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The purpose of this article is to present reflections that seek to system Black– Brazilian principles of dramatic performance and staging. The studies presented aim to demonstrate the need for theoretical-practical thinking in the performing arts focused on an anti-colonial perspective, as opposed to a hegemonic Euro-referenced vision. Thus, the concept of dramaturgy is problematized as part of a colonial device to control subjectivities. The theoretical-practical studies and the underlying arguments of this text were systematized with a basis in counter-hegemonic scenic experiments investigated in workshops, courses, and classes in which creative processes were developed, which do not separate the languages of dance, theater and performance.

O objetivo deste artigo é apresentar reflexões que buscam uma sistematização de princípios negro-brasileiros de atuação cênica e encenação. Os estudos apresentados visam demonstrar a necessidade de pensamentos teóricopráticos nas artes da cena direcionados para uma perspectiva anticolonial, em oposição a uma visão hegemônica eurorreferenciada. Problematiza-se o conceito de dramaturgia como parte de um dispositivo colonial de controle das subjetividades. Os argumentos suleadores deste texto foram sistematizados a partir de estudos teóricos e de experimentos cênicos contra-hegemônicos investigados em oficinas, cursos e aulas nos quais foram desenvolvidos processos criativos que não separam as linguagens: dança, teatro e performance.

O objetivo deste artigo é apresentar reflexões que buscam uma sistematização de princípios negro-brasileiros de atuação cênica e encenação. Os estudos apresentados visam demonstrar a necessidade de pensamentos teórico-práticos nas artes da cena direcionados para uma perspectiva anticolonial, em oposição a uma visão hegemônica eurorreferenciada. Problematiza-se o conceito de dramaturgia como parte de um dispositivo colonial de controle das subjetividades. Os argumentos suleadores deste texto foram sistematizados a partir de estudos teóricos e de experimentos cênicos contra-hegemônicos investigados em oficinas, cursos e aulas nos quais foram desenvolvidos processos criativos que não separam as linguagens: dança, teatro e performance.

Este artículo reflexiona sobre el lugar político-estético del intelectual afro en las Américas, a través del análisis de Changó, el gran putas y Sortilegio II. Estas obras recuperan la estética originada en los pueblos africanos de la tradición yoruba y bantú. ¿Cómo recuperar el texto oral de las tradiciones africanas? ¿Cómo reescribir los orikíes en el contexto de la diáspora? Para responder a estos interrogantes analizamos la escritura ancestral y la intelectualidad afro de Manuel Zapata Olivella y Abdias do Nascimento. El propósito es comparar el modo en que rescribieron las tradiciones bantúes y yorubas a partir de un reinvención de lo ancestral.

[Ryoichi Oriki] joined the Ground SDF in 1972 and became chief of staff of the SDF Joint Staff Office in 2009 after serving as chief of staff of the GSDF.

Barber interviews Oladejo Okediji, regarding his life-story, philosophy, and artistic methods in African-language writing. Among other things, Okediji talks about his childhood encounters with written literature and his immersion in Yoruba oral genres.

Washington, June 25 Kyodo - The top uniformed officers of Japan and the United States, Gen. Ryoichi Oriki and Adm. Michael Mullen, agreed Thursday to maintain a firm Japan-US alliance and discussed the tense East Asian situation following the March sinking of a South Korean warship which Seoul blames on North Korea, Japanese officials said. Prior to the meeting, Oriki and Mullen planted an elm tree at the inner garden of the Pentagon outside Washington to mark the 50th anniversary this year of the signing of the 1960 Japan-US security treaty.

The GSDF troops will decontaminate the municipal government buildings of the towns of Namie, Naraha and Tomioka, and the village of Iitate, all in the no-go zone in Fukushima Prefecture, northeastern Japan.

The Chemical Biological Incident Response Force will not begin operations immediately but will prepare for contingencies at Tokyo Electric Power Co.'s troubled No. 1 nuclear power station in Fukushima Prefecture, northeastern Japan, said Gen. Ryoichi Oriki, chief of staff at the SDF Joint Staff Office, at a press conference.

The guest from Moscow will be received in Tokyo at the highest military level. [Ryoichi Oriki], Chief of the Joint Staff [of the Self-Defence Forces of Japan], and Toshimi Kitazawa, Minister of Defence of Japan, will meet with [Nikolay Makarov] today. The negotiations do not promise any big breakthrough in Russian-Japanese cooperation in the sphere of defence. But then, they provide a good opportunity for the generals to coordinate positions on key issues of regional security. For example, Moscow and Tokyo are equally concerned about the missile programme of Pyongyang. The level of defence production in North Korea is far from being ideal and every time an accident occurs during tests it evokes cries on the part of neighbouring states. Suffice it to recall that one of the launches of the Taepodong missile threatened to turn into an armed conflict-the missile fell into the ocean, nearly flying over Japan. A later launch of a North Korean missile caused great concern on the part of Russia. The missile landed in our economic zone, just 250 km from Vladivostok. That time, it was without a warhead.