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A brilliant cultural history.' Irish Examiner Girls behave badly. If they're not obscenity-shouting, pint-swigging ladettes, they're narcissistic, living dolls floating around in a cloud of self-obsession, far too busy twerking to care. And this is news. In this witty and wonderful book, Carol Dyhouse shows that where there's a social scandal or a wave of moral outrage, you can bet a girl is to blame. Whether it be stories of 'brazen flappers' staying out and up all night in the 1920s, inappropriate places for Mars bars in the 1960s or Courtney Love's mere existence in the 1990s, bad girls have been a mass-media staple for more than a century. And yet, despite the continued obsession with their perceived faults and blatant disobedience, girls are infinitely better off today than they were a century ago. This is the story of the challenges and opportunities faced by young women growing up in the swirl of the twentieth century, and the pop-hysteria that continues to accompany their progress.

The death of Princess Diana unleashed an international outpouring of grief, love, and press attention virtually unprecedented in history. Yet the exhaustive effort to link an upper class white British woman with \"the people\" raises questions. What narrative of white femininity transformed Diana into a simultaneous signifier of a national and global popular? What ideologies did the narrative tap into to transform her into an idealized woman of the millennium? Why would a similar idealization not have appeared around a non-white, non-Western, or immigrant woman? Raka Shome investigates the factors that led to this defining cultural/political moment and unravels just what the Diana phenomenon represented for comprehending the relation between white femininity and the nation in postcolonial Britain and its connection to other white female celebrity figures in the millennium. Digging into the media and cultural artifacts that circulated in the wake of Diana's death, Shome investigates a range of salient theoretical issues surrounding motherhood and the production of national masculinities, global humanitarianism, transnational masculinities, the intersection of fashion and white femininity with each other and national modernity. Her analysis explores how images of white femininity in popular culture intersect with issues of race, gender, class, sexuality, and transnationality. Moving from ideas on the positioning of privileged white women in global neoliberalism to the emergence of new formations of white femininity in the millennium, Diana and Beyond fearlessly explains the late princess's never-ending renaissance and ongoing cultural relevance.

This book critically examines the significance of gender, race and sexuality to wars waged by liberal states. Drawing on original field-research with British soldiers, it offers insights into how their everyday experiences are shaped by, and shape, a politics of gender, race and sexuality that not only underpins power relations in the military, but the geopolitics of wars waged by liberal states. Linking the politics of daily life to the international is an intervention into international relations (IR) and security studies because instead of overlooking the politics of the everyday, this book insists that it is vital to explore how geopolitical events and practices are co-constituted, reinforced and contested by it. By utilising insights from Michel Foucault, the book explores how shared and collectively mediated knowledge on gender, race and sexuality facilitates certain claims about the nature of governing in liberal states and about why and how such states wage war against 'illiberal' ones in pursuit of global peace and security. The book also develops post-structural work in international relations by urging scholars interested in the linguistic construction of geopolitics to consider the ways in which bodies, objects and architectures also reinforce particular ideas about war, identity and statehood.

Women and the Irish Diaspora looks at the changing nature of national and cultural belonging both among women who have left Ireland and those who remain. It identifies new ways of thinking about Irish modernity by looking specifically at women's lives and their experiences of migration and diaspora. Based on original research with Irish women both in Ireland and in England, this book explores how questions of mobility and stasis are recast along gender, class, racial and generational lines. Through analyses of representations of 'the strong Irish mother', migrant women, 'the global Irish family' and celebrity culture, Breda Gray further unravels some of the complex relationships between femininity and Irish modernity(ies). Acknowledgements Introduction Migration and Irish women The categories 'women', 'the Irish diaspora' and 'the global' 'The Irish Atlantic' and 'the Irish Sea' Researching women and the Irish diaspora - journeys and encounters 1. 'Women', the Diaspora and Irish Modernity(ies) The Irish game of sexuality in 'controlled' and 'globalised' modernities Emigration and the Irish diaspora in the 1990s Migration, diaspora and the work of nation Mary Robinson and the Irish diaspora The limits of diasporic belonging Conclusion 2. 'Keeping Up Appearances' and the Contested Category 'Irish Women' Irish femininities in the 1990s Feminists, women in paid-work and 'women in the home' Icons of Irish femininity - negotiating contradictory legacies Conclusion 3. 'We Haven't Really Got a Set Country' - Global Mobilities and Irish Traveller Women Irish Traveller mobilities and national belonging Telling 'the difference' - the ideology of domesticity and Traveller women Contested histories and multicultural belonging(s) Inhabiting Irish identity as Traveller women in England Conclusion 4. 'The Bright and the Beautiful Take Off ' Gendered Negotiations of Staying and Going Resistance, choice, agency and staying-put Impermissible narratives of migration and belonging 'Suspect' belongings - migrant relationships to the 'homeland' Conclusion 5. 'Are We Here Or Are We There?' - Migrant Irish Identity in 1990s London Class, generation, 'homeland' and Irish identity in London Irish migrant femininities in London Women's transnational lives - hybrid or divided selves? 'Peg' communities and multicultural London Religion and London-Irish identity Conclusion 6. 'The Irish Are Not \"Ethnic\" - 'Whiteness', Femininities and Migration Whitely scripts Citizenship and migration in proximity Cultural exclusion and racial inclusion A transnational 'white' Irishness? Conclusion 7. Women, the Diaspora and the 'Global Irish Family' - Feminist Contentions The 'global Irish family' Blurring the migrant/non-migrant dichotomy Conclusion References Appendices Index Breda Gray is Senior Lecturer, Women's Studies in the Department of Sociology at the University of Limerick. Edited by Maureen McNeil, Lynne Pearce and Beverley Skeggs .

