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By examining historical records and drawing on oral histories and the work of anthropologists, archaeologists, ecologists, and psychologists, We Are Not Animals sets out to answer questions regarding who the Indigenous people in the Santa Cruz region were and how they survived through the nineteenth century. Between 1770 and 1900 the linguistically and culturally diverse Ohlone and Yokuts tribes adapted to and expressed themselves politically and culturally through three distinct colonial encounters with Spain, Mexico, and the United States. In We Are Not Animals Martin Rizzo-Martinez traces tribal, familial, and kinship networks through the missions' chancery registry records to reveal stories of individuals and families and shows how ethnic and tribal differences and politics shaped strategies of survival within the diverse population that came to live at Mission Santa Cruz. We Are Not Animals illuminates the stories of Indigenous individuals and families to reveal how Indigenous politics informed each of their choices within a context of immense loss and violent disruption.

Part Three: On the land in the foothills above California’s Central Valley, we join Wukchumni basket weavers, Jennifer Malone and her mother, Marie Wilcox, as they gather basket materials and weave baskets with friends and family. Along the way there are lessons to be learned about personal accomplishment, care for the earth, and cultural resilience. THE VALLEY AND THE LAKE is a four-part film odyssey focused on water issues, conflicts, and hopes in California’s Central Valley, the breadbasket of the world and also the most human-altered landscape on the planet.

Saints and Citizens is a bold new excavation of the history of Indigenous people in California in the late eighteenth and nineteenth centuries, showing how the missions became sites of their authority, memory, and identity. Shining a forensic eye on colonial encounters in Chumash, Luiseño, and Yokuts territories, Lisbeth Haas depicts how native painters incorporated their cultural iconography in mission painting and how leaders harnessed new knowledge for control in other ways. Through her portrayal of highly varied societies, she explores the politics of Indigenous citizenship in the independent Mexican nation through events such as the Chumash War of 1824, native emancipation after 1826, and the political pursuit of Indigenous rights and land through 1848.

This book is the result of over 50 years of research, and it represents an intellectual journey. It is maximally accessible by tabulating the data and inserting frequent cross-references. Dictionary entries are in the alphabetical order of the deepest reconstruction in the set, and there is an English-Utian section at the end of the volume. Yokuts (or Proto Yokuts) is also inserted where there is a resemblance. This strategy is especially helpful for those who wish to use the volume for remote comparison. In this manner, it can serve as a reference book for seminars on non-traditional languages. The volume is also of interest to theoreticians because Utian languages exhibit features that are rare worldwide.