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Performance poetry, as a literary term, is known in the Western literature, although some critics may not consider it literary in the first place. This article assumes the applicability of this term to new attempts of some Egyptian youth whose poems share the common features of performance poetry in English literature. Their poetic works are passionate, rhythmic, using aural and visual effects in the background, and dialects in addition to the poet's presentation of the poem face to face with the audience. Regarding the content, their verse has preceded and accompanied the political turmoil Egypt witnessed before, during, and after 25 January Revolution. For this reason, this poetic pattern loudly reflects the concerns, demands, and aspirations of the rebellious generation of youth and the whole Egyptian society. It can be considered the manifestation of the new challenging spirit of the youth in Egypt. The aim of the research is to highlight the similarities between the Anglo-American performance poetry and the literary works of two Egyptian young poets: Hisham al-Gakh and Amr Qatamish. As an interdisciplinary study, literary criticism, cultural criticism including socio-political analysis will be utilized to elucidate how performance poetry represents a new trend of resisting corruption and injustice, as well as a revolution against conventional poetic forms.