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69 result(s) for "Wayang."
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From spectacle to guidance
Indonesia’s cultural acculturation and Christianity left behind by Islam are undeniable social realities that could be harmonised through puppetry. However, the propagator of Islam has used wayang (puppet) as a national symbol and original face. It has raised a polemic that involved serious conversations and sharp debates between religious and customary communities and invited the struggle of religious-cultural groups. Efforts to acculturate Christianity and culture in Java have not received serious attention. However, various opportunities could be used as media or objects of encounter such as wayang. Christian inculturation with a wayang perspective could contribute to the contextualisation of mission in Java, promoting smooth conversations with the community. This study aims to capture the potential that contributes to wayang for the mission and contextualisation of Christianity. A qualitative method with an analytical-descriptive approach was used to examine the past mission of Islam as well as wayang and model contextualisation in church traditions. The findings show that wayang is an opportunity for Christianity to take root and grow together with its culture. It must be an aim in the contextualisation mission to civilise Christianity in society.
Analysis of the Wood Production Machine Process for the Application of Wayang Klitik Technology
A review of basic research on wood commodities in the making of wayang klitik aims to analyze the characteristics of the flat material and characterization characters. The production process applies wood shaved and splits machine technology. The research stages used a study of the needs of craftsman, designing machine prototypes, product testing, and production implementation. The results of this research are to use the rubber roller against the shaved machine in the left position and split the wood in the right position. The machine’s production capacity has a power of 6.5 meters/minute. Engine technology is driven by a 1 Phase 220VAC 2500 RPM 0.5 KW electric motor with chain transmission, gear, pulley, and v belt. The quality of the pieces of wood produces a length of 80-100 cm and a width of 5 cm with a quantity of 5 pieces/minute of wood that is ready for use. This review of findings has identified the creative industry product design from previous research. The follow-up to these results is possible as other economies, education, culture research.
Wayang civilises religion: From spectacle to guidance
Indonesia's cultural acculturation and Christianity left behind by Islam are undeniable social realities that could be harmonised through puppetry. However, the propagator of Islam has used wayang (puppet) as a national symbol and original face. It has raised a polemic that involved serious conversations and sharp debates between religious and customary communities and invited the struggle of religious-cultural groups. Efforts to acculturate Christianity and culture in Java have not received serious attention. However, various opportunities could be used as media or objects of encounter such as wayang. Christian inculturation with a wayang perspective could contribute to the contextualisation of mission in Java, promoting smooth conversations with the community. This study aims to capture the potential that contributes to wayang for the mission and contextualisation of Christianity. A qualitative method with an analytical-descriptive approach was used to examine the past mission of Islam as well as wayang and model contextualisation in church traditions. The findings show that wayang is an opportunity for Christianity to take root and grow together with its culture. It must be an aim in the contextualisation mission to civilise Christianity in society.
Musical Ritual and Ritual Music
This article explores music as a religious ritual accompaniment within the realm of Balinese Hinduism in Bali, Indonesia, and the spiritual dimensions of music as a “tool” and a “ritual” in itself, within the Hindu-based Siddha Yoga practices and philosophies of sacred sound and the devotional worship of arati.
Musical Ritual and Ritual Music
This article explores music as a religious ritual accompaniment within the realm of Balinese Hinduism in Bali, Indonesia, and the spiritual dimensions of music as a “tool” and a “ritual” in itself, within the Hindu-based Siddha Yoga practices and philosophies of sacred sound and the devotional worship of arati.
Feminine Identity in Refined Male and Female Characters of Wayang Kulit Kelantan
Wayang Kulit Kelantan is one of the traditional theatre performance that holds unique identity. This shadow play performance uses gambalan (shadow puppet) to depict the characters from the Hikayat Seri Rama (a repertoire of Wayang Kulit Kelantan). There are two main characters in Wayang Kulit Kelantan, which are refined characters and rough characters. This research focuses only on the similarity in identity of the refined characters which encompass high percentage of feminine traits. The discussion in this paperwork only focuses on two refined characters which are Seri Rama and Siti Dewi. This discussion is structured based on Gender Schema Theory by Bem, through the application of Bem Sex-Role Inventory as the tool to determine the feminine traits that exist in these refined characters. With the use of this inventory, it is discovered that all three of these characters have high percentage of feminine traits even though from different gender. Therefore this research has made a new discovery through primarily applying western theory in the identification process of refined characters of Wayang Kulit Kelantan.
HERITAGE IN MOTION: SAFEGUARDING THE CULTURAL LEGACY OF WAYANG KULIT KEDU, INDONESIA
This article explores the dynamic interplay between tradition and modernity in preserving Wayang Kulit Kedu, an important Indonesian cultural heritage art performance. It identifies the diminishing engagement of the younger generations with traditional arts as a critical issue. The objective was to assess strategies for revitalizing youth interest in Wayang Kulit Kedu. This study uses a qualitative approach to analyze historical data, contemporary practices, and educational initiatives. This conclusion underscores the importance of integrating Wayang Kulit Kedu into educational curricula, leveraging digital platforms for broader dissemination, and fostering community-based preservation efforts. These strategies are essential for ensuring the survival and relevance of the art form in modern society, highlighting its unique cultural value, and fostering a sustainable connection with future generations.