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679 result(s) for "Women in literature Canada."
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The Cambridge Companion to Margaret Atwood
Margaret Atwood's international celebrity has given a new visibility to Canadian literature in English. This Companion provides a comprehensive critical account of Atwood's writing across the wide range of genres within which she has worked for the past forty years, while paying attention to her Canadian cultural context and the multiple dimensions of her celebrity. The main concern is with Atwood the writer, but there is also Atwood the media star and public performer, cultural critic, environmentalist and human rights spokeswoman, social and political satirist, and mythmaker. This immensely varied profile is addressed in a series of chapters which cover biographical, textual, and contextual issues. The Introduction contains an analysis of dominant trends in Atwood criticism since the 1970s, while the essays by twelve leading international Atwood critics represent the wide range of different perspectives in current Atwood scholarship.
Settler Feminism and Race Making in Canada
Settler Feminism and Race Making in Canadaengages in a discursive analysis of three 'texts' - the narratives of Anna Jameson (Winter Studies and Summer Rambles in Canada), Theresa Gowanlock and Theresa Delaney (Two Months in the Camp of Big Bear), and the 'Janey Canuck' books of Emily Murphy - in order to examine how, in the context of a settler colony, white women have been part of the project of its governance, its racial constitution, and its role in British imperialism. Using Foucauldian theories of governmentality to connect these first-person narratives to wider strategies of race making, Jennifer Henderson develops a feminist critique of the ostensible freedom that Anglo-Protestant women found within nineteenth-century liberal projects of rule. Henderson's interdisciplinary approach - including critical studies in law, literature, and political history - offers a new perspective on these women that detaches them from the dominant colony-to-nation narrative and shows their importance in a tradition of moral regulation. This project not only redresses problems in Canadian literary history, it also responds to the limits of postcolonial, nationalist, and feminist projects that search for authentic voices and resistant agency without sufficient attention to the layers of historical sedimentation through which these voices speak.
Ethel Wilson
When Ethel Wilson published her first novel,Hetty Dorval, she was in her sixtieth year. With her subsequent books, among them the widely readSwamp Angel(1954), she established herself as one of Canada's most important writers. Although she fostered a reputation for being an unambitious latecomer, a happily married doctor's wife who wrote for her own pleasure, she in fact took her writing very seriously, trying for several years to place her work with major American publishers. David Stouck's engaging biography of this elusive Canadian writer draws on archival material and interviews to describe, in detail, her early life as an orphan in England and Vancouver and her long writer's apprenticeship, spanning from the publication of some children's stories in 1919 to the appearance ofHetty Dorvalin 1947. Stouck's narrative charts the resistance among publishers, critics, and readers to the curious mixture in her work of an Edwardian sensibility and a postmodern intelligence. He also documents her own resistance to both literary nationalism and creative writing classes as strategies for promoting literature. She was nevertheless one of the few Canadian women writers to emerge from the 1950s, and she is still being read - all her books remaining in print. Stouck observes that Wilson's writing is marked by epistemological and ethical uncertainties that are rooted in the contingencies of language, because, as Wilson herself liked to quote from Lewis Carroll, the 'meaning [of words] depends on who is the master.'Ethel Wilson: A Critical Biographyis the story of a distinguished writer whose works are rightly considered classics of Canadian literature.
Literary fantasy in contemporary Chinese diasporic women's literature : imagining home
\"This book explores the role of literary fantasy in contemporary women's diasporic narratives to unsettle hegemonic notions of home and to construct their identity. Fantasy in their works plays a subversive function of bringing the unseen culture and unheard voices of the marginalized people\"-- Provided by publisher.
The Tumble of Reason
Heble offers both a careful reading of Munro's stories and a theoretical framework for reading meanings in absence. His book extends recent revisionist analysis and makes a valuable and original contribution to the criticism on Munro.
Writing in the Feminine in French and English Canada
Considers the contemporary movement of \"writing in the feminine\", by examining the work of five women writers from French and English Canada and the dialogue therein with feminist and psychoanalytic theory and theories of ethics.