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4 result(s) for "Women motion picture producers and directors -- United States Interviews"
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Devotion
Garrett Bradley works across narrative, documentary, and experimental modes of filmmaking to address themes such as race, class, familial relationships, social justice, and cultural histories in the United States. Her collaborative and research-based approach to filmmaking is often inspired by the real-life stories of her protagonists. This book explores Bradley's work through the lens of devotion and features conversations with the artist and contributions from the likes of Ashley Clark, Arthur Jafa, Joy James, Tyler Mitchell, Kevin Quashie, and Claudia Rankine. This is the first volume in a new series of readers copublished with Lisson Gallery entitled Re:, which will respond to a number of its artists and themes past and present. Adopting archival material alongside newly shot footage, Bradley's films exist simultaneously in the past, present, and future, not only disrupting our perception of time, but also breaking down our preconceived ideas about objectivity, perspective, and truth-telling. These narratives unfold naturally in both feature-length and short form, revealing a multitude of individual and collective stories. The social, economic, and racial politics of everyday life--its joys, pleasures, and pains--are lyrically and intimately rendered on screen.
Women of Vision
Alexandra Juhasz asked twenty-one women to tell their stories-women whose names make up a who is (and who will be) who of independent and experimental film and video. What emerged in the resulting conversations is a compelling (and previously underdocumented) history of feminism and feminist film and video, from its origins in the fifties and sixties to its apex in the seventies, to today. Interviewees: Pearl Bowser, Margaret Caples, Michelle Citron, Megan Cunningham, Cheryl Dunye, Vanalyne Green, Barbara Hammer, Kate Horsfield, Carol Leigh, Susan Mogul, Juanita Mohammed, Frances Negrón-Muntaner, Eve Oishi, Constance Penley, Wendy Quinn, Julia Reichert, Carolee Schneemann, Valerie Soe, Victoria Vesna, and Yvonne Welbon.
Kathryn Bigelow
With her gripping film The Hurt Locker, Kathryn Bigelow (b. 1951) made history in 2010 by becoming the first woman to win an Oscar for Best Director. Since then she has also filmed history with her latest movie, which is about the mission to kill Osama Bin Laden. The Loveless Near Dark Blue Steel Point Break Near Dark Strange Days K-19: The Widowmaker The Hurt Locker
Looking Beyond Race: An Interview with Jennifer Fox
Director Jennifer Fox is interviewed about issues related to her ten-hour documentary series about an interracial family living in Queens NY, entitled \"An American Love Story.\"