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"World War, 1939-1945 Confiscations and contributions Europe."
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War, guilt, and world politics after World War II
\"This book describes how the states in post-1945 Austria, Germany, and Japan have tried to deal with the legacy of the Second World War and how their policies have affected their relations with other countries in the region\"-- Provided by publisher.
Provenance Research, Memory Culture, and the Futurity of Archives: Three Essential Resources for Researching the Nazi Past
2022
The rising significance of Holocaust commemoration has advanced provenance research of Nazi-looted material Jewish heritage and has shown the urgent need for reliable resources in order to cope with the particular challenges of identifying Judaica objects. This review essay examines the theoretical foundations of provenance research in Germany and presents two indispensalbe resources that help with practical provenance research. The Lost Art Database, maintained by the Lost Art Foundation, documents cultural assets beeing illegaly confiscated by the Nazis. The Handbook on Judaica Provenance Research: Ceremonial Object, an open access electronic publication, funded by Claims Conference and the World Jewish Restitution Organization (WJRO), provides detailed information to identify Jewish cultural objects. The theoretical framework of memory culture in Germany is explored in the book by Dora Osborne, What Remains: The Post-Holocaust Archive in German Memory Culture. In this oustanding analysis of the functions of archives in the process of coming to terms with the Nazi past, Osborne rightly emphasizes the archival turn in German memory culture and proves its importance.
Journal Article
Self-Financing Genocide
2004,2001
Discusses the process of the economic annihilation of the Jews in Hungary, who- from the economic point of view - were more influential than any other Jewish community in Europe. Following the German occupation in March 1944 the collaborating Hungarian government attempted to assert its claim concerning the complete confiscation of Jewish assets at all stages of the road leading to the extermination camps. The cooperation with the Germans proved to be the most problematic in this area. The story of the Jewish Gold Train is a relatively small but all the more emblematic chapter of the economic annihilation. The circumstances of the freight's assembling, the German-Hungarian conflicts concerning the train, the looting attempts, the fate of the assets seized by the Allies (double victimization of the survivors) provide the reader with an insight into the history of the repeated looting of the Hungarian Jewry.
The greatest treasure hunt in history : the story of the Monuments Men
by
Edsel, Robert M., author
in
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section History Juvenile literature.
,
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section History.
,
Art thefts Germany History 20th century Juvenile literature.
2019
\"As the most destructive war in history ravaged Europe, many of the world's most cherished cultural objects were in harm's way. The Greatest Treasure Hunt in History recounts the astonishing true story of eleven men and one woman who risked their lives amidst the bloodshed of World War II to preserve churches, libraries, monuments, and works of art that for centuries defined the heritage of Western civilization. As the war raged, these American and British volunteers--museum curators, art scholars and educators, architects, archivists, and artists, known as the Monuments Men--found themselves in a desperate race against time to locate and save the many priceless treasures and works of art stolen by Adolf Hitler and the Nazis. Robert M. Edsel, #1 New York Times bestselling author of The Monuments Men, brings this story to young readers for the first time in a sweeping, dynamic adventure detailing history's greatest treasure hunt\"-- Provided by publisher.
Defending National Treasures
by
Elizabeth Campbell Karlsgodt
in
20th century
,
Art and state
,
Art and state -- France -- History -- 20th century
2011
Defending National Treasures explores the fate of art and cultural heritage during the Nazi occupation of France. The French cultural patrimony was a crucial locus of power struggles between German and French leaders and among influential figures in each country. Karlsgodt examines the preservation policy that the Vichy regime enacted in an assertion of sovereignty over French art museums, historic monuments, and archeological sites. The limits to this sovereignty are apparent from German appropriations of public statues, Jewish-owned art collections, and key \"Germanic\" works of art from French museums. A final chapter traces the lasting impact of the French wartime reforms on preservation policy.
In Defending National Treasures, Karlsgodt introduces the concept ofpatrimania to reveal examples of opportunism in art preservation. During the war, French officials sought to acquire coveted artwork from Jewish collections for the Louvre and other museums; in the early postwar years, they established a complicated guardianship over unclaimed art recovered from Germany. A cautionary tale for our own times,Defending National Treasures examines the ethical dimensions of museum acquisitions in the ongoing noble quest to preserve great works of art.
