Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Country Of Publication
    • Publisher
    • Source
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
136 result(s) for "intertextualité"
Sort by:
Une lecture « Adolescente » de Claude Simon comment « refaire l’Adolescent de Dostoïevski »
Le Sacre du printemps (1954), roman de jeunesse de Claude Simon est peu connu, et ce qui l’est encore moins est qu’il est présenté comme réécriture de l’Adolescent de Dostoïevski. On étudie ici comment cette réécriture a pu jouer un rôle décisif dans l’évolution du romancier. Claude Simon reprend le modèle d’une organisation en « journées » très proche de celle du romancier russe, qui lui donne un principe de structuration d’une intrigue encore complexe. Il semble aussi avoir été fasciné par la relation père/fils qu’il transpose et inverse dans le Sacre du printemps, préparant aussi son œuvre à venir.
«Достоевский» юлии кристевой: внутренний опыт, эротизм и проблемы метода рассуждения
This study examines the works of Dostoevsky as construed by Julia Kristeva in her recent book (Buchet-Chastel, « Les auteurs de ma vie », 2019). Julia Kristeva places the concept of inner experience developed by Georges Bataille in the 1940s at the core of her interpretation and builds on literary psychoanalysis methodology to offer an original interpretation of the Russian writer’s works, that lends itself to discussion. Cette étude se penche sur la lecture de l’œuvre de Dostoïevski, proposée par Julia Kristeva dans un livre récent (Buchet-Chastel, 2019, « Les auteurs de ma vie »). Ayant mis au centre de son interprétation la notion d’expérience intérieure, élaborée par Georges Bataille dans les années 1940, la chercheuse, suivant aussi la méthode de la psychanalyse littéraire, présente une interprétation originale de l’œuvre de l’écrivain russe, qui prête à discussion.
Show Sold Separately
Highlights the trailers, merchandising and cultural conversations that shape our experiences of film and television It is virtually impossible to watch a movie or TV show without preconceived notions because of the hype that precedes them, while a host of media extensions guarantees them a life long past their air dates. An onslaught of information from print media, trailers, internet discussion, merchandising, podcasts, and guerilla marketing, we generally know something about upcoming movies and TV shows well before they are even released or aired. The extras, or \"paratexts,\" that surround viewing experiences are far from peripheral, shaping our understanding of them and informing our decisions about what to watch or not watch and even how to watch before we even sit down for a show. Show Sold Separately gives critical attention to this ubiquitous but often overlooked phenomenon, examining paratexts like DVD bonus materials for The Lord of the Rings , spoilers for Lost , the opening credits of The Simpsons , Star Wars actions figures, press reviews for Friday Night Lights, the framing of Batman Begins , the videogame of The Thing , and the trailers for The Sweet Hereafter . Plucking these extra materials from the wings and giving them the spotlight they deserve, Jonathan Gray examines the world of film and television that exists before and after the show.
Le vertige burlesque de Véronique Bangoura : la parenté dans Saharienne indigo de Tierno Monénembo
In his latest novel entitled Saharienne indigo (2022), Tierno Monénembo returns to his native country, Guinea, and to its history. The fortuitous meeting of a French woman and a Guinean woman, Véronique Bangoura, in Paris is the starting point of a double narration; on the one hand, the novel follows the narrative of the successive meetings of the two women and, on the other hand, it tells the story of life that the African woman tells the European woman, at the latter's request. Dragged into the whirlwind of her memories, Véronique Bangoura, in a quest for identity, reconstitutes an imaginary kinship, which first passes through a process of naming. As a writer, Monénembo, using a burlesque mode, situates this quest in an intertextuality based on the initials of Véronique Bangoura. This article will show how Monénembo, by giving voice to the victims of the Guinean dictatorship, advocates for a “living memory”, which would also be a literary memory.
Intertextuality in Practice
Drawing on research from literary criticism, neuroscience, linguistics and sociology, this book proposes a cognitive stylistic approach, presenting the 'narrative interrelation framework' as a way of operationalising the concept of intertextuality to enable close practical analysis.
