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8 result(s) for "pre-contact archaeology"
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Imagining Head Smashed In: Aboriginal Buffalo Hunting on the Northern Plains
At the place known as Head-Smashed-In in southwestern Alberta, Aboriginal people practiced a form of group hunting for nearly 6,000 years before European contact. The large communal bison traps of the Plains were the single greatest food-getting method ever developed in human history. Hunters, working with their knowledge of the land and of buffalo behaviour, drove their quarry over a cliff and into wooden corrals. The rest of the group butchered the kill in the camp below. Author Jack Brink, who devoted 25 years of his career to “The Jump,” has chronicled the cunning, danger, and triumph in the mass buffalo hunts and the culture they supported. He also recounts the excavation of the site and the development of the Head-Smashed-In Buffalo Jump Interpretive Centre, which has hosted 2 million visitors since it opened in 1987. Brink’s masterful blend of scholarship and public appeal is rare in any discipline, but especially in North American pre-contact archaeology. Brink attests, “I love the story that lies behind the jump—the events and planning that went into making the whole event work. I continue to learn more about the complex interaction between people, bison and the environment, and I continue to be impressed with how the ancient hunters pulled off these astonishing kills.”
A petrographic and chemical analysis of Trinidad pre-colonial ceramics
This work presents an exploratory investigation into the production of pre-colonial ceramics found on Trinidad through petrography and chemical analysis with XRF and ICP-OES. Four main petrofabric groups are identified and described: a shell-tempered group, a sponge spicules group, a grog group and a micaschist/quartzite group. All evidence suggest an origin local to the island. Most of the petrofabric groups are consistent with ceramic series which were previously described, but never analysed petrographically and/or chemically.
Strategies for constructing religious authority in ancient Hawai'i
Through intensive archaeological investigation of temples in Hawai'i, the authors reveal a sequence of religious strategies for creating and maintaining authority that has application to prehistoric sequences everywhere. Expressed in the orientation and layout of the temples and their place in the landscape, these strategies develop in four stages over the course of a few hundred years, from the fifteenth to nineteenth century AD, from local shrines associated with agriculture to the development of a centralising priesthood serving the larger political economy.
Use-wear, chaîne opératoire and labour organisation among Pacific Northwest Coast sedentary foragers
The pre-Contact foraging communities of the north-west coast of North America have long been recognised as exhibiting many of the features we associate with agricultural societies, including sedentism and social inequality. Evidence from the pre-Contact plank house communities of Meier and Cathlapotle throws new light on the spatial organisation of these societies. Detailed analysis of stone tools allows the spatial division of labour to be determined within these large, multi-family households. This reveals that while some tasks were associated with particular social ranks, a hierarchical community can be identified in each plank house. Overall, the differences lie in the degree of engagement rather than the kind of activity, helping to characterise labour organisation among these unique, sedentary foragers. The results also provide insight into the potential of stone tool analysis for social reconstruction.
Temple Sites in Kahikinui, Maui, Hawaiian Islands: their orientations decoded
Hawaiian temple sites of the sixteenth to nineteenth centuries have diverse orientations previously thought to be random. Using precise measurements and nineteenth-century native Hawaiian sources, the author shows that the temples cluster into groups whose orientation was deliberate and likely to relate to a particular god.
When Worlds Collide Quietly: Rock Art and the Mediation of Distance
This chapter contains sections titled: Abstract Disciplines of the Past Defining Contact Rock Art Rock Art in Watarrka National Park, Central Australia Characterizing the Rock Art Assemblage Interpreting the Watarrka Assemblage Drawing from a Distance The Art of Encounter Conclusion References