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Robert Langdon, Harvard professor of symbology and religious iconology, arrives at the Guggenheim Museum Bilbao to attend the unveiling of a discovery that \"will change the face of science forever\". The evening's host is his friend and former student, Edmond Kirsch, a forty-year-old tech magnate whose dazzling inventions and audacious predictions have made him a controversial figure around the world. This evening is to be no exception: he claims he will reveal an astonishing scientific breakthrough that will answer two of the fundamental questions of human existence. But the meticulously orchestrated evening suddenly erupts into chaos. Langdon is forced into a desperate bid to escape Bilbao. With him is Ambra Vidal, the elegant museum director who worked with Kirsch to stage the provocative event. Together they flee to Barcelona on a perilous quest to locate a cryptic password that will unlock Kirsch's secret. Navigating the dark corridors of hidden history and extreme religion, Langdon and Vidal must evade a tormented enemy whose all-knowing power seems to emanate from Spain's Royal Palace itself.

This article builds on the first in the trilogy, ‘What’s in a Name? An Examination of Current Definitions of Resource Churches’, by evaluating narratives in current literature about the origins of resource churches. These will be assessed according to the criteria, highlighted through the perspective of Foucault and Arendt on origin stories, of believability in their depiction of historical events, application to the manifest properties of contemporary resource churches, teleological purpose, and attentiveness to conflict. The origin, or creation, stories to be examined particularly consider the formation and development of resource churches in relation to the first century and Anglo-Saxon England, as well as following the start of the parish system.

The year 1620 has long stood as a key date, in public memory and in early American studies. But, in some ways, the mythology surrounding 1620 and Plymouth's founding is in the midst of interruption. This special issue offers approaches to reframing, rearranging, and resituating 1620, in ways that challenge Pilgrim-centric mythologies, restore Indigenous histories, and invite scholarly reflection on the early seventeenth century's long legacy, in Wampanoag country and beyond.

This paper centers a three-year research project into community-based archives and the power of their naming practices. Expanding the idea of naming practices to further consider how the archives itself is defined and understood by the creators, donors, and communities that are represented therein, the co-authors consider the emergent focus on origin stories told about the founding of community-based archives. The lead author attends to the community/institution dichotomy to consider how such relationality insists on a both/and understanding wherein the language of the origin story is centered in relations and informs how archives continue to become. Through auto-ethnographic and intimate theorizing and analysis, the lead author offers a self-critique on naming practices and self-identification to account for the shape of the archives over time.

Taking the cue from the recent developments in ecotheology and its concern with a sustainable world where humans, animals and plants may live in harmony with each other, this paper sets out to investigate the representation of nature in the Bible’s origin story. The creation in Genesis is analyzed according to Arran Stibbe’s ecolinguistic framework and “the stories we live by”. The tools used (narratives, evaluations, frames, metaphors, erasure and ideologies) have illuminated an outstandingly popular story and highlighted its potential for meaning in the tension between contrasting worldviews: dominion vs. stewardship; innocence vs. knowledge; theocentrism vs. anthropocentrism. The analysis of narrative and linguistic elements suggests that the world beyond—represented by God, the heavens, the sky—coincides with the order within the whole of creation. The origin story proves deeply ambivalent as it features humans in two antithetical roles depending on the story’s timeline: first as guardians of the created world and then as outcasts full of shame. Going against God’s command is framed as an act of self-betrayal that breaks the unbreakable bond between humans and God, and subverts the perfect harmony of human society within the natural world.

While the Indigenous youth suicide crisis in Canada is widely acknowledged, there is little scholarly attention given to writers who reflect on this from the perspective of being suicide survivors. In this article, I consider the play, And She Split the Sky in Two , by Aleria McKay, a youth survivor from Six Nations. I explore how her work functions as an anti-colonial text that re-envisions the suicide crisis at Six Nations through mourning the gendered, affective, systemic, and spatial legacies of colonial violence. McKay’s characters are learning to tell their own stories to completion, depathologizing experiences of despair and entrapment. This work provides a girl’s perspective on the long slow process of staying alive to create a different future.

