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Yuri Andrukhovych is one of Ukraine's preeminent authors and cultural commentators. My Final Territory is a collection of Andrukhovych's philosophical, autobiographical, political, and literary essays, which demonstrate his enormous talent as an essayist to the English-speaking world.

This article undertakes an analytical reading of the new wave of contemporary Ukrainian poetry after the Russian full-scale invasion of Ukraine, in particular the poems written and published online and/or in print between 24 February 2022 and May 2023. This Ukrainian post-invasion poetry serves as a cultural response to the war, shaping the national narrative of the war by undertaking a factual and emotional witnessing of the wartime reality and creating an empathetic connection that engenders a solidarity of the international audience with the Ukrainian people. It therefore functions as a tool of soft power which promotes the foreign-policy goals of Ukraine, namely European and transatlantic political solidarity in countering the Russian aggression.

Honorable Mention - American Association for Ukrainian Studies (AAUS) 2018-2019 Book Prize Having exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library in Tamara Hundorova's book becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma of the 26th of April, 1986. Ukrainian postmodernism turns into a writing of trauma and reflects the collisions of the post-Soviet time as well as the processes of decolonization of the national culture. A carnivalization of the apocalypse is the main paradigm of the post-Chornobyl text, which appeals to \"homelessness\" and the repetition of \"the end of histories.\" Ironic language game, polymorphism of characters, taboo breaking, and filling in the gaps of national culture testify to the fact that the Ukrainians were liberating themselves from the totalitarian past and entering the society of the spectacle. Along this way, the post-Chornobyl character turns into an ironist, meets with the Other, experiences a split of his or her self, and witnesses a shift of geo-cultural landscapes.

The publication of \"The White Chalk of Days: The Contemporary Ukrainian Literature Series Anthology\" commemorates the tenth year of the Contemporary Ukrainian Literature Series. Co-sponsored by the Ukrainian Studies Program at the Harriman Institute, Columbia University and the Kennan Institute at the Woodrow Wilson International Center for Scholars, the Series has recurrently organized readings in the US for Ukraine’s leading writers since 2008. The anthology presents translations of literary works by Series guests that imaginatively engage pivotal issues in today’s Ukraine and express its tribulations and jubilations. Featuring poetry, fiction, and essays by fifteen Ukrainian writers, the anthology offers English-language readers a wide array of the most beguiling literature written in Ukraine in the past fifty years.

This anthology presents translations of literary works by Ukraine's leading writers that imaginatively engage pivotal issues in today's Ukraine and express its tribulations and jubilations. It offers English-language readers a wide array of the most beguiling literature written in Ukraine in the past fifty years.

Havingexploded on the margins of Europe, Chornobyl marked the end of the Soviet Unionand tied the era of postmodernism in Western Europe with nuclear consciousness.The Post-Chornobyl Library becomes a metaphor of a new Ukrainian literature of the 1990s,which emerges out of the Chornobyl nuclear trauma.