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"hero"
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On heroes, hero-worship, and the heroic in history
by
Carlyle, Thomas, 1795-1881. On heroes, hero-worship, and the heroic in history
,
Sorensen, David R., 1953- editor of compilation
,
Kinser, Brent E., editor of compilation
in
Heroes.
,
Hero worship.
2013
\"Based on a series of lectures delivered in 1840, Thomas Carlyle's On Heroes, Hero-Worship, and the Heroic in History considers the creation of heroes and the ways they exert heroic leadership. From the divine and prophetic (Odin and Muhammad) to the poetic (Dante and Shakespeare) to the religious (Luther and Knox) to the political (Cromwell and Napoleon), Carlyle investigates the mysterious qualities that elevate humans to cultural significance. By situating the text in the context of six essays by distinguished scholars that reevaluate both Carlyle's work and his ideas, David Sorensen and Brent Kinser argue that Carlyle's concept of heroism stresses the hero's spiritual dimension. In Carlyle's engagement with various heroic personalities, he dislodges religiosity from religion, myth from history, and truth from \"quackery\" as he describes the wondrous ways in which these \"flowing light-fountains\" unlock the heroic potential of ordinary human beings. \"-- Provided by publisher.
Unpacking the 'explorer' narrative and its impacts on African palaeoanthropology
by
Ackermann, Rebecca R.
,
Molopyane, Keneiloe
,
Athreya, Sheela
in
Colonialism
,
DART
,
Exploration
2025
The concepts of explorer, expedition, and the combination of the two into the myth of the explorer have been integral par ts of Western mentality for more than 200 years. Here we briefly outline the colonial origins of these ideas, and use this crystallised understanding of the explorer myth to consider how African palaeoanthropology in the 20th century and up to the present continues to carry many of these biased, outdated over tones - some more over tly than others. We examine how Raymond Dar t and the discovery of the Taung Child were situated and storied within this explorer narrative. We also expand on how these outdated concepts persist in determining which scientific approaches and outcomes are valued and which are not, which in turn has perpetuated extractive approaches to palaeoanthropology and the marginalisation of Indigenous scientists. This is especially notable in fieldwork practices which, to this day, embody the explorer myth's deeply problematic colonial ideals of Western, masculine moral and cultural superiority. By understanding the mindset behind the discovery and repor ting of Dar t's work on the Taung Child, we can better understand why it still holds such sway in palaeoanthropology today, and propose impor tant practical and cultural disciplinary changes that will allow us to move beyond these colonial and masculine ideas in a manner that creates a more equitable future for all scholars.
Journal Article
The Transformation of the Hero in ‘Arash’ (by Bahram Beyzai)
2025
Arash, the famous Archer and mythical-historical hero, is a significant absentee from Persian classical poetry, especially Shahnameh. However, in contemporary times, several poets and writers, including Bahram Beyzai, have adopted Arash's narrative. Beyzai creates the most distinctive version of this narrative by offering a modern approach and deconstructing the original narrative. Beyzai's Arash is not the renowned hero and archer but rather a stableman who transforms into a hero without any metaphysical support or physical strength, just by relying on the power of mind and heart. The present study examines the distinctive characteristics of the hero in Beyzai's narrative and, based on Lacan's psychoanalytic theory, analyzes the transformation of Arash from a stableman to a hero. The results show that the most critical differences between Arash in Beyzai's work and the original narrative are: the lack of support from divine forces, lack of extraordinary physical abilities, emphasis on an inner journey rather than an external one, and the focus on the power of heart and mind instead of physical strength. Studying the transformation of Arash's personality based on Lacan's theory shows two stages: the first is Arash's confrontation with the big Other, which separates him from his initial unified perception of the world and turns him into an alienated and split subject. The second and main stage is Arash's victory over the big Other during his symbolic ascent to Mount Alborz. This conquest enables Arash to break through the 'symbolic order' and attain the superior knowledge and power of a hero.
Journal Article
The seer and the city : religion, politics, and colonial ideology in ancient Greece
\"Seers featured prominently in ancient Greek culture, but they rarely appear in colonial discourse from the archaic and classical periods. Margaret Foster exposes the ideological motivations behind this discrepancy and reveals how colonial discourse's privileging of the city's founder and his dependence on Delphi, the colonial oracle par excellence, entails a corresponding suppression of the seer. Foster explains why the seer's authority conflicts with that of the founder and investigates a sequence of literary works from a range of genres that showcase this dynamic. The first study to analyze the seer and the Delphi-sanctioned founder relationally, this volume illuminates the contests between religious and political powers in archaic and classical Greece.\"--Provided by publisher.
The Myth of Hero and Leander
2018,2017
Hero and Leander are the protagonists in a classical tale of epic but tragic love. Hero lives secluded in a tower on the European shore of the Hellespont, and Leander on the opposite side of the passage. Since they cannot hope to marry, the couple resolves to meet in secret: each night he swims across to her, guided by the light of her torch. But the time comes when a winter storm kills both the light and Leander. At dawn, Hero sees her lover’s mangled body washed ashore, and so hurls herself from the tower to meet him in death. Silvia Montiglio here shows how and why this affecting story has proved to be one of the most popular and perennial mythologies in the history of the West. Discussing its singular drama, danger, pathos and eroticism, the author explores the origin of the legend and its rich and varied afterlives. She shows how it was used by Greek and Latin writers; how it developed in the Middle Ages - notably in the writings of Christine de Pizan - and Renaissance; how it inspired Byron to swim the Dardanelles; and how it has lived on in representations by artists including Rubens and Frederic Leighton.
