Explore the vast range of titles available.

Before World War II, Japanese immigrants, or Issei, forged a unique transnational identity between their native land and the United States. Whether merchants, community leaders, or rural farmers, Japanese immigrants shared a collective racial identity as aliens ineligible for American citizenship, even as they worked to form communities in the American West. At the same time, Imperial Japan considered Issei and their descendents part of its racial expansion abroad and enlisted them to further their nationalist goals. This book shows how Japanese immigrants negotiated their racial and class positions alongside white Americans, Chinese, and Filipinos at a time when Japan was fighting their countries of origin. Utilizing rare Japanese and English language sources, the book stresses the tight grips, as well as the clashing influences, the Japanese and American states exercised over Japanese immigrants and how they created identities that diverged from either national narrative.

The lure of cowgirls and cowboys has hooked the American imagination with the lure of freedom and adventure since the turn of the twentieth century. The cowboy and cowgirl played in the imagination and made rodeo into a symbolic representation of the Western United States. As a sport that is emblematic of all things “Western,” rodeo is a phenomenon that has since transcended into popular culture. Rodeo’s attraction has even spanned oceans and lives in the imaginations of many around the world. From the modest start of this fantastic sport in open fields to celebrate the end of a long cattle drive or to settle a friendly “who’s the best” bet between neighboring ranches, rodeo truly has grown into an edge-of-the-seat, money-drawing, and crowd-cheering favorite pastime. However, rodeo has diverse history that largely remains unaccounted for, unexamined, and silenced. In Gender, Whiteness and Power in Rodeo Tracey Owens Patton and Sally M. Schedlock visually explore how race, gender, and other issues of identity complicate the mythic historical narrative of the West. The authors examine the experiences of ethnic minorities, specifically Latinos, American Indians, and African Americans, and women who have continued to be marginalized in rodeo. Throughout the book, Patton and Schedlock questioned the binary divisions in rodeo that exists between women and men, and between ethnic minorities and Whites—divisions that have become naturalized in rodeo and in the mind of the general public. Using iconic visual images, along with the voices of the marginalized, Patton and Schedlock enter into the sometimes acrimonious debate of cowgirls and ethnic minorities in rodeo.

In 1893 Frederick Jackson Turner famously argued that the generational process of meeting and conquering the supposedly uncivilized western frontier is what forged American identity. In the late twentieth century, \"new western\" historians dissected the mythologized western histories that Turner and others had long used to embody American triumph and progress. While Turner's frontier is no more, the West continues to present America with challenging processes to wrestle, navigate, and overcome. The North American West in the Twenty-First Century , edited by Brenden W. Rensink, takes stories of the late twentieth-century \"modern West\" and carefully pulls them toward the present-explicitly tracing continuity with or unexpected divergence from trajectories established in the 1980s and 1990s. Considering a broad range of topics, including environment, Indigenous peoples, geography, migration, and politics, these essays straddle multiple modern frontiers, not least of which is the temporal frontier between our unsettled past and uncertain future. These forays into the twenty-first-century West will inspire more scholars to pull histories to the present and by doing so reinsert scholarly findings into contemporary public awareness.

In June 1867, theSan Francisco Elevator-one of the nation\\'s premier black weekly newspapers during Reconstruction-began publishing articles by a Californian calling herself \"Ann J. Trask\" and later \"Semper Fidelis.\" Her name was Jennie Carter (1830-1881), and theElevatorwould print her essays, columns, and poems for seven years. Carter probably spent her early life in New Orleans, New York, and Wisconsin, but by the time she wrote her \"Always Faithful\" columns for the newspaper, she was in Nevada County, California. Her work considers California and national politics, race and racism, women\\'s rights and suffrage, temperance, morality, education, and a host of other issues, all from the point of view of an unabashedly strong-minded African American woman. Recovering Carter\\'s work from obscurity, this volume re-presents one of the most exciting bodies of extant work by an African American journalist before the twentieth century. Editor Eric Gardner provides an introduction that documents as much of Carter\\'s life in California as can be known and places her work in historical and lite-rary context. Eric Gardner is chair and professor of English at Saginaw Valley State University. He is the editor ofMajor Voices: The Drama of Slavery, and his work has appeared inAfrican American Review, theAfrican American National Biography, andLegacy.

