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In January 1978, President Jimmy Carter proclaimed that \"There is all across our land a growing sense of peace and a sense of common purpose.\" Yet in the ensuing months, a series of crises disturbed that fragile sense of peace, ultimately setting the stage for Reagan's decisive victory in 1980 and ushering in the final phase of the Cold War..

Since the nuclear bomb attack against Hiroshima and Nagasaki in 1945, the world has advanced in nuclear technology. Today, a nuclear bomb could target a large-scale attack, at a longer range, and with much greater destructive force. People are increasingly concerned about the potential destructive humanitarian outcomes. We discuss actual conditions detonation of an atomic bomb would create, radiation injuries, and diseases. We also address concerns about functionality of medical care systems and other systems that support medical systems (i.e., transport, energy, supply chain, etc. systems) following a massive nuclear attack and whether citizens able to survive this.

Nuclear art is a developed and recognised artistic practice. The study conceptualises nuclear art and presents a first exploration of South African nuclear art; albeit a small corpus. exists, Drawing from an analytical framework derived from international literature on nuclear art, the study shows that South African nuclear art is not insular. Several themes occur, namely the nuclear bomb attacks on Hiroshima and Nagasaki in 1945, the link between gender, patriarchy and nuclear energy, the presence of global nuclear iconography, and the juxtaposition of the violence and destruction of nuclear energy with the spectacular and the nuclear sublime. South African nuclear art is not insular but reference to apartheid South Africa's own nuclear weapons are absent. No South African nuclear art for the period 1970 to 1989, the heyday of the apartheid nuclear weapons programme, could have been found to include in this first take of South African nuclear art. South African artists' nuclear works display unique and innovative artistic practices and are predominantly produced by white female South Africans. This either reflects white privilege and/or (wilful or not) ignorance of prevailing nuclear colonialism in South Africa and elsewhere.

\"A beautiful, absorbing, tragic book.\"—Larry McMurtry In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants. A century later–in 1951–and a hundred and fifty miles away, another war began when the U.S. government started setting off nuclear bombs at the Nevada Test Site. It was called a nuclear testing program, but functioned as a war against the land and people of the Great Basin. In this foundational book of landscape theory and environmental thinking, Rebecca Solnit explores our national Eden and Armageddon and offers a pathbreaking history of the west, focusing on the relationship between culture and its implementation as politics. In a new preface, she considers the continuities and changes of these invisible wars in the context of our current climate change crisis, and reveals how the long arm of these histories continue to inspire her writing and hope.

Direct quantitative assessment of health risks following exposure to ionizing radiation is based on findings from epidemiological studies. Populations affected by nuclear bomb testing are among those that allow such assessment. The population living around the former Soviet Union’s Semipalatinsk nuclear test site is one of the largest human cohorts exposed to radiation from nuclear weapons tests. Following research that started in the 1960s, a registry that contains information on more than 300,000 individuals residing in the areas neighboring to the test site was established. Four nuclear weapons tests, conducted from 1949 to 1956, resulted in non-negligible radiation exposures to the public, corresponding up to approximately 300 mGy external dose. The registry contains relevant information about those who lived at the time of the testing as well as about their offspring, including biological material. An international group of scientists worked together within the research project SEMI-NUC funded by the European Union, and concluded that the registry provides a novel, mostly unexplored, and valuable resource for the assessment of the population risks associated with environmental radiation exposure. Suggestions for future studies and pathways on how to use the best dose assessment strategies have also been described in the project. Moreover, the registry could be used for research on other relevant public health topics.

Level 7 is the diary of Officer X-127, who is assigned to stand guard at the \"Push Buttons,\" a machine devised to activate the atomic destruction of the enemy, in the country’s deepest bomb shelter. Four thousand feet underground, Level 7 has been built to withstand the most devastating attack and to be self-sufficient for five hundred years. Selected according to a psychological profile that assures their willingness to destroy all life on Earth, those who are sent down may never return. Originally published in 1959, and with over 400,000 copies sold, this powerful dystopian novel remains a horrific vision of where the nuclear arms race may lead, and is an affirmation of human life and love. Level 7 merits comparison to Huxley’s A Brave New World and Orwell’s 1984 and should be considered a must-read by all science fiction fans.