Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Item Type
      Item Type
      Clear All
      Item Type
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Is Full-Text Available
    • Subject
    • Country Of Publication
    • Publisher
    • Source
    • Language
    • Place of Publication
    • Contributors
    • Location
30 result(s) for "Women novelists, American 19th century."
Sort by:
Work ; Eight cousins ; Rose in bloom ; Stories & other writings
\"After the success of Little Women, Louisa May Alcott brought her genius for characterization and eye for detail to a series of revolutionary novels and stories remarkable for their forthright assertion of women's rights. In the largely autobiographical Work : A Story of Experience, twenty-one-year-old orphan Christie Devon announces 'a new Declaration of Independence' and pursues economic self-sufficiency through a variety of jobs: servant, actress, governess, companion, and seamstress, among others. Eight Cousins and its sequel, Rose in Bloom, follow the fate of Rose Campbell, another orphan, who with the benefit of a progressive education charts her own course to fulfillment and love. All three novels are presented with art from the original editions and supplemented by seven rare stories and public letters--two restored to print tor the first time in more than a century--as well as notes identifying the many allusions, quotations, and autobiographical episodes\"--Publisher's description.
The Cambridge Introduction to Harriet Beecher Stowe
Through the publication of her bestseller Uncle Tom's Cabin, Harriet Beecher Stowe became one of the most internationally famous and important authors in nineteenth-century America. Today, her reputation is more complex, and Uncle Tom's Cabin has been debated and analysed in many different ways. This book provides a summary of Stowe's life and her long career as a professional author, as well as an overview of her writings in several different genres. Synthesizing scholarship from a range of perspectives, the book positions Stowe's work within the larger framework of nineteenth-century culture and attitudes about race, slavery and the role of women in society. Sarah Robbins also offers reading suggestions for further study. This introduction provides students of Stowe with a richly informed and accessible introduction to this fascinating author.
Melville in love : the secret life of Herman Melville and the muse of Moby-Dick
\"In Melville in Love Pulitzer Prize-finalist Michael Shelden sheds light on this literary mystery to tell a story of Melville's passionate, obsessive, and clandestine affair with a married woman named Sarah Morewood, whose libertine impulses encouraged and sustained Melville's own. In his research, Shelden discovered unexplored documents suggesting that, in their shared resistance to the \"iron rule\" of social conformity, Sarah and Melville had forged an illicit and enduring romantic and intellectual bond. Emboldened by the thrill of courting Sarah in secret, the pleasure of falling in love, and the excitement of spending time with literary luminaries--like Dr. Oliver Wendell Holmes and Nathaniel Hawthorne--Melville found the courage to take the leap from light works of adventure to the hugely brilliant, utterly subversive Moby-Dick.\"--Jacket flap.
Elizabeth Robins: Staging a Life
A woman of extraordinary energy, talent and versatility. Elizabeth Robins was an actress who popularised Ibsen on the British stage, a prolific and popular writer of novels and non-fiction, and an Edwardian suffragette. Her extensive circle of friends included Florence Bell, Henry James, John Masefield and William Archer. She worked with the Pankhursts and knew the Woolfs. Through examining the life and work of this vivid and transatlantic figure born during the American Civil War yet surviving into the England of the 1950s, Angela John raises questions about the shaping of historical identities. Situating Elizabeth Robins's achievement in the context of the British and American cultural history of the period, this is a book which will attract historians, teachers and students of theatre studies and all those fascinated by biography.
Women writers and detectives in nineteenth-century crime fiction : the mothers of the mystery genre
This book is a study of the 'mothers' of the mystery genre. Traditionally the invention of crime writing has been ascribed to Poe, Wilkie Collins and Conan Doyle, but they had formidable women rivals, whose work has been until recently largely forgotten. The purpose of this book is to 'cherchez les femmes', in a project of rediscovery.
