Explore the vast range of titles available.

In this paper, the modification methods of the Chinese Christian painting created by the missionaries in the late Ming Dynasty (1573–1644) were analyzed with the Chinese Catholic studies of the “Song nianzhu guicheng” and the “Tianzhu Jiangsheng Chuxiang Jingjie”. After carefully studying the differences between the Chinese Christian painting and the original European version, the study shows that these Chinese Christian paintings were integrated with the Chinese literati paintings’ elements and literati symbols, which include the “Yudiancun” (raindrop texture stroke), “Pimacun” (hemp-fiber texture stroke), “landscape screen” (painted screens with natural landscapes), and the mark of Chinese famous literati such as Dong Qichang. These adjustments conducted by missionaries aimed to make religious paintings more in line with literati aesthetics, which could build connections between the missionaries and the literati community for proselytization. However, the missionaries neglected that the literati community certainly would not sacrifice the existing social order and the vested interest brought by the current Confucian culture to support new ideas of “liberty” and “equality” in the Catholic doctrine, which caused a huge setback in the missionary work since the Nanjing Teaching Case in 1616. This research makes significant contributions to the understanding of cultural exchanges in the 17th century through a detailed exploration of the adjustments made by missionaries in the visual representations within Chinese Catholic literature.

As an aspect of garden space, tea space is an important part of traditional culture and inherited culture. This paper takes 210 representative literati painting images of Ming and Qing dynasties as the research object, combining historical materials, the analysis of painted images and mathematical statistics to transform the representative paintings into visual plan form, and then identifies and extracts the environmental elements and behavior activities in the paintings to build the factor base. It is determined that the main sources of tea activities are Hall Style, Water Pavilion Style, High Pavilion Style, Grass Pavilion and Terraces Style and Combination Style. The analysis results show the following: (1) The tea events mainly occur in outdoor gardens and indoor and outdoor spaces, with windows as climate boundaries. (2) Regarding the use of furniture, indoor spaces tend to use wooden furniture, while outdoor spaces use stone furniture and natural stone, or portable wooden furniture. (3) In terms of indoor and outdoor spaces with tea activities, indoor and outdoor spaces often borrow landscape elements from each other, and screens and partitions are often used as a means of space division in terms of space separation. The findings of this study lay a theoretical foundation for the design of traditional garden tea spaces, and provide a reference for the fine design of contemporary architecture and garden tea spaces.