Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Country Of Publication
    • Publisher
    • Source
    • Target Audience
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
89 result(s) for "Women superheroes Comic books, strips, etc."
Sort by:
Ms. Marvel. Vol. 8, Mecca
\"An enemy from Ms. Marvel's past resurfaces and begins targeting those closest to Kamala. As the world around her is spinning out of control, it becomes clear that this time there's something more sinister at work. Kamala's no stranger to fighting for what's right, but in facing down this challenge, everything she is will be called into question\"--Amazon.com.
Comic Book Women
The history of comics has centered almost exclusively on men. Comics historians largely describe the medium as one built by men telling tales about male protagonists, neglecting the many ways in which women fought for legitimacy on the page and in publishers' studios. Despite this male-dominated focus, women played vital roles in the early history of comics. The story of how comic books were born and how they evolved changes dramatically when women like June Tarpé Mills and Lily Renée are placed at the center rather than at the margins of this history, and when characters such as the Black Cat, Patsy Walker, and Señorita Rio are analyzed. Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others. This revisionist history reclaims the forgotten work done by women in the comics industry and reinserts female creators and characters into the canon of comics history.
A-Force. Vol. 0, Warzones!
\"In a secluded corner of the Battleworld, an island nation is fiercely protected by a team of Avengers the likes of which has only ever been glimpsed before. Fighting to protect the small sliver of their world that's left, the Amazing A-FORCE stands shoulder to shoulder, ready to take on the horde!\"--Amazon.com.
Hero Me Not
First introduced in the pages of X-Men , Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure. Hero Me Not offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially \"exotic,\" an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman. With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.
Supergirl. Volume 6, Crucible
\"She's the Last Daughter of Krypton and one of Earth's greatest heroes, but for Kara Zor-El, being Supergirl means feeling like she's got no place to call home. So when a deep-space school called the Crucible--an intergalactic academy that trains the universe's most powerful beings--comes calling, Supergirl is happy to go. But just what are Kara and her new friends being trained for? And what does Crucible want with Supergirl's clone cousin, Superboy? Once the truth comes out, Supergirl may not make it to graduation\"-- Provided by publisher.
Enter the superheroes
Ever since the first appearances of Superman and Batman in comic books of the late 1930s, superheroes have been a staple of the popular culture landscape. Though initially created for younger audiences, superhero characters have evolved over the years, becoming complex figures that appeal to more sophisticated readers. While superhero stories have grown ever more popular within broader society, however, comics and graphic novels have been largely ignored by the world of academia. In Enter the Superheroes:American Values, Culture, and the Canon of Superhero Literature, Alex S. Romagnoli and Gian S. Pagnucci argue that superheroes merit serious study, both within the academy and beyond. By examining the kinds of graphic novels that are embraced by the academy, this book explains how superhero stories are just as significant. Structured around key themes within superhero literature, the book delves into the features that make superhero stories a unique genre. The book also draws upon examples in comics and other media to illustrate the sociohistorical importance of superheroes—from the interplay of fans and creators to unique narrative elements that are brought to their richest fulfillment within the world of superheroes. A list of noteworthy superhero texts that readers can look to for future study is also provided. In addition to exploring the important roles that superheroes play in children’s learning, the book also offers an excellent starting point for discussions of how literature is evolving and why it is necessary to expand the traditional realms of literary study. Enter the Superheroes will be of particular interest to English and composition teachers but also to scholars of popular culture and fans of superhero and comic book literature.
Supergirl. Volume 2, Girl in the world
Marooned on Earth, a young alien named Kara has found it hard to fit in with her strange new surroundings. Finally, the last daughter of Krypton has made herself a friend: a young woman name Siobhan. Too bad she carries the curse of the Silver Banshee--and Siobhan's father, the Black Banshee, isn't far behind!
Veiled superheroes
Veiled Superheroes: Islam, Feminism, and Popular Culture focuses on female Muslim superheroes in graphic narratives such as the comic Ms. Marvel, the animated television series BurkaAvenger, and the webcomic Qahera.
Wonder Woman. Volume 3, Iron
\"Wonder Woman has finally discovered her heritage, as well as all the family that comes along with it. However, as she digs deeper into her familial tree, there's as many Gods that are willing to lend her a hand as there are those that would do her harm. WW continues on her search for her friend Zola's baby, not knowing who she can trust. So when she discovers New God Orion at her doorstep, is he here to help her--or destroy her?\"--Amazon.com.
Hot Pants and Spandex Suits
The superheroes from DC and Marvel comics are some of the most iconic characters in popular culture today.But how do these figures idealize certain gender roles, body types, sexualities, and racial identities at the expense of others?.