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16 result(s) for "Women journalists - Great Britain"
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Is this OK? : one woman's search for connection online
Music journalist, self-professed creep and former winner of the coveted 'Fittest Girl in Year 11' award, Harriet Gibsone lives in fear of her internet searches being leaked. Until a diagnosis of early onset menopause in her late twenties, Harriet spent much of her young life feeding neuroses and insecurities with obsessive internet searching (including compulsive googling of exes, prospective partners, and their exes), and indulging in whirlwind 'parasocial relationships' (translation: one-sided affairs with celebrities she has never met). Suddenly staring down years of IVF, HRT and other invasive medical treatments, her relationship with the internet takes a darker turn, as her online addictions are thrown into sharp relief by the corporeal realities of illness and motherhood.
Women and Journalism
Women and Journalism offers a rich and comprehensive analysis of the roles, status and experiences of women journalists in the United States and Britain. Drawing on a variety of sources and dealing with a host of women journalists ranging from nineteenth century pioneers to Martha Gellhorn, Kate Adie and Veronica Guerin, the authors investigate the challenges women have faced in their struggle to establish reputations as professionals. This book provides an account of the gendered structuring of journalism in print, radio and television and speculates about women's still-emerging role in online journalism. Their accomplishments as war correspondents are tracked to the present, including a study of the role they played post-September 11th.
Penny Red
In the space of a year, Laurie Penny has become one of the most prominent voices of the new left. This book brings together her diverse writings, showing what it is to be young, angry and progressive in the face of an increasingly violent and oppressive UK government. Penny Red: Notes from the New Age of Dissent collects Penny's writings on youth politics, resistance, feminism and culture. Her journalism is a unique blend of persuasive analysis, captivating interviews and first-hand accounts of political direct action. She was involved in all the key protests of 2010/2011, including the anti-fees demos in 2010 and the anti-cuts protests of spring 2011, often tweeting live from the scene of kettles and baton charges. An introduction and extensive footnotes allow Penny to connect all the strands of her work, showing the links between political activism and wider social and cultural issues. This book is essential for understanding what motivates the new generation of activists, writers and thinkers that bring creativity, energy and urgency to the fight against capitalism and exploitation.
Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England
Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jan k, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi
Damsel in distress
\"It's Spring 1923, and love is in bloom -- though not for long. The Honourable Daisy Dalrymple has been enlisted by her childhood friend to recover his missing sweetheart. Miss Gloria Arbuckle, daughter of an American millionaire, has been abducted by kidnappers. Strictly forbidden to contact the police by Gloria's distraught father, Daisy must resist the temptation to bring her occasional collaborator, Scotland Yard's Detective Chief Inspector Alec Fletcher, into the case. But as she closes in on the abductors' rural hideway, she realizes that Gloria isn't the only fair damsel whose life hangs in the balance.\" -- Back cover.