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"hispanic american studies"
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Latinos and American popular culture
\"This book offers a complete overview of the contributions of U.S. Latinos to American popular culture and examines the emergence of the U.S. Latino identity\"-- Provided by publisher.
Latino Protestants in America
by
Mulder, Mark T
,
Ramos, Aida I
,
Martí, Gerardo
in
Christian denominations & sects
,
Christianity
,
Ethnic Studies
2017,2021
Researchers estimate that by 2030 half of all Latinos in America will be Protestant. Latino Protestants in America takes readers inside the numbers to highlight the many reasons Latino Protestants are growing, the diversity of this group, and the implications of this growth on politics, economics, religion, and more.
Becoming Hispanic-serving institutions : opportunities for colleges and universities
\"Hispanic-Serving Institutions (HSIs)--not-for-profit, degree-granting colleges and universities that enroll at least 25 percent or more Latinx students--are among the fastest-growing segments in America. They now represent 13 percent of all postsecondary institutions in the United States and enroll 62 percent of all Latinx college students. As they increase in number, the question remains: What does it mean to serve Latinx students? What special needs does this student demographic have? What opportunities develop when a college or university becomes an HSI? Using multiple case studies, Gina Ann Garcia explores how institutions are developing ways to serve Latinx students and how those institutions confront the tensions that emerge from confronting traditional standards for postsecondary institutions, which include indicators of prestige, selectivity, graduation rates, and federal research dollars\"-- Provided by publisher.
Latining America
2013
Claudia Milian proposes that the economies of blackness, brownness, and dark brownness summon a new grammar for Latino/a studies that she names “Latinities.” Milian argues that this ensnared economy of meaning startles the typical reading practices deployed for brown Latino/a embodiment. Latining America keeps company with and challenges existent models of Latinidad, demanding a distinct paradigm that puts into question what is understood as Latino and Latina today. Milian conceptually considers how underexplored “Latin” participants—the southern, the black, the dark brown, the Central American—have ushered in a new world of “Latined” signification from the 1920s to the present.
Latino placemaking and planning : cultural resilience and strategies for reurbanization
Explains the importance of incorporating social-cultural understandings in the revitalization of urban spaces--Provided by publisher.
Razabilly
2021,2022
Vocals tinged with pain and desperation. The deep thuds of an upright bass. Women with short bangs and men in cuffed jeans. These elements and others are the unmistakable signatures of rockabilly, a musical genre normally associated with white male musicians of the 1950s. But in Los Angeles today, rockabilly's primary producers and consumers are Latinos and Latinas. Why are these Razabillies partaking in a visibly un-Latino subculture that's thought of as a white person's fixation everywhere else?As a Los Angeles Rockabilly insider, Nicholas F. Centino is the right person to answer this question. Pairing a decade of participant observation with interviews and historical research, Centino explores the reasons behind a Rockabilly renaissance in 1990s Los Angeles and demonstrates how, as a form of working-class leisure, this scene provides Razabillies with spaces of respite and conviviality within the alienating landscape of the urban metropolis. A nuanced account revealing how and why Los Angeles Latinas/os have turned to and transformed the music and aesthetic style of 1950s rockabilly, Razabilly offers rare insight into this musical subculture, its place in rock and roll history, and its passionate practitioners.
Contemporary Latina/o media : production, circulation, politics
\"Just ten years ago, discussions of Latina/o media could be safely reduced to a handful of TV channels, dominated by Univision and Telemundo. Today, dramatic changes in the global political economy have resulted in an unprecedented rise in major new media ventures for Latinos as everyone seems to want a piece of the Latina/o media market. While current scholarship on Latina/o media have mostly revolved around important issues of representation and stereotypes, this approach does not provide the entire story. In Contemporary Latina/o Media, Arlene Dávila and Yeidy M. Rivero bring together an impressive range of leading scholars to move beyond analyses of media representations, going behind the scenes to explore issues of production, circulation, consumption, and political economy that affect Latina/o mass media. Working across the disciplines of Latina/o media, cultural studies, and communication, the contributors examine how Latinos are being affected both by the continued Latin Americanization of genres, products, and audiences, as well as by the whitewashing of \"mainstream\" Hollywood media where Latinos have been consistently bypassed. While focusing on Spanish-language television and radio, the essays also touch on the state of Latinos in prime-time television and in digital and alternative media. Using a transnational approach, the volume as a whole explores the ownership, importation, and circulation of talent and content from Latin America, placing the dynamics of the global political economy and cultural politics in the foreground of contemporary analysis of Latina/o media\"-- Provided by publisher.
The Puerto Rican Problem in Postwar New York City
2022,2023
The Puerto-Rican Problem in Postwar New York City presents the first comprehensive examination of the emergence, evolution, and consequences of the “Puerto Rican problem” campaign and narrative in New York City from 1945 to 1960. This notion originated in an intense public campaign that arose in reaction to the entry of Puerto Rican migrants to the city after 1945. The “problem” narrative influenced their incorporation in New York City and other regions of the United States where they settled. The anti-Puerto Rican campaign led to the formulation of public policies by the governments of Puerto Rico and New York City seeking to ease their incorporation in the city. Notions intrinsic to this narrative later entered American academia (like the “culture of poverty”) and American popular culture (e.g., West Side Story ), which reproduced many of the stereotypes associated with Puerto Ricans at that time and shaped the way in which Puerto Ricans were studied and perceived by Americans.
The migration of musical film : from ethnic margins to American mainstream
\"Movie musicals are among the most quintessentially American art forms, often celebrating mobility, self-expression, and the pursuit of one's dreams. But like America itself, the Hollywood musical draws from many distinct ethnic traditions. In this ... [book] ... Garcia examines the lesser-known folk musicals from early African American, Yiddish, and Mexican filmmakers, revealing how these were essential ingredients in the melting pot of the Hollywood musical, ... [showing] how the folk musical was rooted in the challenges faced by immigrants and migrants who had to adapt to new environments, balancing American individualism with family values and cultural traditions\"-- Provided by publisher.
Making the MexiRican City
Large numbers of Latino migrants began to arrive in Grand Rapids,
Michigan, in the 1950s. They joined a small but established
Spanish-speaking community of people from Texas, Mexico, and Puerto
Rico. Delia Fernández-Jones merges storytelling with historical
analysis to recapture the placemaking practices that these
Mexicans, Tejanos, and Puerto Ricans used to create a new home for
themselves. Faced with entrenched white racism and hostility,
Latinos of different backgrounds formed powerful relationships to
better secure material needs like houses and jobs and to recreate
community cultural practices. Their pan-Latino solidarity crossed
ethnic and racial boundaries and shaped activist efforts that
emphasized working within the system to advocate for social change.
In time, this interethnic Latino alliance exploited cracks in both
overt and structural racism and attracted white and Black partners
to fight for equality in social welfare programs, policing, and
education.
Groundbreaking and revelatory, Making the MexiRican
City details how disparate Latino communities came together to
respond to social, racial, and economic challenges.