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281 result(s) for "Women Social conditions Fiction."
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The Woman Priest
\"In providing a modern translation . . . Sheila Delany sheds light on a text that illustrates the complexity of Enlightenment attitudes toward religion.\" — Reading Religion \"My God! Pardon me if I have dared to make sacred things serve a profane love; but it is you who have put passion into our hearts; they are not crimes—I feel this in the purity of my intentions.\" —Agatha, writing to Zoé In pre-revolutionary Paris, a young woman falls for a handsome young priest. To be near him, she dresses as a man, enters his seminary, and is invited to become a fully ordained Catholic priest—a career forbidden to women then as now. Sylvain Maréchal's epistolary novella offers a biting rebuke to religious institutions and a hypocritical society; its views on love, marriage, class, and virtue remain relevant today. The book ends in La Nouvelle France, which became part of British-run Canada during Maréchal's lifetime. With thorough notes and introduction by Sheila Delany, this first translation of Maréchal's novella, La femme abbé, brings a little-known but revelatory text to the attention of readers interested in French history and literature, history of the novel, women's studies, and religious studies. \"While the contents of The Woman Priest make for a good story (drag, drama, and death—what more can you ask for?), the astonishing complexity of the novella seems to lie not necessarily in the general plot line, but rather in the context in which the author wrote the book—as brilliantly explained in Delany's introduction to her translation.\" — Canadian Literature
The woman priest : a translation of Sylvain Maréchal's novella, La femme abbé
\"In pre-revolutionary Paris, a young woman falls for a handsome young priest. To be near him, she dresses as a man, enters his seminary, and is invited to become a fully ordained Catholic priest, a career forbidden to women then as now. Sylvain Maréchal's epistolary novella offers a biting rebuke to religious institutions and a hypocritical society; its views on love, marriage, class, and virtue remain relevant today. The book ends in la Nouvelle France, which had become part of Canada during Maréchal's lifetime. With thorough notes and introduction by Sheila Delany, this first translation of Maréchal's novella, La femme abbé, brings a little-known but revelatory text to the attention of readers interested in French history and literature, history of the novel, women's studies, and religious studies.\"-- Provided by publisher.
Is It Just?
Minnie Smith's (ca. 1874-1933) feminist domestic novel, Is It Just? , is a harsh critique of the injustices perpetuated by male-dominated society and law. Published in 1911, it tells the tragic story of Mary Pierce, who, through the actions of her selfish and lazy husband, loses her land, her social standing, and ultimately her life. In Is It Just? , the conventions of the domestic novel - episodic presentation, stock characters, contrived plots, and romantic conclusions - illustrate the superiority of female values and argue for expanded social, political, and legal rights for women. A critical introduction by Jenny Roth and Lori Chambers frames Smith's specific references to the laws and social geography of British Columbia, situating the novel in relation to its historic and literary importance. This unique work of domestic literature adds to our limited library of Canadian feminist writings of the first wave.
Voyage Out
Source: National Library of New Zealand Te Puna Matauranga o Aotearoa, licensed by the Department of Internal Affairs for re-use under the Creative Commons Attribution 3.0 New Zealand Licence.
Amputated memory: a song-novel
Pinned between the political ambitions of her philandering father, the colonial and global influences of encroaching and exploitative governments, and the traditions of her Cameroon village, Halla Njok recalls childhood traumas and reconstructs forgotten experiences to reclaim her sense of self. Winner of the Noma Award - previous honorees include Mamphela Ramphele, Ngugi wa Thiong'o, and Ken Saro-Wiwa - The Amputated Memory was called by the Noma jury a truly remarkable achievement . . . a deeply felt presentation of the female condition in Africa...''
Her America
One of the preeminent authors of the early twentieth century, Susan Glaspell (1876-1948) produced fourteen ground-breaking plays, nine novels, and more than fifty short stories. Her work was popular and critically acclaimed during her lifetime, with her novels appearing on best-seller lists and her stories published in major magazines and inThe Best American Short Stories. Many of her short works display her remarkable abilities as a humorist, satirizing cultural conventions and the narrowness of small-town life. And yet they also evoke serious questions-relevant as much today as during Glaspell's lifetime-about society's values and priorities and about the individual search for self-fulfillment. While the classic \"A Jury of Her Peers\" has been widely anthologized in the last several decades, the other stories Glaspell wrote between 1915 and 1925 have not been available since their original appearance. This new collection reprints \"A Jury of Her Peers\"-restoring its original ending-and brings to light eleven other outstanding stories, offering modern readers the chance to appreciate the full range of Glaspell's literary skills.Glaspell was part of a generation of midwestern writers and artists, including Sherwood Anderson, Sinclair Lewis, Willa Cather, and F. Scott Fitzgerald, who migrated first to Chicago and then east to New York. Like these other writers, she retained a deep love for and a deep ambivalence about her native region. She parodied its provincialism and narrow-mindedness, but she also celebrated its pioneering and agricultural traditions and its unpretentious values. Witty, gently humorous, satiric, provocative, and moving, the stories in this timely collection run the gamut from acerbic to laugh-out-loud funny to thought-provoking. In addition, at least five of them provide background to and thematic comparisons with Glaspell's innovative plays that will be useful to dramatic teachers, students, and producers.With its thoughtful introduction by two widely published Glaspell scholars,Her Americamarks an important contribution to the ongoing critical and scholarly efforts to return Glaspell to her former preeminence as a major writer. The universality and relevance of her work to political and social issues that continue to preoccupy American discourse-free speech, ethics, civic justice, immigration, adoption, and gender-establish her as a direct descendant of the American tradition of short fiction derived from Hawthorne, Poe, and Twain.