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result(s) for
"political film"
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Cinema wars
2010,2009,2011
Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forcesFilms and documentaries discussed include: Black Hawk Down, TheDark Knight, Star Wars, Syriana,WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst othersExplores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwiseInvestigates Hollywood's treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000sShows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural conditions to elect Barack Obama.
Contested Interpretations of the Past in Polish, Russian, and Ukrainian Film
by
Brouwer, Sander
,
Suffering, Agency and Memory in Polish, Russian and Ukrainian Films
in
Film adaptations
,
Historical films
,
Historical films -- Poland -- History and criticism -- Congresses
2016
Questions of collective identity and nationhood dominate the memory debate in both the high and popular cultures of postsocialist Russia, Poland and Ukraine. Often the 'Soviet' and 'Russian' identity are reconstructed as identical; others remember the Soviet regime as an anonymous supranational 'Empire', in which both Russian and non-Russian national cultures were destroyed. At the heart of this 'empire talk' is a series of questions pivoting on the opposition between constructed 'ethnic' and 'imperial' identities. Did ethnic Russians constitute the core group who implemented the Soviet Terror, e.g. the mass murders of the Poles in Katyn and the Ukrainians in the Holodomor? Or were Russians themselves victims of a faceless totalitarianism? The papers in this volume explore the divergent and conflicting ways in which the Soviet regime is remembered and re-imagined in contemporary Russian, Polish and Ukrainian cinema and media.
Activist Media
by
GINO CANELLA
in
Communication Studies
,
Documentary films
,
Documentary films-Political aspects-United States
2022
Now more than ever, activists are using media to document injustice and promote social and political change. Yet with so many media platforms available, activists sometimes fail to have a coherent media and communication strategy. Drawing from his experiences as a documentary filmmaker with Black Lives Matter 5280 and Service Employees International Union (SEIU) Local 105 in Denver, Colorado, Gino Canella argues that activist media create opportunities for activists to navigate conflict and embrace their political and ideological differences. Canella details how activist media practices-interviewing organizers, script writing, video editing, posting on social media, and hosting community screenings-foster solidarity among grassroots organizers. Informed by media theory, this book explores how activists are using media to mobilize supporters, communicate their values, and reject anti-union rhetoric. Furthermore, it demonstrates how collaborative media projects can help activists build broad-based coalitions and amplify their vision for a more equitable and just society.
Cinematic terror : a global history of terrorism on film
\"The first history of cinema's treatment of terrorism from the birth of film to today\"-- Provided by publisher.
Schooling in Modernity
2014
Paola Bonifazio investigates the ways in which films sponsored by Italian and American government agencies promoted a particular vision of modernization and industry and functioned as tools to govern the Italian people.
Journalism and eyewitness images : digital media, participation, and conflict
\"Building on the vast research conducted on war and media since the 1970s, scholars are now studying the digital transformation of the production of news. Little scholarly attention has been paid, however, to non-professional, eyewitness visuals, even though this genre holds a still greater bearing on the way conflicts are fought, communicated, and covered by the news media. This volume examines the power of new technologies for creating and disseminating images in relation to conflicts. Mortensen presents a theoretical framework and uses case studies to investigate the impact of non-professional images with regard to essential issues in today's media landscape: including new media technologies and democratic change, the political mobilization and censorship of images, the ethics of spectatorship, and the shifting role of the mainstream news media in the digital age\"-- Provided by publisher.
Satire and Dissent
2011
In an age when Jon Stewart frequently tops lists of most-trusted
newscasters, the films of Michael Moore become a dominant topic of
political campaign analysis, and activists adopt ironic, fake
personas to attract attention-the satiric register has attained
renewed and urgent prominence in political discourse. Amber Day
focuses on the parodist news show, the satiric documentary, and
ironic activism to examine the techniques of performance across
media, highlighting their shared objective of bypassing standard
media outlets and the highly choreographed nature of current
political debate.