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21 result(s) for "modern sensibilities"
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Chase's Ford vs. Belushi's Samurai
The flip side of radical autonomism is known as radical moralism. Splitting the difference between radical autonomism and radical moralism is the view known as moderate moralism, endorsed by contemporary aesthetician Noël Carrol. Radical moralism traces its roots back to Plato, who was all too aware of art's power to sway the hearts of its audience. The joke slightly depowers the powerful person, by transferring that power to the audience who laughs. John Belushi's Samurai Futaba sketches are more cringy than funny to modern sensibilities, because the butt of the joke is Belushi's fictitious Futaba – a stand‐in for a stereotypical 1970s American understanding of a Japanese person. The butt of an impressionist's joke is usually, pretty straightforwardly, whoever they are doing an impression of. So, the butt of a typical Chase‐as‐Ford pratfall is Gerald Ford, and the butt of Carvey's famous “read my lips” antics is George H.W. Bush.
Jews and the military
Jews and the Militaryis the first comprehensive and comparative look at Jews' involvement in the military and their attitudes toward war from the 1600s until the creation of the state of Israel in 1948. Derek Penslar shows that although Jews have often been described as people who shun the army, in fact they have frequently been willing, even eager, to do military service, and only a minuscule minority have been pacifists. Penslar demonstrates that Israel's military ethos did not emerge from a vacuum and that long before the state's establishment, Jews had a vested interest in military affairs. Spanning Europe, North America, and the Middle East, Penslar discusses the myths and realities of Jewish draft dodging, how Jews reacted to facing their coreligionists in battle, the careers of Jewish officers and their reception in the Jewish community, the effects of World War I on Jewish veterans, and Jewish participation in the Spanish Civil War and World War II. Penslar culminates with a study of Israel's War of Independence as a Jewish world war, which drew on the military expertise and financial support of a mobilized, global Jewish community. He considers how military service was a central issue in debates about Jewish emancipation and a primary indicator of the position of Jews in any given society. Deconstructing old stereotypes,Jews and the Militaryradically transforms our understanding of Jews' historic relationship to war and military power.
Slavery and the culture of taste
It would be easy to assume that, in the eighteenth century, slavery and the culture of taste--the world of politeness, manners, and aesthetics--existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary,Slavery and the Culture of Tastedemonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period paintings, personal narratives, and diaries, Simon Gikandi illustrates how the violence and ugliness of enslavement actually shaped theories of taste, notions of beauty, and practices of high culture, and how slavery's impurity informed and haunted the rarified customs of the time. Gikandi focuses on the ways that the enslavement of Africans and the profits derived from this exploitation enabled the moment of taste in European--mainly British--life, leading to a transformation of bourgeois ideas regarding freedom and selfhood. He explores how these connections played out in the immense fortunes made in the West Indies sugar colonies, supporting the lavish lives of English barons and altering the ideals that defined middle-class subjects. Discussing how the ownership of slaves turned the American planter class into a new aristocracy, Gikandi engages with the slaves' own response to the strange interplay of modern notions of freedom and the realities of bondage, and he emphasizes the aesthetic and cultural processes developed by slaves to create spaces of freedom outside the regimen of enforced labor and truncated leisure. Through a close look at the eighteenth century's many remarkable documents and artworks,Slavery and the Culture of Tastesets forth the tensions and contradictions entangling a brutal practice and the distinctions of civility.
The Routledge Guidebook to Wollstonecraft's A Vindication of the Rights of Woman
Mary Wollstonecraft was one of the greatest philosophers and writers of the Eighteenth century. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Her most celebrated and widely-read work is A Vindication of the Rights of Woman. This Guidebook introduces: Wollstonecraft's life and the background to A Vindication of the Rights of Woman The ideas and text of A Vindication of the Rights of Woman Wollstonecraft's enduring influence in philosophy and our contemporary intellectual life It is ideal for anyone coming to Wollstonecraft's classic text for the first time and anyone interested in the origins of feminist thought.
Ideal embodiment : Kant's theory of sensibility
Angelica Nuzzo offers a comprehensive reconstruction of Kant's theory of sensibility in his three Critiques. By introducing the notion of transcendental embodiment, Nuzzo proposes a new understanding of Kant's views on science, nature, morality, and art. She shows that the issue of human embodiment is coherently addressed and key to comprehending vexing issues in Kant's work as a whole. In this penetrating book, Nuzzo enters new terrain and takes on questions Kant struggled with: How does a body that feels pleasure and pain, desire, anger, and fear understand and experience reason and strive toward knowledge? What grounds the body's experience of art and beauty? What kind of feeling is the feeling of being alive? As she comes to grips with answers, Nuzzo goes beyond Kant to revise our view of embodiment and the essential conditions that make human experience possible.
When May We Kill Our Brethren?
During World War I, Emile Zaidan, editor of the Cairo-based newspaperAl-Hilal, offered a fascinating observation about the military behavior of European Jews: The Israelites are distinguished from among the rest of the peoples by their preservation of their nationality and their customs and practices, despite the passage of time and their subordination to different states. Israelitism is simultaneously a religion [d’in] and a nationality [jinsiyya], unlike Christianity and Islam. So if we are surprised by fighting between Christian and Christian in this war, we are all the more shocked by fighting between Jew and Jew.¹ Like other Arab writers