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Generations of women historians : within and beyond the academy
\"This collection focuses on generations of early women historians, seeking to identify the intellectual milieu and professional realities that framed their lives. It moves beyond treating them as simply individuals and looks to the social and intellectual forces that encouraged them to study history and, at the same time, would often limit the reach and define the nature of their study. 0This collection of essays speaks to female practitioners of history over the past four centuries that published original histories, some within a university setting and some outside. By analysing the values these early women scholars faced, readers can understand the broader social values that led women historians to exist as a unit apart from the career path of their male colleagues.\"--Back cover.
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Citizenship and the Origins of Women's History in the United States
Women's history emerged as a genre in the waning years of the eighteenth century, a period during which concepts of nationhood and a sense of belonging expanded throughout European nations and the young American republic. Early women's histories had criticized the economic practices, intellectual abilities, and political behavior of women while emphasizing the importance of female domesticity in national development. These histories had created a narrative of exclusion that legitimated the variety of citizenship considered suitable for women, which they argued should be constructed in a very different way from that of men: women's relationship to the nation should be considered in terms of their participation in civil society and the domestic realm. But the throes of the Revolution and the emergence of the first woman's rights movement challenged the dominance of that narrative and complicated the history writers' interpretation of women's history and the idea of domestic citizenship.In Citizenship and the Origins of Women's History in the United States, Teresa Anne Murphy traces the evolution of women's history from the late eighteenth century to the time of the Civil War, demonstrating that competing ideas of women's citizenship had a central role in the ways those histories were constructed. This intellectual history examines the concept of domestic citizenship that was promoted in the popular writing of Sarah Josepha Hale and Elizabeth Ellet and follows the threads that link them to later history writers, such as Lydia Maria Child and Carolyn Dall, who challenged those narratives and laid the groundwork for advancing a more progressive woman's rights agenda. As woman's rights activists recognized, citizenship encompassed activities that ranged far beyond specific legal rights for women to their broader terms of inclusion in society, the economy, and government. Citizenship and the Origins of Women's History in the United States demonstrates that citizenship is at the heart of women's history and, consequently, that women's history is the history of nations.
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Fractured families
It's the Garden of Eden. And the weather is absolutely freezing! The discovery of the body of a young man inside the mausoleum of the Civil War veteran who commissioned this bizarre sculpture park makes the blood of Undersheriff Lottie Albright and her husband's Aunt Dorothy run cold. Dorothy Mercer, paying a visit to Western Kansas from Manhattan, may be a bestselling mystery novelist, but she is truly shocked confronting murder firsthand. But the real bone-chiller is yet to come.
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Marriage of Minds
Oscar Skelton (1878-1941) was a prominent early-twentieth century scholar who became a civil servant and political advisor to prime ministers Mackenzie King and R.B. Bennett. He wrote a number of important books and one,Socialism: A Critical Analysis, was highly praised by Vladimir Lenin. His wife, Isabel Skelton (1877-1956), wrote extensively about literature and history; she was the first historian to treat women from the country's past individually in their own right rather than as a generalized category. Both husband and wife promoted the idea that Canada was an independent nation that no longer needed Britain's tutelage.
Terry Crowley has written a unique double biography that examines the lives of Isabel and Oscar, their works, and their careers. He shows how both individuals in their own way influenced the development of Canada as a nation state. Crowley questions why, when both Isabel and Oscar wrote influential works, Oscar's career blossomed, while Isabel remains virtually unrecognized. He concludes that despite Isabel's literary accomplishments, her life remained enmeshed in domestic and family roles, while Oscar's rise to prominence was facilitated by male scholarly and publishing networks as well as the support that women provided to men's careers. This book traces the lives of two people who rejected British colonialism and hailed a new nation on the world's stage, examining the intersections of gender, nationality, and literary expression at a significant juncture in Canada's history.
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Telling Histories
The field of black women's history gained recognition as a legitimate field of study only late in the twentieth century. Collecting stories that are both deeply personal and powerfully political,Telling Historiescompiles seventeen personal narratives by leading black women historians at various stages in their careers. Their essays illuminate how--first as graduate students and then as professional historians--they entered and navigated the realm of higher education, a world concerned with and dominated by whites and men. In distinct voices and from different vantage points, the personal histories revealed here also tell the story of the struggle to establish a new scholarly field.Black women, alleged by affirmative-action supporters and opponents to be \"twofers,\" recount how they have confronted racism, sexism, and homophobia on college campuses. They explore how the personal and the political intersect in historical research and writing and in the academy. Organized by the years the contributors earned their Ph.D.'s, these essays follow the black women who entered the field of history during and after the civil rights and black power movements, endured the turbulent 1970s, and opened up the field of black women's history in the 1980s. By comparing the experiences of older and younger generations, this collection makes visible the benefits and drawbacks of the institutionalization of African American and African American women's history.Telling Historiescaptures the voices of these pioneers, intimately and publicly.Contributors:Elsa Barkley Brown, University of MarylandMia Bay, Rutgers UniversityLeslie Brown, Washington University in St. LouisCrystal N. Feimster, University of North Carolina at Chapel HillSharon Harley, University of MarylandWanda A. Hendricks, University of South CarolinaDarlene Clark Hine, Northwestern UniversityChana Kai Lee, University of GeorgiaJennifer L. Morgan, New York UniversityNell Irvin Painter, Newark, New JerseyMerline Pitre, Texas Southern UniversityBarbara Ransby, University of Illinois at ChicagoJulie Saville, University of ChicagoBrenda Elaine Stevenson, University of California, Los AngelesUla Taylor, University of California, BerkeleyRosalyn Terborg-Penn, Morgan State UniversityDeborah Gray White, Rutgers University
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British women writers and the writing of history, 1670-1820
Adding their contributions to accounts of early modern writing refutes the assumption that historiography was an exclusive men's club and that fiction was the only prose genre open to women.
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Hidden heritage
\"After a gruesome killing at the Carlton County, Kansas, livestock feedyard, Sheriff Sam Abbot, Undersheriff Lottie Albright, and her ranching husband deputy know their resources are over-stretched. Still, none of their team or neighboring law enforcement in Western Kansas welcomes the idea of a regional crime center\"--Dust jacket flap.
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Alias Olympia
Eunice Lipton was a fledging art historian when she first became intrigued by Victorine Meurent, the nineteenth-century model who appeared in Edouard Manet's most famous paintings, only to vanish from history in a haze of degrading hearsay. But had this bold and spirited beauty really descended into prostitution, drunkenness, and early death-or did her life, hidden from history, take a different course altogether? Eunice Lipton's search for the answer combines the suspense of a detective story with the revelatory power of art, peeling off layers of lies to reveal startling truths about Victorine Meurent-and about Lipton herself.
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