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9
result(s) for
"Women entertainers Fiction."
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Female Performers in British and American Fiction
by
Straumann, Barbara
in
English and Anglo-Saxon literatures
,
English literature-19th century
,
gender
2018
The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.
Bricktop's Paris
2015
2015 CHOICE Outstanding Academic Title Longlisted
for the 2015 American Library in Paris Book Award During
the Jazz Age, France became a place where an African American woman
could realize personal freedom and creativity, in narrative or in
performance, in clay or on canvas, in life and in love. These women
were participants in the life of the American expatriate colony,
which included F. Scott Fitzgerald, Gertrude Stein, and Cole
Porter, and they commingled with bohemian avant-garde writers and
artists like Picasso, Breton, Colette, and Matisse. Bricktop's
Paris introduces the reader to twenty-five of these women and
the city they encountered. Following this nonfiction account, T.
Denean Sharpley-Whiting provides a fictionalized autobiography of
Ada \"Bricktop\" Smith, which brings the players from the world of
nonfiction into a Paris whose elegance masks a thriving underworld.
City of girls
\"[A] unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves--and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now eighty-nine years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life--and the gusto and autonomy with which she approached it.\"-- Provided by publisher.
Recoding the chaste kisaeng in Yi Hae-jo's Kang myŏng-hwa chŏn
2019
Korea's abrupt transition into modernization was followed closely by Japanese colonialism at the turn of the twentieth century. With this social and political upheaval came the sudden hegemony of novel ideologies over an established traditional Confucian system. In public discourse and literary representations of early modern Korea, women figured as emblems of the country's larger existential crisis. In addition, the kisaeng (generally known as female entertainers in pre-modern Korea) occupied a precarious ambiguity in the public sphere as innovators of new cultural trends and persistent obstacles to domestic morality. This study examines this ambiguity as a productive, creative deliberation regarding changing roles of women in Korea. I focus in particular on the hybridization of traditional imagery depicting female chastity (chŏngchŏl) in Yi Hae-jo's fictionalized biography of the kisaeng, Kang Myŏng-hwa, which localized aesthetics of feminism and free love ideology for Korean reading publics. Through the biographical text of Kang Myŏng-hwa chŏn, the chaste kisaeng archetype relives the classical narrative of Ch'un-hyang and her virtuous wifely love for an aristocrat. In effect, Ch'un-hyang is remythologized in Kang Myŏng-hwa in the twentieth-century as a bridge between the past and modernity.
Journal Article
Conversational storytelling among Japanese women : conversational circumstances, social circumstances and tellability of stories
2012
This book presents research findings on the overall process of storytelling as a social event in Japanese everyday conversations focusing on the relationship between a story and surrounding talks, the social and cultural aspects of the participants, and the tellability of conversational stories. Focusing on the participants' verbal and nonverbal behavior and their use of linguistic devices, the chapters describe how the participants display their orientation to the a) embeddedness of the story in the conversation, b) their views of past events, c) their knowledge about the story content and elements, and d) their social circumstances, and how these four elements are relevant for a story becoming worth telling and sharing. The book furthers the sociolinguistic analysis of conversational storytelling by describing how the participants' concerns about social circumstances as members of a particular community, specifically their role relationships and interpersonal relationships with others, influence the shape of their storytelling.
Elizabeth Robins: Staging a Life
by
John, Prof Angela V
,
John, Angela V.
in
Actors
,
Actresses -- England -- Biography
,
Actresses -- United States -- Biography
1995,2002
A woman of extraordinary energy, talent and versatility. Elizabeth Robins was an actress who popularised Ibsen on the British stage, a prolific and popular writer of novels and non-fiction, and an Edwardian suffragette. Her extensive circle of friends included Florence Bell, Henry James, John Masefield and William Archer. She worked with the Pankhursts and knew the Woolfs. Through examining the life and work of this vivid and transatlantic figure born during the American Civil War yet surviving into the England of the 1950s, Angela John raises questions about the shaping of historical identities. Situating Elizabeth Robins's achievement in the context of the British and American cultural history of the period, this is a book which will attract historians, teachers and students of theatre studies and all those fascinated by biography.
China Dolls
2014
The lives of three young Chinese American women-Grace, Helen, and Ruby-intersect in valuable and often violent ways in preWWII San Francisco as they shed their drab former lives to become glamorous entertainers at the city's rising hot spot, the Forbidden City nightclub.
Book Review