The non-judicial confinement of women is a common event in medieval European literature and hagiography. The literary image of the imprisoned woman, usually a noblewoman, has carried through into the quasi-medieval world of the fairy and folk tale, in which the 'maiden in the tower' is one of the archetypes. Yet the confinement of women outside of the judicial system was not simply a fiction in the medieval period. Men too were imprisoned without trial and sometimes on mere suspicion of an offence, yet evidence suggests that there were important differences in the circumstances under which men and women were incarcerated, and in their roles in relation to non-judicial captivity. This study of the confinement of women highlights the disparity in regulation concerning male and female imprisonment in the middle ages, and gives a useful perspective on the nature of medieval law, its scope and limitations, and its interaction with royal power and prerogative. Looking at England from 1170 to 1509, the book discusses: the situations in which women might be imprisoned without formal accusation of trial; how social status, national allegiance and stage of life affected the chances of imprisonment; the relevant legal rules and norms; the extent to which legal and constitutional developments in medieval England affected women's amenability to confinement; what can be known of the experiences of women so incarcerated; and how women were involved in situations of non-judicial imprisonment, aside from themselves being prisoners. Gwen Seabourne is Senior Lecturer in the School of Law, University of Bristol, UK. She specialises in medieval legal history, and has written on medieval crime, economic regulation and medieval women.

Full of unique and compelling insights into the working lives of migrant women in the UK, this book draws on more than two decades of in-depth research to explore the changing nature of women's employment in post-war Britain. * A first-rate example of theoretically located empirical analysis of labour market change in contemporary Britain * Includes compelling case studies that combine historical documentation of social change with fascinating first-hand accounts of women's working lives over decades * Integrates information gleaned from more than two decades of in-depth research * Revealing comparative analysis of the similarities and differences in the lives of immigrant working women in post-war Britain * Features real-life accounts of women's under-reported experiences of migration

No-one can hope to understand the workings of the welfare state without first appreciating women's part in it. In the past decade the significance of the gendering of welfare states has become widely accepted, extensively charted in research, and more systematically theorized. Building on her earlier work, in Social Policy: A New Feminist Analysis Gillian Pascall confronts the challenges and outlines the developments that have taken place during the eleven years since its first publication. This new edition also reflects extensive social changes in women's participation at work, educational achievement, security in marriage; and policy changes aimed at producing a mixed economy of welfare, increasing family responsibility in health, community care, housing, education and income security. It examines the changing pattern of welfare provision, with increasing reliance on women's unpaid work, the gendered nature of UK welfare structures, the continuing dependence of women on men's incomes and on welfare benefits, the public/private divide, women's non-citizenship as carers for young and old; and the changing political climate of the 1980's and 1990's. Social Policy: A New Feminist Analysis covers traditional policy areas, which makes it ideal reading for students of health, housing, social security and education as well as courses about women.

First published in 1972, this book contains a collection of ten essays that document the feminine stereotypes that women fought against, and only partially erased, a hundred years ago. In an introductory essay, Martha Vicinus describes the perfect Victorian lady, showing that the ideal was a combination of sexual innocence, conspicuous consumption and worship of the family hearth. Indeed, this model in some form was the ideal of all classes as the perfect lady's only functions were marriage and procreation. The text offers a valuable insight into Victorian culture and society.

In this fascinating and unique study, Ann Hughes examines how the experience of civil war in seventeenth-century England affected the roles of women and men in politics and society; and how conventional concepts of masculinity and femininity were called into question by the war and the trial and execution of an anointed King. Ann Hughes combines discussion of the activities of women in the religious and political upheavals of the revolution, with a pioneering analysis of how male political identities were fractured by civil war. Traditional parallels and analogies between marriage, the family and the state were shaken, and rival understandings of sexuality, manliness, effeminacy and womanliness were deployed in political debate. In a historiography dominated by military or political approaches, Gender and the English Revolution reveals the importance of gender in understanding the events in England during the 1640s and 1650s. It will be an essential resource for anyone interested in women's history, feminism, gender or British History.