Catalogue Search | MBRL
Search Results Heading
Explore the vast range of titles available.
MBRLSearchResults
-
DisciplineDiscipline
-
Is Peer ReviewedIs Peer Reviewed
-
Series TitleSeries Title
-
Reading LevelReading Level
-
YearFrom:-To:
-
More FiltersMore FiltersContent TypeItem TypeIs Full-Text AvailableSubjectCountry Of PublicationPublisherSourceTarget AudienceDonorLanguagePlace of PublicationContributorsLocation
Done
Filters
Reset
89
result(s) for
"Women superheroes Comic books, strips, etc."
Sort by:
Ms. Marvel. Vol. 8, Mecca
\"An enemy from Ms. Marvel's past resurfaces and begins targeting those closest to Kamala. As the world around her is spinning out of control, it becomes clear that this time there's something more sinister at work. Kamala's no stranger to fighting for what's right, but in facing down this challenge, everything she is will be called into question\"--Amazon.com.
Comic Book Women
by
Brunet, Peyton
,
Robbins, Trina
,
Davis, Blair
in
20th century
,
comic book history
,
comic books
2022
The history of comics has centered almost exclusively on men.
Comics historians largely describe the medium as one built by men
telling tales about male protagonists, neglecting the many ways in
which women fought for legitimacy on the page and in publishers'
studios. Despite this male-dominated focus, women played vital
roles in the early history of comics. The story of how comic books
were born and how they evolved changes dramatically when women like
June Tarpé Mills and Lily Renée are placed at the center rather
than at the margins of this history, and when characters such as
the Black Cat, Patsy Walker, and Señorita Rio are analyzed.
Comic Book Women offers a feminist history of the
golden age of comics, revising our understanding of how numerous
genres emerged and upending narratives of how male auteurs built
their careers. Considering issues of race, gender, and sexuality,
the authors examine crime, horror, jungle, romance, science
fiction, superhero, and Western comics to unpack the cultural and
industrial consequences of how women were represented across a wide
range of titles by publishers like DC, Timely, Fiction House, and
others. This revisionist history reclaims the forgotten work done
by women in the comics industry and reinserts female creators and
characters into the canon of comics history.
A-Force. Vol. 0, Warzones!
\"In a secluded corner of the Battleworld, an island nation is fiercely protected by a team of Avengers the likes of which has only ever been glimpsed before. Fighting to protect the small sliver of their world that's left, the Amazing A-FORCE stands shoulder to shoulder, ready to take on the horde!\"--Amazon.com.
Hero Me Not
2023
First introduced in the pages of X-Men , Storm is
probably the most recognized Black female superhero. She is also
one of the most powerful characters in the Marvel Universe, with
abilities that allow her to control the weather itself. Yet that
power is almost always deployed in the service of White characters,
and Storm is rarely treated as an authority figure. Hero Me
Not offers an in-depth look at this fascinating yet often
frustrating character through all her manifestations in comics,
animation, and films. Chesya Burke examines the coding of Storm as
racially \"exotic,\" an African woman who nonetheless has bright
white hair and blue eyes and was portrayed onscreen by biracial
actresses Halle Berry and Alexandra Shipp. She shows how Storm,
created by White writers and artists, was an amalgam of various
Black stereotypes, from the Mammy and the Jezebel to the Magical
Negro, resulting in a new stereotype she terms the Negro Spiritual
Woman. With chapters focusing on the history, transmedia
representation, and racial politics of Storm, Burke offers a very
personal account of what it means to be a Black female comics fan
searching popular culture for positive images of powerful women who
look like you.
Supergirl. Volume 6, Crucible
\"She's the Last Daughter of Krypton and one of Earth's greatest heroes, but for Kara Zor-El, being Supergirl means feeling like she's got no place to call home. So when a deep-space school called the Crucible--an intergalactic academy that trains the universe's most powerful beings--comes calling, Supergirl is happy to go. But just what are Kara and her new friends being trained for? And what does Crucible want with Supergirl's clone cousin, Superboy? Once the truth comes out, Supergirl may not make it to graduation\"-- Provided by publisher.
Enter the superheroes
by
Romagnoli, Alex S
,
Pagnucci, Gian S
in
Comic books, strips, etc
,
Comic books, strips, etc. -- United States -- History and criticism
,
Graphic novels
2013
Ever since the first appearances of Superman and Batman in comic books of the late 1930s, superheroes have been a staple of the popular culture landscape. Though initially created for younger audiences, superhero characters have evolved over the years, becoming complex figures that appeal to more sophisticated readers. While superhero stories have grown ever more popular within broader society, however, comics and graphic novels have been largely ignored by the world of academia. In Enter the Superheroes:American Values, Culture, and the Canon of Superhero Literature, Alex S. Romagnoli and Gian S. Pagnucci argue that superheroes merit serious study, both within the academy and beyond. By examining the kinds of graphic novels that are embraced by the academy, this book explains how superhero stories are just as significant. Structured around key themes within superhero literature, the book delves into the features that make superhero stories a unique genre. The book also draws upon examples in comics and other media to illustrate the sociohistorical importance of superheroes—from the interplay of fans and creators to unique narrative elements that are brought to their richest fulfillment within the world of superheroes. A list of noteworthy superhero texts that readers can look to for future study is also provided. In addition to exploring the important roles that superheroes play in children’s learning, the book also offers an excellent starting point for discussions of how literature is evolving and why it is necessary to expand the traditional realms of literary study. Enter the Superheroes will be of particular interest to English and composition teachers but also to scholars of popular culture and fans of superhero and comic book literature.
Supergirl. Volume 2, Girl in the world
Marooned on Earth, a young alien named Kara has found it hard to fit in with her strange new surroundings. Finally, the last daughter of Krypton has made herself a friend: a young woman name Siobhan. Too bad she carries the curse of the Silver Banshee--and Siobhan's father, the Black Banshee, isn't far behind!
Veiled superheroes
by
Arjana, Sophia Rose
,
Ali, Wajahat
,
Fox, Kim
in
Burqas (Islamic clothing)
,
Burqas (Islamic clothing) -- Social aspects
,
Comic books, strips, etc
2017,2018,2019
Veiled Superheroes: Islam, Feminism, and Popular Culture focuses on female Muslim superheroes in graphic narratives such as the comic Ms. Marvel, the animated television series BurkaAvenger, and the webcomic Qahera.
Wonder Woman. Volume 3, Iron
\"Wonder Woman has finally discovered her heritage, as well as all the family that comes along with it. However, as she digs deeper into her familial tree, there's as many Gods that are willing to lend her a hand as there are those that would do her harm. WW continues on her search for her friend Zola's baby, not knowing who she can trust. So when she discovers New God Orion at her doorstep, is he here to help her--or destroy her?\"--Amazon.com.
Hot Pants and Spandex Suits
2021
The superheroes from DC and Marvel comics are some of the most iconic characters in popular culture today.But how do these figures idealize certain gender roles, body types, sexualities, and racial identities at the expense of others?.