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Contact : art and the pull of print
A leading art historian presents a new grammar for understanding the meaning and significance of print: In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them.
Book
Perspectives on contemporary printmaking
The anthology provides a critical topography of printmaking since the mid-1980s. Its texts, by well-known authors as well as 'insiders', span different formats and critical and theoretical approaches.
eBook
If you can cut, you can collage : from paper scraps to works of art
\"Collage is a wonderful creative outlet, particularly for people who want to make art, but don't feel they have the skills, or confidence, for other endeavors. You can still explore and experiment with color, composition, and various themes and end up with exciting and often unexpected results.
If you Can Cut, You Can Collage takes some of the mystery out of collage through easy illustrated pages that show readers the basic techniques of collecting and cutting imagery, composing and adhering compositions, and then provides a wealth of exercises that get readers going on their own creative projects.
We'll get you started with simple, focused, projects like making a collage with only circles, where you'll learn important concepts like how to create a focal point, how to use repetition successfully, how to achieve contrast, balance, symmetry, and more. You'll be incorporating vintage ephemera, typography and lettering, and even urban and found materials in no time!\"-- Provided by publisher.
If you Can Cut, You Can Collage takes some of the mystery out of collage through easy illustrated pages that show readers the basic techniques of collecting and cutting imagery, composing and adhering compositions, and then provides a wealth of exercises that get readers going on their own creative projects.
We'll get you started with simple, focused, projects like making a collage with only circles, where you'll learn important concepts like how to create a focal point, how to use repetition successfully, how to achieve contrast, balance, symmetry, and more. You'll be incorporating vintage ephemera, typography and lettering, and even urban and found materials in no time!\"-- Provided by publisher.
Book
Experiments and traditions in Ukrainian contemporary printmaking
The article covers the phenomenon of synthesis of traditions and innovations in contemporary Ukrainian printmaking. The trends of today's art of circulation graphic arts in Ukraine, novelty, tools of artists of the new generation are considered. The problem of danger of classical techniques disappearing due to strengthening of C.A.D. positions is raised. Attention is focused on ways to preserve classical traditions using the example of intaglio techniques: etching, mezzo-tint, aquatint, dry point. The main trends in the existence of these techniques and ways of their preservation in various combinations are analysed. Work of the most distinctive schools (Lviv, Kyiv, Odesa), their brightest representatives who use traditional intaglio techniques, combining them, experimenting with technology, materials, creating new variations of traditional techniques, is covered. Attention is focused on the work of the Lviv school representative Oleh Denysenko who patented a new technique he invented, “gesography”, which became the most important tool in the process of preserving printmaking, in the modern artistic field and transforming it into an updated stronghold of fine arts of modern times.
Journal Article
Printed Electronics as Prepared by Inkjet Printing
Inkjet printing has been used to produce a range of printed electronic devices, such as solar panels, sensors, and transistors. This article discusses inkjet printing and its employment in the field of printed electronics. First, printing as a field is introduced before focusing on inkjet printing. The materials that can be employed as inks are then introduced, leading to an overview of wetting, which explains the influences that determine print morphology. The article considers how the printing parameters can affect device performance and how one can account for these influences. The article concludes with a discussion on adhesion. The aim is to illustrate that the factors chosen in the fabrication process, such as dot spacing and sintering conditions, will influence the performance of the device.
Journal Article
The application of printmaking art elements in visual communication design
Visual communication design and printmaking art are two independent art disciplines, but they have many similarities in graphic design, color matching and other aspects. This paper demonstrates the extraction of printmaking features using the improved LBP algorithm. The method of color histogram and color space is used to complete the color extraction of the image, and the texture features of the image are described by combining signal processing and statistical analysis. The LBP algorithm is used to locate the center pixel of the image to form a binary bit string, and the pattern value is obtained by multiplying each binary bit by the corresponding weight and summing up. The efficiency of image texture acquisition is enhanced by adding neighborhood gradient multiscale to the LBP algorithm. To obtain printmaking art elements and propose a direction for integration with visual communication design, image feature extraction is applied to printmaking art element extraction. The performance of texture classification for images has been significantly improved by the improved LBP algorithm, as shown in the results. On the Outextc10 texture dataset, DLBP5 achieves the highest classification accuracy of 92.19% by extracting colors, textures and shapes in printmaking and applying the features with elements of printmaking to visual communication design. Under the direction of integrating printmaking art style elements with visual communication design, users selected {unique, packaging design}, {vivid, branding design}, and {sharp, advertisement design} with higher satisfaction gradients, with ratings of 4.62, 4.17, and 4.36, respectively, which are all greater than 4.
Journal Article
Exploring the path of sending information about visual contexts of industrial prints
Aiming at the influence of visual contextual information communication on industrial printmaking, this paper elaborates visual communication theory and establishes a visual information communication model after analyzing the concept, characteristics and components of visual communication, which has a role in visual contextual information communication. The four elements, three important links and the characteristics of visual communication in the process of visual communication are analyzed from the perspective of communication. Based on the above theories, a model of information communication in web interface is constructed. The computational process of the linear binocular cost aggregation algorithm is simplified by using the asymmetric cost aggregation method, and the more robust TAD matching cost function is used to compensate for the lack of accuracy caused by the simplification, and the computational process of the asymmetric linear cost aggregation algorithm is parallelized and mapped to the platform. Experimental data show that the asymmetric cost aggregation approach to linear binocular cost aggregation algorithm can obtain parallax maps in constant running time, and the quality of parallax maps is close to or better than some global matching algorithms which are at the forefront of research, and has a good prospect in the field of real-time binocular vision. The visual web pages designed by this method can better stimulate the user’s desire for acceptance, and the web pages have better visual communication effect and higher practical value, and can create better knowledge benefits in industrial printmaking, with an overall knowledge conversion rate of 85%.
Journal Article
Computer Vision Technology Integration and Art Education Practices for Modern Printmaking
Printmaking has a long history and high artistic value, and it is challenging research to integrate computer vision technology into artists’ printmaking process. In this paper, the line, texture, and frequency features of modern prints are extracted according to their artistic characteristics and then restructured by a convolutional neural network. The parameters of the conversion network are updated using gradient descent, and CLIP is used as a pre-training model to establish a modern printmaking-style migration algorithm. Computer vision technology is used to construct a modern printmaking digital image simulation and synthesis system. Practice shows that the usability of the system is 67.675, which is close to the level of”good”in the process of creating modern printmaking art by art students. The system’s diverse features of real-time interaction, integration of digital resources, virtual scene construction and autonomous learning further enhance the cultivation of modern printmaking creative ability and have high practical significance in art education value.
Journal Article