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Please kill me : the uncensored oral history of punk
An \"oral history of the most nihilistic of all pop movements. Iggy Pop, Richard Hell, the Ramones, and scores of other punk figures lend their voices to this decisive account of that explosive era\"--Page 4 of cover.
Working for the clampdown
2019,2023
This volume brings together a range of writers from different academic disciplines and different locations to provide an engaging and accessible critical exploration of one of the most revered and reviled bands in the history of popular music. The essays collated here locate The Clash in their own explosive cultural moment of punk's year zero and examine how the group speaks from beyond the grave to the uncanny parallels of other moments of social and political crisis. In addition, the collection considers the impact of the band in a range of different geopolitical contexts, with various contributors exploring what the band meant in settings as diverse as Italy, England, Northern Ireland, Australia and the United States. The diverse essays gathered inWorking for the clampdown cast a critical light on both the cultural legacy and contemporary resonance of one of the most influential bands ever to have graced a stage.The diverse essays gathered inWorking for the clampdown cast a critical light on both the cultural legacy and contemporary resonance of one of the most influential bands ever to have graced a stage.
Sex pistols : poison in the machine
The explosive story of the Sex Pistols is now so familiar that the essence of what they represented has been lost in a fog of nostalgia and rock 'n' roll cliche. In 1976 the rise of the Sex Pistols was regarded in apocalyptic terms, and the punks as visitors from an unwanted future bringing chaos and confusion.John Scanlan considers the Sex Pistols as the first successful art project of their manager, Malcolm McLaren, a vision born out of radical politics, boredom and his deep and unrelenting talent for perverse opportunism. McLaren deliberately set a collision course with establishments, both conservative and counter-cultural, and succeeded beyond his highest expectations. Scanlan tells the story of how McLaren's project - designed, in any case, to fail - foundered on the development of the Pistols into a great rock band and the inconvenient artistic emergence of John Lydon.Moving between London and New York, and with a fascinating cast of delinquents, petty criminals and misfits, Sex Pistols: Poison in the Machine is not just a book about a band.It is about the times, the ideas, the coincidences and the characters that made punk, that ended with the Sex Pistols - beaten, bloody and overdosed - sensationally self-destructing on stage in San Francisco in January 1978, and that transformed popular culture throughout the world.
We're not here to entertain : punk rock, Ronald Reagan, and the real culture war of 1980s America
by
Mattson, Kevin
in
Punk rock music
,
Punk rock music -- United States -- 1981-1990 -- History and criticism
,
Reagan, Ronald
2020
Kevin Mattson offers a history of punk rock in the 1980s. He documents how kids growing up in the sedate world of suburbia created their \"own culture\" through DIY tactics. Punk spread across the continent in the 1980s as it found expression in different media, including literature, art, and poetry. Punks dissented against Reagan's presidency, accusing the entertainer-in-chief of being mean and duplicitous (especially when it came to nuclear war and his policies in Central America). Mattson has dived deep into archives to make his case that this youthful dissent meant something more than just a style of mohawks or purple hair.
Love and Rage
2022
Love and Rage is a deeply ethnographic account of punk in Mexico City as it is lived and practiced, connecting the sounds of punk music to different styles of political action. Through compelling first-person accounts, ethnographer Kelley Tatro shows that punk is more than music. It is a lifestyle choice that commits scene participants to experimentation with anarchist politics. Key to that process is the concept of autogestión (self-management), a term with deep history in local leftist politics. In detailed vignettes, grounded in historical, social, and political frames, the book shows how punk-scene sounds and practices foster autogestión through intensely affective experiences, understood as manifestations of love and rage. Drawing on the history of anarchism in Mexico City, as well as social movement scholarship, Love and Rage details the pleasures and problems of using music as a tool for creating an autonomous politics. Includes 25 photographs from photographer Yaz Punk Núñez.
The Politics of Punk
by
Ensminger, David A
in
General principles & musical forms
,
MUSIC
,
MUSIC / Genres & Styles / Punk
2016
The Politics of Punk probes the conscience of punk music by going beyond the lyrics and slogans of the pithy culture war. Creating a people's history of punk's social, aesthetic, and political features, the book features original interviews with members of Dead Kennedys, Dead Boys, MDC, and many more.
Sells like Teen Spirit
by
Moore, Ryan
in
Alternative rock music
,
Alternative rock music -- History and criticism
,
Alternative rock music -- Social aspects -- United States
2009,2010
Music has always been central to the cultures that young people create, follow, and embrace. In the 1960s, young hippie kids sang along about peace with the likes of Bob Dylan and Joan Baez and tried to change the world. In the 1970s, many young people ended up coming home in body bags from Vietnam, and the music scene changed, embracing punk and bands like The Sex Pistols. In Sells Like Teen Spirit, Ryan Moore tells the story of how music and youth culture have changed along with the economic, political, and cultural transformations of American society in the last four decades. By attending concerts, hanging out in dance clubs and after-hour bars, and examining the do-it-yourself music scene, Moore gives a riveting, first-hand account of the sights, sounds, and smells of teen spirit.Moore traces the histories of punk, hardcore, heavy metal, glam, thrash, alternative rock, grunge, and riot grrrl music, and relates them to wider social changes that have taken place. Alongside the thirty images of concert photos, zines, flyers, and album covers in the book, Moore offers original interpretations of the music of a wide range of bands including Black Sabbath, Black Flag, Metallica, Nirvana, and Sleater-Kinney. Written in a lively, engaging, and witty style, Sells Like Teen Spirit suggests a more hopeful attitude about the ways that music can be used as a counter to an overly commercialized culture, showcasing recent musical innovations by youth that emphasize democratic participation and creative self-expression - even at the cost of potential copyright infringement.