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The end of airports
\"If air travel was once the bold future, it has now settled into a mundane, on-going present. We no longer expect romantic experiences or sublime views, but just hope that we get from here to there with minimal hassle. In The End of Airports, Christopher Schaberg suggests that even as the epoch of flight approaches a threshold of banality, there are still mysteries to be unraveled around our aircraft and airfields. Drawing from his own experiences working at an airport, as well as interpreting these spaces from the perspective of a cultural critic, Schaberg explores the secret lives of jet bridges, seating areas, concourses, and tarmac vehicles, showing how the ordinary objects of flight call for wonder and inquiry. The End of Airports is not an obituary-it's more like an ode to terminals in the digital age\"-- Provided by publisher.
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The Eco-Self in Early Modern English Literature
The Eco-Self in Early Modern English Literature tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans' embedment in the world. A confluence of cultural factors produced the relevant changes. Of paramount significance was the rapid spread of literacy in England and across Europe: reading transformed the relationship between self and world, retooled moral reasoning, and even altered human anatomy. This book pursues the salutary possibilities, including the ecological benefits, of this redesigned self by advancing fresh readings of texts by William Shakespeare, Christopher Marlowe, John Webster, and Margaret Cavendish. The eco-self offers certain refinements to ecological theory by renewing appreciation for the rational, deliberative functions that distinguish humans from other species.
eBook
Theory of literature
\"Bringing his perennially popular course to the page, Yale University Professor Paul H. Fry offers in this welcome book a guided tour of the main trends in twentieth-century literary theory. At the core of the book's discussion is a series of underlying questions: What is literature, how is it produced, how can it be understood, and what is its purpose? Fry engages with the major themes and strands in twentieth-century literary theory, among them hermeneutics, modes of formalism, semiotics and Structuralism, deconstruction, psychoanalytic approaches, Marxist and historicist approaches, theories of social identity, Neo-pragmatism and theory. By incorporating philosophical and social perspectives to connect these many trends, the author offers readers a coherent overall context for a deeper and richer reading of literature\"-- Provided by publisher.
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Freedom time : the poetics and politics of black experimental writing
Experimental poetry and prose by black writers rejects traditional interpretations of social protest and identity formation to reveal radical new ways of perceiving the world.
Winner, 2016 William Sanders Scarborough Prize, Modern Language Association
Standard literary criticism tends to either ignore or downplay the unorthodox tradition of black experimental writing that emerged in the wake of protests against colonization and Jim Crow–era segregation. Histories of African American literature likewise have a hard time accounting for the distinctiveness of experimental writing, which is part of a general shift in emphasis among black writers away from appeals for social recognition or raising consciousness. In Freedom Time, Anthony Reed offers a theoretical reading of \"black experimental writing\" that presents the term both as a profound literary development and as a concept for analyzing how writing challenges us to rethink the relationships between race and literary techniques.
Through extended analyses of works by African American and Afro-Caribbean writers—including N. H. Pritchard, Suzan-Lori Parks, NourbeSe Philip, Kamau Brathwaite, Claudia Rankine, Douglas Kearney, Harryette Mullen, and Nathaniel Mackey—Reed develops a new sense of the literary politics of formally innovative writing and the connections between literature and politics since the 1960s.
Freedom Time reclaims the power of experimental black voices by arguing that readers and critics must see them as more than a mere reflection of the politics of social protest and identity formation. With an approach informed by literary, cultural, African American, and feminist studies, Reed shows how reworking literary materials and conventions liberates writers to push the limits of representation and expression.
eBook
What is fiction for? : literary humanism restored
\"How can literature, which consists of nothing more than the description of imaginary events and situations, offer any insight into the workings of \"human reality\" or \"the human condition\"? Can mere words illuminate something that we call \"reality\"? Bernard Harrison answers these questions in this profoundly original work that seeks to re-enfranchise reality in the realms of art and discourse. In an ambitious account of the relationship between literature and cognition, he seeks to show how literary fiction, by deploying words against a background of imagined circumstances, allows us to focus on the roots, in social practice, of the meanings by which we represent our world and ourselves. Engaging with philosophers and theorists as diverse as Wittgenstein, Sartre, Merleau-Ponty, Foucault, Derrida, F. R. Leavis, Cleanth Brooks, and Stanley Fish, and illustrating his ideas through readings of works by Swift, Woolf, Appelfeld, and Dickens, among others, this book presents a systematic defense of humanism in literary studies, and of the study of the Humanities more generally, by a distinguished scholar\"-- Provided by publisher.
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Toni Morrison and the geopoetics of place, race, and be/longing
Toni Morrison's readers and critics typically focus more on the \"what\" than the \"how\" of her writing.In Toni Morrison and the Geopoetics of Place, Race, and Be/longing , Marilyn Sanders Mobley analyzes Morrison's expressed narrative intention of providing \"spaces for the reader\" to help us understand the narrative strategies in her work.
eBook
Critical theory : the key concepts
\"Critical Theory: The Key Concepts introduces over 200 widely-used terms, categories and ideas drawing from new historicism, postmodernism, psychoanalysis, Marxism, narratology and other approaches. Entries range from concise definitions to longer explanatory essays and include terms such as :EgoDesireConsumptionHypertextKitschMisogynyQueer StudiesSymbolSuperstructureRaceFeaturing cross-referencing throughout, a substantial bibliography and index, this accessible and easy-to-use guide is an invaluable introduction for anyone studying critical theory. \"-- Provided by publisher.
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The Ethnography of Rhythm: Orality and Its Technologies
Who speaks? The author as producer, the contingency of the text, intertextuality, the \"device\"-core ideas of modern literary theory-were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts-starting with Homer and the Bible-had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian \"techniques of the body\" as belonging to the domain of Derridean \"arche-writing,\" Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices.
eBook
Poetic Form : an Introduction
\"This work provides lucid, elegant, and original analyses of poetic form and its workings in a wide range of poems\"-- Provided by publisher.
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The Fact of Resonance
The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic.
eBook