Explore the vast range of titles available.

This superb guide brings the work of Filippo Coarelli, one of the most widely published and well-known scholars of Roman topography, archeology and art, to a broad English-language audience. Conveniently organized by walking tours and illustrated throughout with clear maps, drawings, and plans, Rome and Environs: An Archaeological Guide covers all of the major, and an unparalleled number of minor, ancient sites in the city, and, unlike most other guides of Rome, includes major and many minor sites within easy reach of the city, such as Ostia Antica, Palestrina, Tivoli, and the many areas of interest along the ancient Roman roads. An essential resource for tourists interested in a deeper understanding of Rome's classical remains, it is also the ideal book for students and scholars approaching the ancient history of one of the world's most fascinating cities. • Covers all the major sites including the Capitoline, the Roman Forum, the Imperial Fora, the Palatine Hill, the Valley of the Colosseum, the Esquiline, the Caelian, the Quirinal, and the Campus Martius. • Discusses important clusters of sites-one on the area surrounding Circus Maximus and the other in the vicinity of the Trastevere, including the Aventine and the Vatican. • Covers the history and development of the city walls and aqueducts. • Follows major highways leading outside of the city to important and fascinating sites in the periphery of Rome. • Features 189 maps, drawings, and diagrams, and an appendix on building materials and techniques. • Includes an updated and expanded bibliography for students and scholars of Ancient Rome.

It is a place where the general public can gather communally to watch ludi, provisionally erasing invisible boundary lines which sharply divide one social class from another. The Circus is also a location which has the capability to eradicate personal and societal perceptions potentially rendering a crowd in an intoxicated, wanton state. The association existent between society and its predetermined allocation of space in many venues (e.g. hippodromes, theaters, amphitheaters, etc.) which exhibit sports and spectacles, more generally, is well attested to in the Circus Maximus's history. Using this as the conceptual framework, this article attempts to assess the recurrent, measured, and far-ranging evolutions and interdependencies between the aristocracy and the Circus they constructed. The construction methodology, I argue, was constantly being adapted to suit specific political agendas beginning with its legendary foundation under the Etruscan kings in the sixth-century BCE and ending with its usage during late Empire in the fifth-century CE. The fictional rape of the Sabine women, for example, relates Roman notions of losing self and spatial awareness as a hazardous mistake which can be purposely leveraged by manipulating a predestined, popular situation \"monstra.\" The organization of this article which traces the Circus's transitions will begin with the Regal Period, move to the Republican Period, then to the Empire. The variations and modifications the Circus Maximus has undergone since the sixth-century BCE-architecturally and usage wise-serves as evidence to both the flexibility of public spaces and usages by the aristocracy from pre-Roman times through the Roman Empire.