The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act
In her article \"The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act,\" Neta Stahl argues that twentieth-and twenty-first-century women novelists borrowed the eighteenth-and nineteenth-century best-friend narrative, reintroducing it for the purpose of challenging the very concept of the political act, namely, what modern, liberal society considers as a political action and what stands behind it. The article focuses on four novels written by novelists from four different countries: the American novelist Toni Morrison's Sula (1973); the Israeli novelist Ronit Matalon's Sarah, Sarah (2000); the Italian novelist Elena Ferrante's L'amica geniale: Storia di chi fugge e di chi resta (Book 3 of The Neapolitan Novels: Those Who Leave and Those Who Stay, 2013); and the British novelist Zadie Smith's Swing Time (2016). It demonstrates that in these novels, the political act is reconsidered, against the gaze of the best-friend and against the role of a supposedly female 'prince charming'. Further, Stahl argues that the modern female best- friend novel is not a 'female counterpart' to the male best-friend novel, but rather a new take on a female literary tradition associated with a genre that is often dismissed by the intellectual elite as popular literature, thanks to its use of low-brow devices borrowed from the nineteenth-century novel.
The importance of feeling english
American literature is typically seen as something that inspired its own conception and that sprang into being as a cultural offshoot of America's desire for national identity. But what of the vast precedent established by English literature, which was a major American import between 1750 and 1850? In The Importance of Feeling English, Leonard Tennenhouse revisits the landscape of early American literature and radically revises its features. Using the concept of transatlantic circulation, he shows how some of the first American authors--from poets such as Timothy Dwight and Philip Freneau to novelists like William Hill Brown and Charles Brockden Brown--applied their newfound perspective to pre-existing British literary models. These American \"re-writings\" would in turn inspire native British authors such as Jane Austen and Horace Walpole to reconsider their own ideas of subject, household, and nation. The enduring nature of these literary exchanges dramatically recasts early American literature as a literature of diaspora, Tennenhouse argues--and what made the settlers' writings distinctly and indelibly American was precisely their insistence on reproducing Englishness, on making English identity portable and adaptable. Written in an incisive and illuminating style, The Importance of Feeling English reveals the complex roots of American literature, and shows how its transatlantic movement aided and abetted the modernization of Anglophone culture at large.
Little Women: Louisa May Alcott’s Duality Between the Intentional Lessons and the Unconscious Messages
Undoubtedly, Little Women can be considered one of the most influential literary texts in the history of American literature in general and children’s books specifically. This novel has many essential lessons and messages that may affect the development path of any girl. Louisa May Alcott cleverly presents different female characters to shed light on the issues and obstacles women faced during the 19th century in American society. The critics vary in their critical reading and examination of this novel and their understanding of the genuine intentions of Louisa May Alcott. Definitely, the reader can elicit a kind of ambivalence in this novel between the opposing attitudes and decisions Alcott offers in this novel. Throughout the different chapters and various incidents, Alcott clearly explains the suffering of both women and men in the patriarchal society and how both may live restricted life due to society’s expectations and imposing limitations.
Women's Authorship and the Early Gothic
This collection examines Gothic fiction written by female authors in the late eighteenth and early nineteenth centuries. Analysing works by lesser known authors within a historical context, the collection offers a fresh perspective on women writers and their contributions to Gothic literature.
Consolidation Through Rebellion in Kate Chopin's The Awakening
This paper examines Kate Chopin’s heroine Edna’s journey for self-actualization in The Awakening which was published in (1899). The period represents the first wave of feminism and New Woman era. Kate Chopin's The Awakening portrays the patriarchy, oppression and marriage as compelling forces that assume women to fulfill the expectations of a devoted true woman. Chopin presents Edna’s rebels against the moral and social restraints set on women by the patriarchal society in order to become an individual as she refuses to be casted as a typical traditional Victorian mother and a wife. To understand Edna's rebelliousness, Chopin uses a variety of pictures and encounters with people as instruments. It's clear that she has a rebellious streak. Chopin’s deliberation, in this sense, is to not condemn Edna's rebellion in proclaiming her sexuality and seeking independence through the consolidation of her mind, body, and spirit, but rather to paint her as the ‘new woman’ who gains control and awareness of her sexual and artistic potentials. Therefore, this research work attempts to study Edna's trials and tribulations in achieving self-understanding by resisting patriarchal subordination and finding autonomy by pursuing her own goals.