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"intertextuality"
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Intratextuality and Latin literature
Recent years have witnessed an increased interest in classical studies in the ways meaning is generated through the medium of intertextuality, namely how different texts of the same or different authors communicate and interact with each other. Attention (although on a lesser scale) has also been paid to the manner in which meaning is produced through interaction between various parts of the same text or body of texts within the overall production of a single author, namely intratextuality. Taking off from the seminal volume on Intratextuality: 'Greek and Roman Textual Relations', edited by A. Sharrock / H. Morales (Oxford 2000), which largely sets the theoretical framework for such internal associations within classical texts, this collective volume brings together twenty-seven contributions, written by an international team of experts, exploring the evolution of intratextuality from Late Republic to Late Antiquity across a wide range of authors, genres and historical periods. Of particular interest are also the combined instances of intra- and intertextual poetics as well as the way in which intratextuality in Latin literature draws on reading practices and critical methods already theorized and operative in Greek antiquity.
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The pop palimpsest : intertextuality in recorded popular music
\"Within popular music there are entire genres (jazz \"standards\"), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality--the shaping of one text by another--in popular music. The Pop Palimpsest offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, The Pop Palimpsest considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners.\"--Publisher's description.
Book
Weapons of Words
In Weapons of Words Selena Wisnom offers a literary study of three poems central to Babylonian culture: Anzû, Enūma elis, and Erra and Isum, demonstrating how each uses sophisticated intertextual allusions to compete with its predecessors.
eBook
NI MORO NI CRISTIANO: EL DESCREIMIENTO DEL HÉROE ROMÁNTICO EN MARTÍN GIL, DE MANUEL FERNÁNDEZ Y GONZÁLEZ
Las novelas del romanticismo español han destacado frente a las equivalentes en el extranjero por tener como protagonistas a héroes de actitudes más ateas y materialistas. Pero se ha considerado que esto desaparece en el momento en el que se impone la moda de la novela de folletín, con el caso paradigmático de Manuel Fernández y González; a partir de ahí, el héroe romántico quedaría disuelto. Sin embargo, lo tocante a ese novelista es más complejo, dado que nos muestra en uno de sus primeros textos, Martín Gil (1850-1851), cierta persistencia en el uso de un protagonista descreído hasta el extremo. Si bien la intertextualidad de esa con otras de sus novelas impide negar que este discurso está integrado en otro plenamente católico, la utilización del personaje nihilista que plantea entronca también con elementos de la tradición picaresca, que en este caso se reivindican como algo característico de la literatura hispana.
Journal Article
Reading philosophy, writing poetry : intertextual modes of making meaning in early medieval China
\"Examines how early medieval writers in China understood and manipulated a shared intellectual lexicon to produce meaning. Focusing on works by the most important and innovative poets of the period, it explores intertextuality--the transference, adaptation, or rewriting of signs--as a mode of reading and a condition of writing\"--Provided by publisher.
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