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"Women photographers United States Biography."
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Lee Miller in fashion
Lee Miller was a Vogue cover girl, Man Ray's lover, the first photojournalist at the liberation of Dachau and Buchenwald, and one of the most important female photographers of the 20th century. Combining fine art and urban wit, her photographic technique was learned from the great photographers of her day, among them Edward Steichen, Man Ray, and George Hoyningen-Huene. Becky E. Conekin's current work gives us a wide lens view on Miller's life and her work in fashion photography.
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Seeing America
Seeing America explores the camera work of five women who directed their visions toward influencing social policy and cultural theory. Taken together, they visually articulated the essential ideas occupying the American consciousness in the years between the world wars. Melissa McEuen examines the work of Doris Ulmann, who made portraits of celebrated artists in urban areas and lesser-known craftspeople in rural places; Dorothea Lange, who magnified human dignity in the midst of poverty and unemployment; Marion Post Wolcott, a steadfast believer in collective strength as the antidote to social ills and the best defense against future challenges; Margaret Bourke-White, who applied avant-garde advertising techniques in her exploration of the human condition; and Berenice Abbott, a devoted observer of the continuous motion and chaotic energy that characterized the modern cityscape. Combining feminist biography with analysis of visual texts, McEuen considers the various prisms though which each woman saw and revealed America. Their documentary photographs were the result of personal visions that had been formed by experiences and emotions as well as by careful calculations and technological processes. These photographers captured the astounding variety of occupations, values, and leisure activities that shaped the nation, and their photographs illuminate the intricate workings of American culture in the 1920s and 1930s.
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Hold still: a memoir with photographs
\"In this riveting memoir, a unique interplay of narrative and image, Mann's abiding concerns - family, race, mortality, and the storied landscape of the American South - are revealed as almost genetically predetermined, written into her DNA by a colorful cast of characters who came before her.\"--Provided by publisher.
Book
California on the breadlines
California on the Breadlines is the compelling account of how Dorothea Lange, the Great Depression’s most famous photographer, and Paul Taylor, her labor economist husband, forged a relationship that was private—they both divorced spouses to be together—collaborative, and richly productive. Lange and Taylor poured their considerable energies into the decade-long project of documenting the plight of California’s dispossessed, which in 1939 culminated in the publication of their landmark book, American Exodus: A Record of Human Erosion. Jan Goggans blends biography, literature, and history to retrace the paths that brought Lange and Taylor together. She shows how American Exodus set forth a new way of understanding those in crisis during the economic disaster in California and ultimately informed the way we think about the Great Depression itself.
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Capturing the Women's Army Corps : the World War II photographs of Captain Charlotte T. McGraw
\"A former Metro-Goldwyn-Mayer camera operator and the only assigned Women's Army Auxiliary Corps (WAAC) photographer, McGraw personally handled the release of 73,660 photos used extensively for recruiting posters and publicity. This will be the first collection of her significant wartime work and many of these photographs have not been published previously\"--Provided by publisher.
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The life and photography of Doris Ulmann
Doris Ulmann (1882-1934) was one of the foremost photographers of the twentieth century, yet until now there has never been a biography of this fascinating, gifted artist.Born into a New York Jewish family with a tradition of service, Ulmann sought to portray and document individuals from various groups that she feared would vanish from American.
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Double click : twin photographers in the golden age of magazines
The McLaughlin twins were trailblazing female photographers, celebrated in their time as stars in their respective fields, but have largely been forgotten since. Here, in Double Click, author Carol Kino provides us with a fascinating window into the golden era of magazine photography and the first young women's publications, bringing these two brilliant women and their remarkable accomplishments to vivid life.
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Seeing America
\"This vibrant and penetrating study. . . .opens a window on American culture between the world wars.\" -- Publishers Weekly Seeing America explores the camera work of five women who directed their visions toward influencing social policy and cultural theory.
eBook
The woman I wanted to be
\"Von Furstenberg reflects on her extraordinary life from childhood in Brussels to her days as a young, jet-set princess, to creating the dress that came to symbolize independence and power for an entire generation of women, ... [mining] the rich territory of what it means to be a woman. She opens up about her family and career, overcoming cancer, building a global brand, and devoting herself to empowering other women, writing, 'I want every woman to know that she can be the woman she wants to be'\"-- Provided by publisher.
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Just kids
A prelude to fame, Just Kids recounts the friendship of two young artists--Patti Smith and Robert Mapplethorpe - whose passion fueled their lifelong pursuit of art. In 1967, a chance meeting between two young people led to a romance and a lifelong friendship that would carry each to international success never dreamed of. The backdrop is Brooklyn, Chelsea Hotel, Max's Kansas City, Scribner's Bookstore, Coney Island, Warhol's Factory and the whole city resplendent. Among their friends, literary lights, musicians and artists such as Harry Smith, Bobby Neuwirth, Allen Ginsberg, Sandy Daley, Sam Shepherd, William Burroughs, etc. It was a heightened time politically and culturally; the art and music worlds exploding and colliding. In the midst of all this two kids made a pact to always care for one another. Scrappy, romantic, committed to making art, they prodded and provided each other with faith and confidence during the hungry years--the days of cous-cous and lettuce soup. Just Kids begins as a love story and ends as an elegy. Beautifully written, this is a profound portrait of two young artists, often hungry, sated only by art and experience. And an unforgettable portrait of New York, her rich and poor, hustlers and hellions, those who made it and those whose memory lingers near.
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