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result(s) for
"how was music created"
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Frontier figures
2012
Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.
Effectiveness of Parent Education in Pivotal Response Treatment on Pivotal and Collateral Responses
2019
In two studies, we investigated the effectiveness of parent education in Pivotal Response Treatment (PRT) on parent-created opportunities and spontaneous child initiations in two community-based treatment facilities for children with autism spectrum disorder (ASD). Changes in parental stress and self-efficacy were explored. Participants were 26 parents and their children who participated in group (Study 1) or individual (Study 2) parent education in PRT. Results indicated that group-based parent education resulted in moderate increases in opportunities, functional initiations, and empathic social initiations. Furthermore, parental stress reduced and self-efficacy increased. Individual parent education resulted in large increases in opportunities and functional initiations, but parental stress and self-efficacy did not change. Implications for clinical practice and directions for future research are discussed.
Journal Article
Learner-Created Podcasts: Students' Stories with Music
2013
This article describes uses for podcasts in music education, focusing on learnercreated podcasts as an opportunity for students to construct and represent knowledge. The author outlines a podcast assignment that enables secondary and postsecondary students to examine and more deeply understand the meaning music holds for them and the role it has played in their lives. Using audio editing technology, students describe significant music experiences and combine spoken-word narration with illustrative music excerpts to create an audio documentary. Student benefits of engaging in the podcast creation process (e.g., opportunities for active music listening, enhanced reflection, self-expression, enriched communication, increased self-knowledge, and creativity) are addressed in the conclusion.
Journal Article
Performing technology: user content and the new digital media : insights from the two thousand + nine symposium
2009
This volume emerged out of the discussions during the 2009 edition of the Two Thousand + symposia series at the Sonic Arts Research Centre, Belfast. In 2009 the symposium focused on user-generated content and it is the refined and reworked writings that have been included in this volume. The texts in this book cover the development of design strategies for addressing rich media environments that incorporate user-generated, locative content. Chapters cover areas such as choreography/dance, virtual worlds, music performance, network music and computer games.
Arts & Entertainment -- Curtain Raisers: For the Record
2012
[...] one of the most affecting moments in the show is also one of the softest: [...] he wears a tape recorder around his neck at all times, completely dependant on the cassettes he and others have made to remind him of himself and of reality.\\n
Newspaper Article
Music evolutionist makes case, but tune's a little flat
2008
In a decidedly checkered career, he's worked as a pop musician, journalist, record producer (everything from the Carpenters to Blue Oyster Cult) and neuroscientist.
Newspaper Article