Max Weber (1864–1920) is considered one of the canonical founders of sociology, while W. E. B. Du Bois (1868–1963), author of The Philadelphia Negro (1899), The Souls of Black Folk (1903), and Black Reconstruction (1935), has only recently been included in the sociological canon. We provide a historical review of what we know of their relationship in order to first ask, what did Du Bois say about Weber, and second, what did Weber say about Du Bois? We then analyze the extant scholarly discourse of published English-language academic journal articles that substantively mention both Weber and Du Bois in order to address a third question: what did other scholars say about their relationship? We provide an analysis of the variation of scholars’ perceptions on the relationship between Du Bois and Weber to illumine the dominant assumptions about founding figures and the origin story of American sociology writ large. We argue that three mechanisms of white group interests configured the marginalization of Du Bois from both mainstream and sub-disciplinary sociological theory: (1) reduction or “knowing that we do no know and not caring to know” (when knowledge is perceived as irrelevant to white group interests), (2) deportation or “not wanting to know” (when knowledge is systematically exiled), and (3) appropriation or “not knowing that we do not know”) (when dominant knowledge usurps or assimilates challenges to that knowledge).

This commentary invites reflection on the origin stories of health and palliative social work, considers the essential congruity of social work values with the principles of palliative care and explores the impact of minority status within health care systems. Rather than compromise, the suggested vision is one of health social work asserting voice and values as leaders toward the goal of patient-centered, family-focused care across diagnoses and settings of practice.

Other Englands examines the rise of the early English utopia in the context of emergent capitalism. Above all, it asserts that this literary genre was always already an expression of social crisis and economic transition, a context refracted in the origin stories and imagined geographies common to its early modern form. Beginning with the paradigmatic popular utopias of Thomas More and Francis Bacon but attentive to non-canonical examples from the margins of the tradition, the study charts a shifting and, by the time of the English Revolution, self-critical effort to think communities in dynamic socio-spatial forms. Arguing that early utopias have been widely misunderstood and maligned as static, finished polities, Sarah Hogan makes the case that utopian literature offered readers and writers a transformational and transitional social imaginary. She shows how a genre associated with imagining systemic alternatives both contested and contributed to the ideological construction of capitalist imperialism. In the early English utopia, she finds both a precursor to the Enlightenment discourse of political economy and another historical perspective on the beginnings and enduring conflicts of global capital.

Purpose Graphic novels have a concept known as the origin story. The origin story is background information on how a hero or villain came into being. The purpose of this paper is to explore the origin story of corporate social responsibility at British American Tobacco (BAT). The CSR origin story is unpacked by examining corporate documents from BAT that discuss the initial development of the company’s CSR program. The BAT documents are part of the Legacy Tobacco Documents Library (LTDL), a searchable, digital archive developed and managed by the University of California, San Francisco. It contains 85,569,326 pages in 14,360,422 documents. The library was created as part of the tobacco company settlement of a major law suit in the USA. Design/methodology/approach For this case study, the authors searched the archive for documents from BAT that had the key words “corporate social responsibility.” The documents were then analyzed using qualitative content analysis to identify key themes related to BAT’s created of its CSR programs. Findings The two dominant themes were business case BAT made for CSR and the environmental factors that shaped CSR. The business case had sub-themes of the new operating environment and reinforcing employees. The environmental sub-themes were the importance of NGOS and the top issues to be addressed in CSR efforts. The themes helped to explain why BAT was engaging in CSR, the factors shaping the start of its CSR programs, and the issues it intended to address through CSR. Research limitations/implications The analysis is limited to one organization and does not include interviews to go with the archived documents. Practical implications The paper considers the implications of the analysis for theory and practice for internal CSR communication. Originality/value The documents provide a rare glimpse inside a corporate decision to begin a CSR program and how the managers “talked” about CSR. Instead of examining external CSR communication, it examines the early days of internal CSR communication at a specific firm. The yields of the document analysis provide insights into how BAT conceptualized CSR and communicated the rationale for creating a CSR program internally. Research has relied primarily upon speculation of corporate motives or corporate public discourse designed to frame their CSR efforts. The internal documents provide an unfiltered examination of the motives for a CSR program. This allows us to better understand why a CSR program was created including the motives, targets, and desired outcomes.