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This groundbreaking study explores the recent dramatic changes brought about in Japan by the influx of a non-Japanese population, Filipina brides. Lieba Faier investigates how Filipina women who emigrated to rural Japan to work in hostess bars-where initially they were widely disparaged as prostitutes and foreigners-came to be identified by the local residents as \"ideal, traditional Japanese brides.\"Intimate Encounters, an ethnography of cultural encounters, unravels this paradox by examining the everyday relational dynamics that drive these interactions. Faier remaps Japan, the Philippines, and the United States into what she terms a \"zone of encounters,\" showing how the meanings of Filipino and Japanese culture and identity are transformed and how these changes are accomplished through ordinary interpersonal exchanges. Intimate Encounters provides an insightful new perspective from which to reconsider national subjectivities amid the increasing pressures of globalization, thereby broadening and deepening our understanding of the larger issues of migration and disapora.

The paper focuses on Imamura Shōhei’s History of Post-War Japan as Told by a Bar Hostess (Nippon Sengoshi—Madamu Onboro no Seikatsu), a documentary released for general viewing in 1970. The subject of the documentary was Azaka Emiko, the uninhibited middle-aged owner of the bar Onboro in the port city of Yokosuka, home to a U.S. naval base. Emiko embodied the phantasmagoric (chimimōryō) lowlifes who inhabited the nooks and crannies of Japanese cities and went about their lives without resentment or guilt, unburdened by familial responsibility and social norms that fascinated Imamura. While other intellectuals and film makers were obsessing about the status of Japanese democracy, Imamura chose to focus on people such as Emiko to identify the psychological and moral changes undergone by the Japanese people during three decades of post-war recovery and growth.