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Aim To map and interpret floristic and geoecological patterns across the Amazon basin by combining extensive field data with basin‐wide Landsat imagery and climatic data. Location Amazonia. Taxon Ground truth data on ferns and lycophytes; remote sensing results reflect forest canopy properties. Methods We used field plot data to assess main ecological gradients across Amazonia and to relate floristic ordination axes to soil base cation concentration, Climatologies at High Resolution for the Earth's Land Surface Areas (CHELSA) climatic variables and reflectance values from a basin‐wide Landsat image composite with generalized linear models. Ordination axes were then predicted across all Amazonia using Landsat and CHELSA, and a regional subdivision was obtained using k‐medoid classification. Results The primary floristic gradient was strongly related to base cation concentration in the soil, and the secondary gradient to climatic variables. The Landsat image composite revealed a tapestry of broad‐scale variation in canopy reflectance characteristics across Amazonia. Ordination axis scores predicted using Landsat and CHELSA variables produced spatial patterns consistent with existing knowledge on soils, geology and vegetation, but also suggested new floristic patterns. The clearest dichotomy was between central Amazonia and the peripheral areas, and the available data supported a classification into at least eight subregions. Main conclusions Landsat data are capable of predicting soil‐related species compositional patterns of understorey ferns and lycophytes across the Amazon basin with surprisingly high accuracy. Although the exact floristic relationships may differ among plant groups, the observed ecological gradients must be relevant for other plants as well, since surface reflectance recorded by satellites is mostly influenced by the tree canopy. This opens exciting prospects for species distribution modelling, conservation planning, and biogeographical and ecological studies on Amazonian biota. Our maps provide a preliminary geoecological subdivision of Amazonia that can now be tested and refined using field data of other plant groups and from hitherto unsampled areas.

Invasive species are one of the main threats to biodiversity worldwide, and the Galapagos Islands are no exception. With the need to control many invasive plant species, accurate distribution maps of invasive plant species are crucial for cost-effective management actions. To guide the selection of appropriate multispectral satellite imagery for this, we evaluated the effects that spatial resolution has on the mapping accuracy of the most invasive plant species in Galapagos with different “growth forms”: (1) tall tree: Cuban cedar (Cedrela odorata), (2) medium tree: guava (Psidium guajava), and (3) shrub: blackberry (Rubus niveus). We developed a mapping methodology based on very high resolution (VHR, WorldView-2) imagery and visual interpretation from orthophotos obtained from unmanned aerial vehicles for training and validation. We then compared our VHR mapping results with medium resolution (MR, Landsat) mapping results and calculated the overall accuracy (OA) and Kappa from confusion matrices for each target species and resolution based on the visual interpretation of Google Earth imagery. The results showed that the OA of the maps produced with VHR was significantly higher than the ones produced with MR. The OA was higher for the tall tree growth form, followed by the shrub and the medium tree growth form. Kappa estimates of <0.5 for MR for the medium tree and shrub growth forms demonstrated its unsuitability for accurate mapping. While MR may be sufficient for mapping the tall tree growth form, we concluded that VHR is indispensable for mapping the medium tree and shrub growth forms.

The aim of this research was to use non-invasive scientific analysis to uncover evidence of the planning process and relationship between pigments used in text copying and artwork production in the Oppenheimer Siddur (Oxford Bodleian Library MS Opp. 776), an illuminated 15th-century Hebrew prayer book. In many medieval Hebrew illuminated manuscripts, the authorship of the artwork is unknown. This manuscript’s colophon states that it was copied by its scribe-owner for personal family use but does not confirm who was responsible for the artwork. Prior deductive analysis suggested that the scribe-owner may also have been the manuscript’s artist, based on common motifs and an apparent shared colour palette appearing in both texts and artwork. Visual examination using high resolution digital images also identified points of contact between pigments used in the manuscript’s texts and artwork, raising questions about the pigment application sequence, and concurrent versus sequential text copying and artwork production. An in-house developed remote spectral imaging system (PRISMS) with 10 filters spanning the spectral range from 400 to 880 nm was modified for close-range application to image two of the folios to examine the sequence of production, identify the pigments and compare the materials used for the illumination and the text. Optical microscopy and Fourier Transform Infrared spectroscopy in the attenuated total reflection mode (FTIR-ATR) were used directly on the folios to complement the spectral imaging data in binding media and pigment identification. The results revealed close matches in reflectance spectra for the colorants and inks used in both text copying and illuminations, suggesting that the same mixture of colorants and inks have been used. The spectral imaging in the near infrared bands revealed a hidden underdrawing, indicating a design change during production of the manuscript, and the outlining of letters prior to coloured pigment being applied. The pigment use, the variation in the binder for different pigments and some elements of its production were found to be consistent with those described in historical sources. The evidence from this study supports the hypothesis that the scribe applied pigments for the manuscript’s artwork at the same time he did some of the scribal work which has implications for understandings of Jewish medieval visual cultures.