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"Writing Fiction."
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Write on, Carlos!
With his mother's help, Carlos learns to write his name, as some of his friends can do.
Book
Before Fiction
Fiction has become nearly synonymous with literature itself, as if Homer and Dante and Pynchon were all engaged in the same basic activity. But one difficulty with this view is simply that a literature trafficking in openly invented characters is a quite recent development. Novelists before the nineteenth century ceaselessly asserted that their novels were true stories, and before that, poets routinely took their basic plots and heroes from the past. We have grown accustomed to thinking of the history of literature and the novel as a progression from the ideal to the real. Yet paradoxically, the modern triumph of realism is also the triumph of a literature that has shed all pretense to literalness.Before Fiction: The Ancien Régime of the Noveloffers a new understanding of the early history of the genre in England and France, one in which writers were not slowly discovering a type of fictionality we now take for granted but rather following a distinct set of practices and rationales. Nicholas D. Paige reinterprets Lafayette'sLa Princesse de Clèves, Rousseau'sJulie, ou la Nouvelle Héloïse, Diderot'sLa Religieuse, and other French texts of the seventeenth and eighteenth centuries in light of the period's preoccupation with literal truth. Paige argues that novels like these occupied a place before fiction, a pseudofactual realm that in no way leads to modern realism. The book provides an alternate way of looking at a familiar history, and in its very idiom and methodology charts a new course for how we should study the novel and think about the evolution of cultural forms.
eBook
Ralph tells a story
Although his teacher insists there are stories everywhere, Ralph cannot think of any to write.
Book
Mind Style and Cognitive Grammar
Mind Style and Cognitive Grammar advances our understanding of mind style: the experience of other minds, or worldviews, through language in literature. This book is the first to set out a detailed, unified framework for the analysis of mind style using the account of language and cognition set out in cognitive grammar. Drawing on insights from cognitive linguistics, Louise Nuttall aims to explain how character and narrator minds are created linguistically, with a focus on the strange minds encountered in the genre of speculative fiction. Previous analyses of mind style are reconsidered using cognitive grammar, alongside original analyses of four novels by Margaret Atwood, Kazuo Ishiguro, Richard Matheson and J.G. Ballard. Responses to the texts in online forums and literary critical studies ground the analyses in the experiences of readers, and support an investigation of this effect as an embodied experience cued by the language of a text. Mind Style and Cognitive Grammar advances both stylistics and cognitive linguistics, whilst offering new insights for research in speculative fiction.
eBook
Pep talks for writers : 52 insights and actions to boost your creative mojo
\"Every writer knows that as rewarding as the creative process is, it can often be a bumpy road. Have hope and keep at it! Designed to kick-start creativity, this handsome handbook from the executive director of National Novel Writing Month gathers a wide range of insights and advice for writers at any stage of their career. From tips about how to finally start that story to helpful ideas about what to do when the words just aren't quite coming out right, Pep Talks for Writers provides motivation, encouragement, and helpful exercises for writers of all stripes\"-- Provided by publisher.
Book
The Grim Reader
Many authors draw from headlines or movies rather than
personal experience to write drug-related scenes, and the result
may be more fiction than fact. So, how can you craft a convincing
scene involving accidental use of fentanyl-tainted pot or a murder
attempt with grandma's pain pills?
A much-needed resource, The Grim Reader details how to
write medical scenarios that result in realistic page-turners. As
drug inaccuracies multiply in screenplays, scripts, novels, and
audio plays, Dr. Miffie Seideman, Pharm.D. provides writers (and
editors) with the background and authenticity necessary to develop
plausible plotlines, including:
• Pertinent drug facts, tips, and symptoms • Symptom timelines •
Tips for developing historically accurate scenes • Common street
drug names and slang • Sample scenarios to demonstrate how to weave
the information into a believable scene • Writing prompts to
provide scene starters and offer practice
Combining Seideman's pharmacology knowledge with her love for
creative writing, The Grim Reader is the ultimate guide to
help authors craft accurate drug scenes and avoid medical
mistakes.
eBook
Look! I wrote a book! (And you can too!)
\"Want to write a book? Well, the spunky, know-it-all narrator of this side-splitting story can tell you just how to do it. Packed with her signature wit and charm, bestselling author Lloyd-Jones--with whimsical illustrations from beloved illustrator Layton--delivers an outrageously silly story that is sure to have young readers--and writers!--howling with laughter\"-- Provided by publisher.
Book
Radical Realism, Autofictional Narratives and the Reinvention of the Novel
This monograph treats modes of fictionality in contemporary auto/biography, memoir and autofiction. Adopting a case study approach, it demonstrates the extent to which contexts of production and reception are important in framing generic expectations with respect to the representation of lived experience and in helping to determine the status of the narrator as (fictional) persona or (implied) author.
eBook
Ship of dolls
It's 1926, and the one thing eleven-year-old Lexie Lewis wants more than anything is to leave Portland, where she is living with her strict grandparents, and rejoin her mother, a carefree singer in San Francisco. Lexie's class has been raising money to ship a doll to the children of Japan in a friendship exchange, and when Lexie learns that the girl who writes the best letter to accompany the doll will be sent to the farewell ceremony in San Francisco, she knows she just has to be the winner.
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Genre Worlds
Works of genre fiction are a source of enjoyment, read during
cherished leisure time and in incidental moments of relaxation.
This original book takes readers inside popular genres of fiction,
including crime, fantasy, and romance, to reveal how personal
tastes, social connections, and industry knowledge shape genre
worlds. Attuned to both the pleasure and the profession of
producing genre fiction, the authors investigate contemporary
developments in the field-the rise of Amazon, self-publishing
platforms, transmedia storytelling, and growing global publishing
conglomerates-and show how these interact with older practices,
from fan conventions to writers' groups.
Sitting at the intersection of literary studies, genre studies,
fan studies, and studies of the book and publishing cultures,
Genre Worlds considers how contemporary genre fiction is
produced and circulated on a global scale. Its authors propose an
innovative theoretical framework that unfolds genre fiction's most
compelling characteristics: its connected social, industrial, and
textual practices. As they demonstrate, genre fiction books are not
merely texts; they are also nodes of social and industrial activity
involving the production, dissemination, and reception of the
texts.
eBook