sisters who were killed at birth. The ghosts can be seen as a reference to the 1994 introduction of an Indian government program, the \"Pre-Conception and Pre-Natal Diagnostic Techniques Act, which made it illegal to determine the sex of a foetus unless it was necessary for urgent medical reasons\" (Vaze). Despite this act, female infanticide and feticide remain a serious concern in Indian society. Comparing India's male/female ratio to the worldwide natural ratio, around sixty million women are assumed missing in India (Hundal). Allie Dichiara informs us that, in India, \"[t]he concept of daughters as 'more expensive' has been normalised throughout history.\" Lal's novel addresses this issue directly when Surinder Aunty tells Gurmi that girls \"are quite useless and then you have to get them married and all that nakhra and expense... And who will look after us when we're old? Our fine, sturdy sons of course!\" (88). The Diwanchands, Gurmi's family, commit female infanticide for economical reasons. Through the Diwanchands, Lal shows that when feticide becomes unavailable, this leads to female infanticide, signaling that the issue of child murder due to sex bias remains an issue in India despite the 1994 act.
Journal Article