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351 result(s) for "Women psychology Autobiography."
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Prophylactic mastectomy : insights from women who chose to reduce their risk
\"This book presents the candid stories of women who chose to have their breasts surgically removed while they were still healthy, after genetic testing showed they possessed a gene that heightens their risk of developing breast cancer\"--Provided by publisher.
Becoming Anna
Becoming Anna is the poignant memoir of the first sixteen years in the life of Anna Michener, a young woman who fought a painful battle against her abusive family. Labeled \"crazy girl\" for much of her childhood, Anna suffered physical and emotional damage at the hands of the adults who were supposed to love and protect her. Committed to various mental institutions by her family, at sixteen Anna was finally able to escape her chaotic home life and enter a foster home. As an effort toward recovery and self-affirmation as well as a powerful plea on behalf of other abused children, Anna wrote this memoir while the experience was fresh and the emotions were still raw and unhealed. Her story is a powerful tale of survival.
Nine Wartime Lives
This book provides a fascinating re-evaluation of the social history of the Second World War and the 20th century making of the modern self. Using the wartime diaries of nine individuals, the book illuminates the impact of war on attitudes to citizenship, the changing relationships between men and women, and the search for meaning in a wartime context of limitless violence. The diaries from which this book is derived were written by some of the unusually self-reflective and public-spirited people who agreed to write intimate journals about their daily activity for the social research organisation, Mass Observation. Each in their way is vivid, interesting and surprising. One of the nine diarists discussed is Nella Last, whose published diaries have been a source of delight and fascination for thousands of readers. A central insight underpins the book: in seeking to make the best of our own lives, each of us makes selective use of the resources of our shared culture in a unique way; in so doing, we contribute, however modestly, to molecular processes of historical change. The book resists nostalgic contrasts between the presumed dutiful citizenship of wartime Britain and contemporary anti-social individualism, pointing instead to longer-run processes of change, rooted as much in struggles for personal autonomy in the private sphere, as in the politics of active citizenship in public life.
Animal bodies : on death, desire, and other difficulties
\"How do we reckon with our losses? 'Animal Bodies' offers an unflinching examination of grief and personal loss-such as the death of parents, friends, and beloved pets, as well as broken marriages, lost friendships, and the loss of innocence and youth-and our collective grief caused by Covid-19, mass shootings, societal and gender inequities and violence, and environmental degradation\"-- Provided by publisher.
See Me Naked
Pleasure refers to the freedom to pursue a desire, deliberately sought in order to satisfy the self. Putting pleasure first is liberating. During their extraordinary lives, Lena Horne, Moms Mabley, Yolande DuBois, and Memphis Minnie enjoyed pleasure as they gave pleasure to both those in their lives and to the public at large. They were Black women who, despite their public profiles, whether through Black society or through the world of entertainment, discovered ways to enjoy pleasure.They left home, undertook careers they loved, and did what they wanted, despite perhaps not meeting the standards for respectability in the interwar era. See Me Naked looks at these women as representative of other Black women of the time, who were watched, criticized, and judged by their families, peers, and, in some cases, the government, yet still managed to enjoy themselves. Among the voyeurs of Black women was Langston Hughes, whose novel Not Without Laughter was clearly a work of fiction inspired by women he observed in public and knew personally, including Black clubwomen, blues performers, and his mother. How did these complicated women wrest loose from the voyeurs to define their own sense of themselves? At very young ages, they found and celebrated aspects of themselves. Using examples from these women's lives, Green explores their challenges and achievements.
A colorful way of living : how to be more, create more, do more the Vera Bradley way
\"From the co-founder of the Vera Bradley empire, a practical and inspiring book that shows women how to awaken their full potential, at any age. 'This place could use some color!' That's what Barbara Bradley said to her friend Pat during an airport layover. It was 1982 and all the women could see was a succession of drab, bulky suitcases. When they returned home to Indiana, Barbara and her business partner got out a few Simplicity patterns and a Singer sewing machine and set to work. And the Vera Bradley Company was born. A Colorful Way of Living offers practical, inspiring advice to empower women of all ages to navigate life by the values that provide the foundation of the Vera Bradley empire. Women looking for the encouragement to start a new chapter, women balancing career and family, and new graduates entering the workforce will all benefit from the Baekgaard's learned wisdom has as it applies to career, life, and relationships. Lessons include 'Noticing Every Detail,' 'Choosing Nice,' and 'Remembering Always--there's enough room for everyone.' In this highly readable book, Barbara Bradley Baekgaard shares the values that have helped her to thrive in business, health, and relationships--in every aspect of her personal and professional life\"-- Provided by publisher.
Modernity, Sexuality, and Ideology in Iran
In Iran, since the mid–nineteenth century, one issue has been a common concern: how should Iran become modern? More than a century of struggle for or against modernity has constituted much of the social, political, and cultural history of the country. In the decades since the 1979 Revolution, the question has become even more critical. In Modernity, Sexuality, and Ideology in Iran, Talattof finds that the process of modernity never truly unfolded, due in large part to Iran’s reluctance to embrace the seminal subjects of gender and sexuality. Talattof’s approach reflects a unique look at modernity as not only advances in industry and economy but also advances toward an open, intellectual discourse on sexuality. Exploring the life and times of Shahrzad, a dancer, actress, filmmaker, and poet, Talattof illuminates the country’s struggle with modernity and the ideological, traditional, and religious resistance against it. Born in 1946, she performed in several theater productions, became an acclaimed film star in the 1970s, and pursued a career as a journalist and poet. Following the revolution, she was imprisoned and eventually became homeless on the streets of Tehran. Her success and eventual decline as a female artist and entertainer illustrate the conflict between modernity and tradition and Iran’s failure to embrace an overt expression of sexuality. Talattof also profiles several other female artists of the 1970s, analyzing their lives and work as windows through which to examine what Iranian culture allowed and what it repudiated.
Women Taking Risks in Contemporary Autobiographical Narratives
Women Taking Risks in Contemporary Autobiographical Narratives explores the nature and effects of risk in self-narrative representations of life events, and is an early step towards confronting the dearth of analysis on this subject. The collection focuses on risk-taking as one of women’s articulations of authorial agency displayed in literary, testimonial, photographic, travel and film documentary forms of autobiographical expression in French. Among many themes, the book fosters discussion.