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Places of Tenderness and Heat is a ground-level exploration of queer St. Petersburg at the fin-de-siècle. Olga Petri takes us through busy shopping arcades, bathhouses, and public urinals to show how queer men routinely met and socialized. She reconstructs the milieu that enabled them to navigate a city full of risk and opportunity. Focusing on a non-Western, unexplored, and fragile form of urban modernity, Petri reconstructs a broad picture of queer sociability. In addition to drawing on explicitly recorded incidents that led to prosecution or medical treatment, she investigates the many encounters that escaped bureaucratic surveillance and suppression. Her work reveals how queer men's lives were conditioned by developing urban infrastructure, weather, light and lighting, and the informal constraints on enforcing law and moral order in the city's public spaces. Places of Tenderness and Heat is an ambitious record of the dynamic negotiation of illicit male homosexual sex, friendship, and cruising and uncovers a historically fascinating urban milieu in which efforts to manage the moral landscape often unintentionally facilitated queer encounters.

Incorporating copious archival research and original close readings of American artist Grant Wood's iconic as well as lesser-known works, Grant Wood's Secrets reveals how his sometimes anguished psychology was shaped by his close relationship with his mother and how he channeled his lifelong oedipal guilt into his art. Presenting Wood's abortive autobiography \"Return from Bohemia\" for the first time ever, Sue Taylor integrates the artist's own recollections into interpretations of his art. As Wood dressed in overalls and boasted about his beloved Midwest, he consciously engaged in regionalist strategies, performing a farmer masquerade of sorts. In doing so, he also posed as conventionally masculine, hiding his homosexuality from his rural community. Thus, he came to experience himself as a double man. This book conveys the very real threats under which Wood lived and pays tribute to his resourceful responses, which were often duplicitous and have baffled art historians who typically take them at face value.Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

Same-sex marriage is a hotly debated topic in the United States, and the world, today. From the tenor of most discussions, however, it would be easy to conclude that the idea of marriage between two people of the same sex is a uniquely contemporary phenomenon. Not so, argues Gary Ferguson in this remarkable book about a same-sex wedding ceremony in sixteenth-century Rome. The case in question involved a group of mostly Spanish and Portuguese men, arrested and executed in Rome in 1578, said to have performed same-sex wedding ceremonies in one of the city's major churches. We know about the incident from a number of sources, including the travel journal of the French essayist Michel de Montaigne. Several substantial fragments of the transcript of the men's trial have also survived, along with copies of their wills. Making use of all these documents, Ferguson brings the story to life in striking detail. He reveals not only the names of the men but also where they lived, how they were employed, and who their friends were. In particular, he unearths a surprising amount of detail about the men's sex lives, and how others responded to this information, which allows him to explore attitudes toward marriage, sex, and gender at the time. Emphasizing the instability of marriage in premodern Europe, Ferguson argues that same-sex unions should be considered part of the institution's complex and contested history. Same-sex marriage is a hotly debated topic in the United States, and the world, today. From the tenor of most discussions, however, it would be easy to conclude that the idea of marriage between two people of the same sex is a uniquely contemporary phenomenon. Not so, argues Gary Ferguson in this remarkable book about a same-sex wedding ceremony in sixteenth-century Rome. The case in question involved a group of mostly Spanish and Portuguese men, arrested and executed in Rome in 1578, said to have performed same-sex wedding ceremonies in one of the city's major churches. We know about the incident from a number of sources, including the travel journal of the French essayist Michel de Montaigne.Several substantial fragments of the transcript of the men's trial have also survived, along with copies of their wills. Making use of all these documents, Ferguson brings the story to life in striking detail. He reveals not only the names of the men but also where they lived, how they were employed, and who their friends were. In particular, he unearths a surprising amount of detail about the men's sex lives, and how others responded to this information, which allows him to explore attitudes toward marriage, sex, and gender at the time. Emphasizing the instability of marriage in premodern Europe, Ferguson argues that same-sex unions should be considered part of the institution's complex and contested history.

In 1992, the AIDS Task Force of Alabama (AFTA) secured a $1.8 million federal grant from the US Department of Housing and Urban Development (HUD) to open Agape House, Birmingham, Alabama's first community-maintained AIDS boarding house for adults. Although AIDS boarding houses existed all over the country throughout the 1980s and 1990s, they have received little attention from scholars. The goal of this project is to understand the rise of Agape House and resources that were wielded to make it possible. Beyond help from a federal institution, Agape House received considerable support from local religious organizations. This analysis of AIDS boarding houses offers a local look at how the AIDS epidemic was thwarted. Popular queer history often emphasizes the work of national organizations, like AIDS Coalition to Unleash Power (ACT UP) to explain queer resistance to AIDS and responses to the lack of federal intervention. While important, the centrality of larger organizations to our understanding of AIDS resistance has obfuscated the work of local grassroots organizations. Ultimately, this project aims to answer the following, how did changes in knowledge surrounding AIDS impact the evolution of care? What motivated groups, specifically religious ones, to participate? And how did Agape House survive while similar houses closed?

In this paper, I discuss my experience as an out lesbian art professor and offer my view into the future of queer art education. After a year of teaching at a southeastern private Christian university, I’ve developed strategies for integrating queer art history even in the least accepting of institutions. Throughout the narrative, I use three of my own pieces to illustrate the intersection of my art practice, my pedagogy, and my experience as a queer womxn. Ultimately, by framing queer art history as a crucial component of art history, I argue that it is our job as educators to teach our students rich, complicated histories of art so they are able to place themselves as artists but also as human beings within that history.