Children of the raven and the whale : visions and revisions in American literature
Taking its cue from Perry Miller’s 1956 classic of American literary criticism, The Raven and the Whale: The War of Words and Wits in the Era of Poe and Melville , Caroline Chamberlin Hellman’s new book examines ways in which contemporary multi-ethnic writers of the United States have responded to nineteenth- and early twentieth century texts historically central to the American literary canon. Each chapter of Children of the Raven and the Whale looks down the roads American literature ultimately traveled, examining pairs and constellations of texts in conversation. In their rewritings and layerings of new stories over older ones, contemporary writers forge ahead in their interrogations of a spectrum of American experience, whether they or their characters are native to the United States, first- or second-generation immigrants, or transnational. Revealing the traces of texts by writers such as Walt Whitman, Herman Melville, Nathaniel Hawthorne, F. Scott Fitzgerald, Ernest Hemingway, Richard Wright, and James Baldwin lying beneath contemporary American literature by Chang-rae Lee, Jonathan Lethem, Jhumpa Lahiri, Junot Díaz, Joseph O’Neill, Colum McCann, and Ta-Nehisi Coates, Hellman posits the existence of a twenty-first-century American renaissance.
Liens et dialogues insulaires dans l’océan Indien: des textes poético-critiques au roman mauricien
La pensée de l’espace et de l’imaginaire des territoires insulaires est un enjeu central dans les textes des auteurs du sud-ouest de l’océan Indien. Or cette appropriation symbolique se fait-elle par le biais d’une affirmation d’identités spécifiques ou en mettant en scène un échange, voire un dialogue entre les îles qui, de par l’histoire et de ses séquelles, partagent nombre de caractéristiques sur les plans linguistiques, ethno-culturels et socio-politiques? Sur cette question d’une mise en relation et d’un dialogue interinsulaire, on examinera la création romanesque contemporaine de l’île Maurice—la production la plus visible et plus prolifique de la zone. On interrogera d’abord quelques textes poético-critiques (sur la Lémurie, l’Indianocéanisme, la Coolitude, les créolisations india-océanes) où les liens insulaires réels ou hypothétiques sont pensés depuis longtemps. Puis, on lira plusieurs romans d’auteurs mauriciens d’expression française et anglaise (par exemple Ananda Devi, Amal Sewtohul, Nathacha Appanah, Lindsey Collen), au sein de la production insulaire contemporaine plus largement, sur leur manière de situer et de penser la géographie et l’imaginaire insulaires en rapport aux territoires insulaires voisins. On verra alors que si une pensée dialogique entre les îles de l’océan Indien y reste relativement marginal, le roman mauricien ne manque toutefois pas de présences subtiles et significatives à cet égard. 
Ovid and Hesiod
The influence on Ovid of Hesiod, the most important archaic Greek poet after Homer, has been underestimated. Yet, as this book shows, a profound engagement with Hesiod's themes is central to Ovid's poetic world. As a poet who praised women instead of men and opted for stylistic delicacy instead of epic grandeur, Hesiod is always contrasted with Homer. Ovid revives this epic rivalry by setting the Hesiodic character of his Metamorphoses against the Homeric character of Virgil's Aeneid. Dr Ziogas explores not only Ovid's intertextual engagement with Hesiod's works but also his dialogue with the rich scholarly, philosophical and literary tradition of Hesiodic reception. An important contribution to the study of Ovid and the wider poetry of the Augustan age, the book also forms an excellent case study in how the reception of previous traditions can become the driving force of poetic creation.
The dynamics of intertextuality in Plutarch
The Dynamics of Intertextuality in Plutarch explores the numerous aspects and functions of intertextual links both within the Plutarchan corpus itself (intratextuality) and in relation with other authors, works, genres or discourses of Ancient Greek literature (interdiscursivity, intergenericity, intermateriality).