Nurses, show girls, housewives, farm workers, casino managers, and government inspectors-together these hard-working members of society contributed to the development of towns across the West. The essays in this volume show how oral history increases understanding of work and community in the twentieth century American West.In many cases occupations brought people together in myriad ways. The Latino workers who picked lemons together in Southern California report that it was baseball and Cinco de Mayo Queen contests that united them. Mormons in Fort Collins, Colorado, say that building a church together bonded them together. In separate essays, African Americans and women describe how they fostered a sense of community in Las Vegas. Native Americans detail the \"Indian economy\" in Northern California.As these essays demonstrate, the history of the American West is the story of small towns and big cities, places both isolated and heavily populated. It includes groups whose history has often been neglected. Sometimes, western history has mirrored the history of the nation; at other times, it has diverged in unique ways. Oral history adds a dimension that has often been missing in writing a comprehensive history of the West. Here an array of oral historians-including folklorists, librarians, and public historians-record what they have learned from people who have, in their own ways, made history.

Yellowstone. Sacagawea. Lewis & Clark. Transcontinental railroad. Indians as college mascots. All are iconic figures, symbols of the West in the Anglo-American imagination. Well-known cultural critic Norman Denzin interrogates each of these icons for their cultural meaning in this finely woven work. Part autoethnography, part historical narrative, part art criticism, part cultural theory, Denzin creates a postmodern bricolage of images, staged dramas, quotations, reminiscences and stories that strike to the essence of the American dream and the shattered dreams of the peoples it subjugated.

The American West, from the beginning of Euro-American settlement, has been shaped by diverse ideas about how to utilize physical space and natural environments to create cohesive, sometimes exclusive community identities. When westerners developed their towns, they constructed spaces and cultural identities that reflected alternative understandings of modern urbanity. The essays in City Dreams, Country Schemes utilize an interdisciplinary approach to explore the ways that westerners conceptualized, built, and inhabited urban, suburban, and exurban spaces in the twentieth century. The contributors examine such topics as the attractions of open space and rural gentrification in shaping urban development; the role of tourism in developing national parks, historical sites, and California's Napa Valley; and the roles of public art, gender, and ethnicity in shaping urban centers. City Dreams, Country Schemes reveals the values and expectations that have shaped the West and the lives of the people who inhabit it.

Based on the latest research, this work provides a new look at the lives of African Americans in the Western United States, from the colonial era to the present. From colonial times to the present, this volume captures the experiences of the westward migration of African Americans. Based on the latest research, it offers a fresh look at the many ways African Americans influenced—and were influenced by—the development of the U.S. frontier. African Americans in the West covers the rise of the slave trade to its expansion into what was at the time the westernmost United States; from the post–Civil War migrations, including the Exodusters who fled the South for Kansas in 1879 to the mid–20th century civil rights movement, which saw many critical events take place in the West—from the organization of the Black Panthers in Oakland to the tragic Watts riots in Los Angeles.

Staging Migrations toward an American Westexamines how black women's theatrical and everyday performances of migration toward the American West expose the complexities of their struggles for sociopolitical emancipation. While migration is often viewed as merely a physical process, Effinger-Crichlow expands the concept to include a series of symbolic internal journeys within confined and unconfined spaces. Four case studies consider how the featured women-activist Ida B. Wells, singer Sissieretta \"Black Patti\" Jones, World War II black female defense-industry workers, and performance artist Rhodessa Jones-imagined and experienced the American West geographically and symbolically at different historical moments. Dissecting the varied ways they used migration to survive in the world from the viewpoint of theater and performance theory, Effinger-Crichlow reconceptualizes the migration histories of black women in nineteenth- and twentieth-century America. This interdisciplinary study expands the understanding of the African American struggle for unconstrained movement and full citizenship in the United States and will interest students and scholars of American and African American history, women and gender studies, theater, and performance theory.

In less than a century, the American West has transformed from a predominantly rural region to one where most people live in metropolitan centers. Cities and Nature in the American West offers provocative analyses of this transformation. Each essay explores the intersection of environmental, urban, and western history, providing a deeper understanding of the com- plex processes by which the urban West has shaped and been shaped by its sustaining environment. The book also considers how the West's urban development has altered the human experience and perception of nature, from the administration and marketing of national parks to the consumer roots of popular environ- mentalism; the politics of land and water use; and the challenges of environmental inequities. A number of essays address the cultural role of wilderness, nature, and such activities as camping. Others examine the increasingly per- vasive power of the West's urban areas and urbanites to redefine the very foundations and future of the American West.