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This thoughtful examination of a century of travel writing about the American West overturns a variety of popular and academic stereotypes. Looking at both European and American travelers' accounts of the West, from de Tocqueville's Democracy in America to William Least Heat-Moon's Blue Highways, David Wrobel offers a counter narrative to the nation's romantic entanglement with its western past and suggests the importance of some long-overlooked authors, lively and perceptive witnesses to our history who deserve new attention. Prior to the professionalization of academic disciplines, the reading public gained much of its knowledge about the world from travel writing. Travel writers found a wide and respectful audience for their reports on history, geography, and the natural world, in addition to reporting on aboriginal cultures before the advent of anthropology as a discipline. Although in recent decades western historians have paid little attention to travel writing, Wrobel demonstrates that this genre in fact offers an important and rich understanding of the American West-one that extends and complicates a simple reading of the West that promotes the notions of Manifest Destiny or American exceptionalism. Wrobel finds counterpoints to the mythic West of the nineteenth century in such varied accounts as George Catlin's Adventures of the Ojibbeway and Ioway Indians in England, France, and Belgium (1852), Richard Francis Burton's The City of the Saints (1861), and Mark Twain's Following the Equator (1897), reminders of the messy and contradictory world that people navigated in the past much as they do in the present. His book is a testament to the instructive ways in which the best travel writers have represented the West.

Where the Wind Dreams of Staying is a personal memoir told through interwoven essays. Dieterle details his experiences in southeastern Washington, Utah, Nevada, Iowa, California, and Airzona. His restless search for purpose, identity, and place moves through cycles of success and failure, love and loss. He captures the emotional storms of a boy, and then a man, who seeks meaning in a place, or a place with meaning. Dieterle’s journey leads from the plateau of eastern Washington through the landscapes of seven states, ending in the shadow of the San Francisco peaks in northern Arizona. In the tradition of environmental literature, readers will find rich, detailed explorations of western landscapes, balanced with stories of personal reflection, determination, doubt, and fulfillment. Along the way, he grapples with anxiety and depression, substance abuse, and failed relationships. The interior life of the author is tightly bound to the external landscapes, ecosystems, and ecologies, so that person and place become lost in one another. Ultimately a story of resilience, Where the Wind Dreams of Staying is a lyrical tribute to the richly varied landscapes and lifestyles of the inland West. It will be welcomed by readers of environmental literature and personal memoir, and anyone who has struggled against the odds in pursuit of a balanced life.

On an epic 3,000-mile journey through the most pristine backcountry of the American West, four friends rode horseback across an almost contiguous stretch of unspoiled public lands, border to border, from Mexico to Canada. For their trail horses, they adopted wild mustangs from the US Bureau of Land Management that were perfectly adapted to the rocky terrain and harsh conditions of desert and mountain travel. A meticulously planned but sometimes unpredictable route brought them face to face with snowpack, downpours, and wildfire; unrelenting heat, raging rivers, and sheer cliffs; jumping cactus, rattlesnakes, and charging bull moose; sickness, injury, and death. But they also experienced a special camaraderie with each other and with the mustangs. Through it all, they had a constant traveling companiona cameraman, shooting for the documentary film Unbranded. The trip's inspiration and architect, Ben Masters, is joined here by the three other riders, Ben Thamer, Thomas Glover, and Jonny Fitzsimons; two memorable teachers and horse trainers; and the film's producers and intrepid cameramen in the telling of this improbable story of adventure and self-discovery.

John C. Frémont was the most celebrated explorer of his era. In 1842, on the first of five expeditions he would lead to the Far West, Frémont and a small party of men journeyed up the Kansas and Platte Rivers to the Wind River Range in Wyoming. At the time, virtually this entire region was known as the Great Desert, and many Americans viewed it and the Rocky Mountains beyond as natural barriers to the United States. After Congress published Frémont's official report of the expedition, however, few doubted the nation should expand to the Pacific.The first in-depth study of this remarkable report,Sight Unseenargues that Frémont used both a radical form of art and an imaginary map to create an aesthetic desire for expansion. He not only redefined the Great Desert as a novel and complex environment, but on a summit of the Wind River Range, he envisioned the Continental Divide as a feature that would unify rather than impede a larger nation.In addition to provoking the great migration to Oregon and providing an aesthetic justification for the National Park system, Frémont's report profoundly altered American views of geography, progress, and the need for a transcontinental railroad. By helping to shape the very notion of Manifest Destiny, the report became one of the most important documents in the history of American landscape.

William Clark, co-captain of the famous Lewis and Clark Expedition, devoted his adult life to describing the American West. But this task raised a daunting challenge: how best to bring an unknown continent to life for the young republic? Through Clark's life and career, this book explores how the West entered the American imagination. While he never called himself a writer or an artist, Clark nonetheless drew maps, produced books, drafted reports, surveyed landscapes, and wrote journals that made sense of the West for a new nation fascinated by the region's potential but also fearful of its dangers.William Clark's Worldpresents a new take on the manifest destiny narrative and on the way the West took shape in the national imagination in the early nineteenth century.

Collected in this volume for the first time are Cummings's portraits of a land and its assortment of characters unlike anything back East. Characters like Pedro Armijo, the New Mexican sheep tycoon who took Denver by storm, and more prominently the Mormon prophet Brigham Young and one of his wives, Ann Eliza Young, who was filing for divorce at the time of Cummings's arrival. Although today he is virtually unknown, during his lifetime Cummings was one of the most famous newspapermen in the United States, in part because of stories like these. Complete with a biographical sketch and historical introduction,A Remarkable Curiosityis an enjoyable read for anybody interested in the American West in the latter half of the nineteenth century.

In 1842 John C.Frémont led a party of twenty-five men on a five-month journey from Saint Louis to the Wind River Range in the Rocky Mountains; his goal: to chart the best route to Oregon.

On a journey begun twenty years earlier, Daryl Farmer, a twenty-year-old two-time college dropout, did what lost men have so often done in this country: he headed west. Twenty years later and seventy pounds heavier, with the yellowing journals from that transformative five-thousand-mile bicycle trek in his pack, Farmer set out to retrace his path. This is his story of pursuing that distant summer and that distant dream of home, where home is endless space, a roof of big sky, and a bed of dry earth.

Tells the story of a group of farm girls who met while attending Iowa's Teacher's College and who shared a \"yen to see some things.\" A blend of oral and written history, adventure, memoir, and just plain heartfelt living, this book presents a story of ordinary people doing extraordinary things.