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"Working class Fiction."
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L'Assommoir
by
Zola, Emile
2010,2009
Regarded by critics as one of the highest pinnacles of achievement in Emile Zola's literary career,
Angel station
\"Angel Station takes its title from the bustling Metro stop in the Prague district of Smâichov. Until the gentrification of the late 1990s, it was a rough-and-tumble, working-class neighborhood with a sizeable Roma and Vietnamese population. Topol's novel, in sparse yet poetic language--agilely brought into English by the author's longtime translator Alex Zucker--weaves together the brutal and disturbing fates of an addict, a shopkeeper, and a religious fanatic as they each follow the path they hope will lead them to serenity: drugs, money, and faith.\"-- Provided by publisher
Tillie Olsen and the Dialectical Philosophy of Proletarian Literature
2018,2020
Contrary to previous studies of Tillie Olsen's writing, Tillie Olsen and the Dialectical Philosophy of Proletarian Literature analyzes the impact of one of the most important philosophies of the last century, dialectical materialism, on the form and content of Olsen's fiction. By revealing the unconceptualized dialectics of Olsen's work and its appreciation by scholars and casual readers, this study achieves a dialectical synthesis that incorporates and extends the insights of and about Olsen in terms of dialectical materialism. By foregrounding Olsen's dialectical approach, it explains and largely resolves apparent contradictions between her Marxism and feminism; her depictions of class, race, and gender; the literature of her earlier and later periods; and her use of realist and modernist literary forms and techniques. Consequently, this project makes a case for the importance of Olsen's Marxist education during the \"Red Decade\" of the 1930s and within the U.S. proletarian literary movement.
The jungle
Jurgis Rudkus, a young Lithuanian immigrant in search of a better life, faces instead an epic struggle for survival. His story of factory life in Chicago in the early twentieth century is a saga of barbarous working conditions, crushing poverty, crime, disease, and despair.
Women's work
by
Batchelor, Jennie
in
English fiction -- 18th century -- History and criticism
,
English fiction -- 19th century -- History and criticism
,
English fiction -- Women authors -- History and criticism
2016,2010
Women's Work challenges influential accounts about gender and the novel by revealing the complex ways in which labour, informed the lives and writing of a number of middling and genteel women authors publishing between 1750 and 1830. This book provides a particularly rich, yet largely neglected, seam of texts for exploring the vexed relationship between gender, work and writing. The four chapters that follow contain thoroughly contextualized case studies of the treatment of manual, intellectual and domestic labour in the work and careers of Sarah Scott, Charlotte Smith, Mary Wollstonecraft and women applicants to the writer's charity, the Literary Fund. By making women's work visible in our studies of female-authored fiction of the period, Batchelor reveals the crucial role that these women played in articulating debates about the gendered division of labour, the (in)compatibility of women's domestic and professional lives and the status and true value of women's work that shaped eighteenth-century culture as surely as they shape our own.