Information hunters : when librarians, soldiers, and spies banded together in World War II Europe
\"Information Hunters examines the unprecedented American effort to acquire foreign publications and information in World War II Europe. An unlikely band of librarians, scholars, soldiers, and spies went to Europe to collect books and documents to aid the Allies' cause. They travelled to neutral cities to find enemy publications for intelligence analysis and followed advancing armies to capture records in a massive program of confiscation. After the war, they seized Nazi works from bookstores and schools and gather together countless looted Jewish books. Improvising library techniques in wartime conditions, they contributed to Allied intelligence, preserved endangered books, engaged in restitution, and participated in the denazification of book collections. Information Hunters explores what collecting meant to the men and women who embarked on these missions, and how the challenges of a total war led to an intense focus on books and documents. It uncovers the worlds of collecting, in spy-ridden Stockholm and Lisbon, in liberated Paris and devastated Berlin, and in German caves and mineshafts. The wartime collecting missions had lasting effects. They intensified the relationship between libraries and academic institutions, on the one hand, and the government and military, on the other. Book and document acquisition became part of the apparatus of national security, military planning, and postwar reconstruction. These efforts also spurred the development of information science and boosted research libraries' ambitions to be great national repositories for research and the dissemination of knowledge that would support American global leadership, politically and intellectually. military intelligence, librarians, archivists, Library of Congress, Office of Strategic Services.\"-- Provided by publisher.
Reparations for Nazi Victims in Postwar Europe
2012
Reparations of Nazi Victims in Postwar Europe traces reparations back to their origins in the final years of the Second World War, when victims of Nazi persecution for the first time articulated demands for indemnification en masse. Simultaneous appearance of claims in New York, London, Paris and Tel Aviv exemplified the birth of a new standard in political morality. Across Europe, the demand for compensation to individuals who suffered severe harm gained momentum. Despite vast differences in their experiences of mass victimisation, post-war societies developed similar patterns in addressing victims' claims. Regula Ludi chronicles the history of reparations from a comparative and trans-national perspective. This book explores the significance of reparations as a means to provide victims with a language to express their unspeakable suffering in a politically meaningful way.
A Tragic Fate
2017,2021
The organized theft of fine art by Nazi Germany has captivated worldwide attention in the last twenty years. As much as any other topic arising out of World War Two, stolen art has proven to be an issue that simply will not go away. Newly found works of art pit survivors and their heirs against museums, foreign nations, and even their own family members. These stories are enduring because they speak to one of the core tragedies of the Nazi era: how a nation at the pinnacle of fine art and culture spawned a legalized culture of theft and plunder. A Tragic Fate is the first book to seriously address the legal and ethical rules that have dictated the results of restitution claims between competing claimants to the same works of art. It provides a history of Art and Culture in German-occupied Europe, an introduction to the most significant collections in Europe to be targeted by the Nazis, and a narrative of the efforts to reclaim looted artwork in the decades following the Holocaust through profiles of some of the art world's most famous and influential restitution cases.
Stolen Words
by
Mark Glickman
in
20th century
,
Book thefts - Europe - History - 20th century
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Destruction and pillage
2016,2015
Stolen Wordsis an epic story about the largest collection of Jewish books in the world-tens of millions of books that the Nazis looted from European Jewish families and institutions. Nazi soldiers and civilians emptied Jewish communal libraries, confiscated volumes from government collections, and stole from Jewish individuals, schools, and synagogues. Early in their regime the Nazis burned some books in spectacular bonfires, but most they saved, stashing the literary loot in castles, abandoned mine shafts, and warehouses throughout Europe. It was the largest and most extensive book-looting campaign in history.
After the war, Allied forces discovered these troves of stolen books but quickly found themselves facing a barrage of questions. How could the books be identified? Where should they go? Who had the authority to make such decisions? Eventually the military turned the books over to an organization of leading Jewish scholars called Jewish Cultural Reconstruction, Inc.-whose chairman was the acclaimed historian Salo Baron and whose on-the-ground director was the philosopher Hannah Arendt-with the charge of establishing restitution protocols.
Stolen Wordsis the story of how a free civilization decides what to do with the material remains of a world torn asunder, and how those remains connect survivors with their past. It is the story of Jews struggling to understand the new realities of their post-Holocaust world and of Western society's gradual realization of the magnitude of devastation wrought by World War II. Most of all, it is the story of people -of Nazi leaders, ideologues, and Judaica experts; of Allied soldiers, scholars, and scoundrels; and of Jewish communities, librarians, and readers around the world.