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Underserved women of color, voice, and resistance
Contemporary research on the lives and experiences of women of color tends to neglect the influence of women’s perceived access to voice as they manage tensions related to race, class, and gender. Underserved Women of Color, Voice, and Resistance: Claiming a Seat at the Table contributes to current dialogues that construct Black Feminist Theory as active, critical engagement within dominant American institutions that oppress women of color in their daily lives. Women of color face unique social challenges that exist at the intersections of race, gender, class, and sexual orientation. While some challenges are common to women of color, others reflect the distinct journey each woman makes as she negotiates her identity within her family, professional circle, social and romantic relationships, and community. The editors have constructed a rich collection of voices in this work exploring the politics of women of color across various social contexts.
eBook
Imagining Black Womanhood
Imagining Black Womanhood illuminates the experiences of the women and girls of the Girls Empowerment Project, an Afrocentric, womanist, single sex after-school program located in one of the Bay Area's largest and most impoverished housing developments. Stephanie Sears carefully examines the stakes of the complex negotiations of Black womanhood for both the girls served by the project and for the women who staffed it. Rather than a multigenerational alliance committed to women's and girls' empowerment, the women and girls often appeared to struggle against each other, with the girls' \"politics of respect\" often in conflict with the staff's \"politics of respectability,\" a conflict especially highlighted in the public contexts of dance performances. This ground-breaking case study offers significant insights into practices of resistance, identity work, youth empowerment, cultural politics and organizational power.
eBook
Thick : and other essays
\"In these eight ... explorations on beauty, media, money, and more, Tressie McMillan Cottom--award-winning professor and ... author of Lower Ed--embraces her ... role as a purveyor of wit, wisdom, and Black Twitter snark about all that is right and much that is wrong with this thing we call society\"--Dust jacket flap.
Book
Iconic : decoding images of the revolutionary Black woman
Angela Davis, Pam Grier, Alice Walker, Michelle Obama. Revolutionary black women have evoked strong reaction throughout American history. Magazines, political campaigns, music, television, and movies have relied upon deep-seated archetypes and habitually cast strong, countercultural black women as mammies and sexual objects. In Iconic Lakesia Johnson explores how this belittling imagery is imposed by American media, revealing an immense cultural fear of black women's power and potential.
But the media does not have the last word. Johnson chronicles how strong black women--truly revolutionary black women--have nonetheless taken control of their own imaging despite consistent negative characterizations. Through their speech, demeanor, fashion, and social relationships, women from Sojourner Truth to Michelle Obama have counteracted these depictions. With ingenuity, fortitude, and focus on the greater good, these revolutionary women transformed the cultural images of themselves and, simultaneously, those of American black women as a whole.
Seamlessly weaving together role models of past and present, from women in politics to artists and musicians, Johnson eloquently demonstrates how the revolutionary black woman in many public forums has been--and continues to be--a central figure in challenging long-standing social injustices.
eBook
Queen of the Virgins
Beauty pageants are wildly popular in the U.S. Virgin Islands, outnumbering any other single performance event and capturing the attention of the local people from toddlers to seniors. Local beauty contests provide women opportunities to demonstrate talent, style, the values of black womanhood, and the territory's social mores.
Queen of the Virgins: Pageantry and Black Womanhood in the Caribbeanis a comprehensive look at the centuries-old tradition of these expressions in the Virgin Islands. M. Cynthia Oliver maps the trajectory of pageantry from its colonial precursors at tea meetings, dance dramas, and street festival parades to its current incarnation as the beauty pageant or \"queen show.\" For the author, pageantry becomes a lens through which to view the region's understanding of gender, race, sexuality, class, and colonial power.
Focusing on the queen show, Oliver reveals its twin roots in slave celebrations that parodied white colonial behavior and created creole royal rituals and celebrations heavily influenced by Africanist aesthetics. Using the U.S. Virgin Islands as an intriguing case study, Oliver shows how the pageant continues to reflect, reinforce, and challenge Caribbean cultural values concerning femininity.Queen of the Virginsexamines the journey of the black woman from degraded body to vaunted queen and how this progression is marked by social unrest, growing middle-class sensibilities, and contemporary sexual and gender politics.
eBook
The school of Arizona Dranes
Arizona Dranes (1889-1963) was a true musical innovator whose recordings made for the Okeh label during the years 1926-1928 helped lay the foundations for what would soon be known as gospel music. Her unique blend of ragtime, barrelhouse, and boogie woogie piano plus her exciting and emotional Pentecostal style of singing influenced the development of gospel music for the next forty years and beyond. The School of Arizona Dranes: Gospel Music Pioneer covers the life and career of Dranes and situates her accomplishments in the broader history of African American gospel music and the rise of the Pentecostal movement. Starting with the earliest recordings of the music in the late nineteenth century, this book provides a history of African American sacred and gospel music that convincingly demonstrates the revolutionary nature of Dranes’s musical accomplishment. Using specific examples, the author traces the far-reaching influence of Arizona Dranes on African American gospel piano playing and singing.
eBook