Heroic offerings : the terracotta plaques from the Spartan sanctuary of Agamemnon and Kassandra
\"Heroic Offerings sheds light on the study of religion in Sparta, one of Greece's most powerful city-states and the long-term rival of Athens. Sparta's history is well known, but its archaeology has been much less satisfactorily explored. Through the comprehensive study of a distinctive class of terracotta votive offerings from a specific sanctuary, Gina Salapata explores both coroplastic art and regional religion. By integrating archaeological, historical, literary, and epigraphic sources, she provides important insights into the heroic cults of Lakonia and contributes to an understanding of the political and social functions of local ritual practice.This volume focuses on a large group of decorated terracotta plaques, from the sixth to fourth centuries BCE. These molded plaques were discovered with other offerings in a sanctuary deposit excavated near Sparta more than fifty years ago, but they have remained unpublished until now. They number over 1,500 complete and fragmentary pieces. In technique, style, and iconography they form a homogeneous group unlike any other from mainland Greece. The large number of plaques and variety of types reveal a stable and vigorous coroplastic tradition in Lakonia during the late Archaic and Classical period. Heroic Offerings will be of interest to students and scholars of Greek history, art, and archaeology, to those interested in ancient religious practice in the Mediterranean, and to all inspired by Athens' chief political rival, Sparta. This volume received financial support from the Archaeological Institute of America\"-- Provided by publisher.
On Heroes, Hero Worship, and the Heroic in History
2013
Based on a series of lectures delivered in 1840, Thomas Carlyle'sOn Heroes, Hero-Worship, and the Heroic in Historyconsiders the creation of heroes and the ways they exert heroic leadership. From the divine and prophetic (Odin and Muhammad) to the poetic (Dante and Shakespeare) to the religious (Luther and Knox) to the political (Cromwell and Napoleon), Carlyle investigates the mysterious qualities that elevate humans to cultural significance.By situating the text in the context of six essays by distinguished scholars that reevaluate both Carlyle's work and his ideas, David Sorensen and Brent Kinser argue that Carlyle's concept of heroism stresses the hero's spiritual dimension. In Carlyle's engagement with various heroic personalities, he dislodges religiosity from religion, myth from history, and truth from \"quackery\" as he describes the wondrous ways in which these \"flowing light-fountains\" unlock the heroic potential of ordinary human beings.
FANatics: Systematic literature review of factors associated with celebrity worship, and suggested directions for future research
2021
A ‘culture of celebrity’ began to emerge in the twentieth century, profoundly impacting the social world. Recent years have seen the publication of an increasing wealth of literature focusing on people who are enthralled with celebrities – often to the point of obsession – termed ‘celebrity worshippers’. The current paper systematically reviews this literature to gain a comprehensive understanding of the various factors associated with celebrity worship and to identify gaps in the literature. Papers were identified through a systematic literature search and 62 were deemed relevant for inclusion in the review. These provided evidence that celebrity worship may be related to demographic factors (e.g. age); personality factors (e.g. dimensions of the psychoticism-extraversion-neuroticism model, materialism); religiosity; behavioural and cognitive-behavioural factors (e.g. fantasy proneness, obsessive behaviours); feelings about the self or the world (e.g. self-esteem); cognitive factors (e.g. cognitive flexibility, critical thinking); relationships with others (e.g. attachment style, romantic relationship style); attitudes towards the body, eating, and cosmetic surgery; and psychological wellbeing (e.g. depression, anxiety). The results are used to help researchers understand the individual and psychosocial factors associated with celebrity worship, and directions for future research in this area are identified.
Journal Article
Bending steel : modernity and the American superhero
by
Regalado, Aldo J
in
20th century
,
American fiction
,
American fiction -- 20th century -- History and criticism
2015
“Faster than a speeding bullet. More powerful than a locomotive. Able to leap tall buildings in a single bound . . . It’s Superman!” Bending Steel examines the historical origins and cultural significance of Superman and his fellow American crusaders. Cultural historian Aldo J. Regalado asserts that the superhero seems a direct response to modernity, often fighting the interrelated processes of industrialization, urbanization, immigration, and capitalism that transformed the United States from the early nineteenth century to the present. Reeling from these exciting but rapid and destabilizing forces, Americans turned to heroic fiction as a means of explaining national and personal identities to themselves and to the world. In so doing, they created characters and stories that sometimes affirmed, but other times subverted conventional notions of race, class, gender, and nationalism.
The cultural conversation articulated through the nation’s early heroic fiction eventually led to a new heroic type—the brightly clad, super-powered, pro-social action heroes that first appeared in American comic books starting in the late 1930s. Although indelibly shaped by the Great Depression and World War II sensibilities of the second-generation immigrants most responsible for their creation, comic book superheroes remain a mainstay of American popular culture.
Tracing superhero fiction all the way back to the nineteenth century, Regalado firmly bases his analysis of dime novels, pulp fiction, and comics in historical, biographical, and reader response sources. He explores the roles played by creators, producers, and consumers in crafting superhero fiction, ultimately concluding that these narratives are essential for understanding vital trajectories in American culture.