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"Women on television"
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Women of science fiction and fantasy television : an encyclopedia of 400 characters and 200 shows, 1950 - 2019
\"Samantha Stephens in Bewitched. Lieutenant Uhura on Star Trek. Wonder Woman, Xena: Warrior Princess, Buffy the Vampire Slayer, and many more. Television's women of science fiction and fantasy are iconic and unforgettable yet there hasn't been a reference book devoted to them until now. Covering 400 female characters from 200 series since the 1950s, this encyclopedic work celebrates the essential contributions of women to science fiction and fantasy TV, with characters who run the gamut from superheroes, extraterrestrials and time travelers to witches, vampires and mere mortals who deal with the fantastic in their daily lives\"-- Provided by publisher.
Book
Redesigning Women
In the 1990s, American televison audiences witnessed an unprecedented rise in programming devoted explicitly to women. Cable networks such as Oxygen Media, Women's Entertainment Network, and Lifetime targeted a female audience, and prime-time dramatic series such as Buffy the Vampire Slayer, Judging Amy, Gilmore Girls, Sex and the City, and Ally McBeal empowered heroines, single career women, and professionals struggling with family commitments and occupational demands. After establishing this phenomenon's significance, Amanda D. Lotz explores the audience profile, the types of narrative and characters that recur, and changes to the industry landscape in the wake of media consolidation and a profusion of channels. _x000B_Employing a cultural studies framework, Lotz examines whether the multiplicity of female-centric networks and narratives renders certain gender stereotypes uninhabitable, and how new dramatic portrayals of women have redefined narrative conventions. Redesigning Women also reveals how these changes led to narrowcasting, or the targeting of a niche segment of the overall audience, and the ways in which the new, sophisticated portrayals of women inspire sympathetic identification while also commodifying viewers into a marketable demographic for advertisers.
eBook
All-American TV crime drama : feminism and identity politics in Law & order: Special Victims Unit
\"Law & Order: Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique whilst also recasting the classic crime narrative? All-American TV Crime Drama is the first dedciated study of SVU and its treatment of sexual violence, gender and criminality. This book uses detailed textual and visual analyses of episodes to illuminate the assumptions underpinning the program. Although SVU engages with issues pertaining to feminism and gender, it sill relies upon traditional and misogynistic tropes such as false rape charges and the monstrous mother to undermine positive views of the feminine. The show and its backdrop, New York City, has become a stage on which national concerns about women, gender roles, the family and race are carried out. Moorti and Cuklanz unpack how the show has become a crucible for examining current attitudes towards these issues and include an analysis of its reception by its many fans in over 30 countries\"--Publisher's description.
Book
Girlfriends and Postfeminist Sisterhood
From Mean Girl to BFF, Girlfriends and Postfeminist Sisterhood explores female sociality in postfeminist popular culture. Focusing on a range of media forms, Alison Winch reveals how women are increasingly encouraged to strategically bond by controlling each other's body image through 'the girlfriend gaze'.
eBook
There She Goes Again
There She Goes Again interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits-love, empathy, altruism, diplomacy-are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart,There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define-and whether we need-feminine forms of knowledge and power.
eBook
Feminisms
This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography,Feminismswill be essential reading for scholars of both film and feminism.
eBook
Reality bites back : the troubling truth about guilty pleasure TV
Takes a look at how our favorite shows reinforce stereotypes and force-feed us messages about who we're supposed to be and what we're supposed to want. Pozner exposes the commercial and political agendas behind the genre, revealing how the shows negatively impact women, people of color, and future generations.
Book
Women, Film, and Law
Women, Film, and Law questions the criminalization of women through an engaging exploration of the women-in-prison film genre.
eBook