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Holy Bones, Holy Dust
Relics were everywhere in medieval society. Saintly morsels such as bones, hair, teeth, blood, milk, and clothes, and items like the Crown of Thorns, coveted by Louis IX of France, were thought to bring the believer closer to the saint, who might intercede with God on his or her behalf. In the first comprehensive history in English of the rise of relic cults, Charles Freeman takes readers on a vivid, fast-paced journey from Constantinople to the northern Isles of Scotland over the course of a millennium.
InHoly Bones, Holy Dust, Freeman illustrates that the pervasiveness and variety of relics answered very specific needs of ordinary people across a darkened Europe under threat of political upheavals, disease, and hellfire. But relics were not only venerated-they were traded, collected, lost, stolen, duplicated, and destroyed. They were bargaining chips, good business and good propaganda, politically appropriated across Europe, and even used to wield military power. Freeman examines an expansive array of relics, showing how the mania for these objects deepens our understanding of the medieval world and why these relics continue to capture our imagination.
eBook
The reliquary effect : enshrining the sacred object
From skeletons to strips of cloth to little pieces of dust, reliquaries can be found in many forms, and while sometimes they may seem grotesque on their surface, they are nonetheless invested with great spiritual and memorial value. In this book, Cynthia Hahn offers the first full survey in English of the societal value of reliquaries, showing how they commemorate religious and historical events and, more important, inspire awe, faith, and, for many, the miraculous. Hahn looks deeply into the Christian tradition, examining relics and reliquaries throughout history and around the world, going from the earliest years of the cult of saints through to the post-Reformation response. She looks at relic footprints, incorrupt bodies, the Crown of Thorns, the Shroud of Turin, and many other renowned relics, and she shows how the architectural creation of sacred space and the evocation of the biblical tradition of the temple is central to the reliquary's numinous power. She also discusses relics from other traditions especially from Buddhism and Islam and she even looks at how reliquaries figure in contemporary art.
Book
The Stolen Bones of St. John of Matha
On the night of March 18, 1655, two Spanish friars broke into a church to steal the bones of the founder of their religious institution, the Order of the Most Holy Trinity. This book investigates this little-known incident of relic theft and the lengthy legal case that followed, together with the larger questions that surround the remains of saints in seventeenth-century Catholic Europe.
Drawing on a wealth of manuscript and print sources from the era, A. Katie Harris uses the case of St. John of Matha’s stolen remains to explore the roles played by saints’ relics, the anxieties invested in them, their cultural meanings, and the changing modes of thought with which early modern Catholics approached them. While in theory a relic’s authenticity and identity might be proved by supernatural evidence, in practice early modern Church authorities often reached for proofs grounded in the material, human world—preferences that were representative of the standardizing and streamlining of sixteenth- and seventeenth-century saint-making. Harris examines how Matha’s advocates deployed material and documentary proofs, locating them within a framework of Scholastic concepts of individuation, identity, change, and persistence, and applying moral certainty to accommodate the inherent uncertainty of human evidence and relic knowledge.
Engaging and accessible, The Stolen Bones of St. John of Matha raises an array of important questions surrounding relic identity and authenticity in seventeenth-century Europe. It will be of interest to students, scholars, and casual readers interested in European history, religious history, material culture, and Renaissance studies.
eBook
The relic of Perilous Falls
\"A thrill-seeking twelve-year-old boy with a mysterious family heritage discovers ancient objects of rare power--and must protect them from the terrifying demons who will do anything to possess them\"-- Provided by publisher.
Book
Furta Sacra
To obtain sacred relics, medieval monks plundered tombs, avaricious merchants raided churches, and relic-mongers scoured the Roman catacombs. In a revised edition ofFurta Sacra, Patrick Geary considers the social and cultural context for these acts, asking how the relics were perceived and why the thefts met with the approval of medieval Christians.
eBook
The Solomon curse
There are many rumors about the bay off Guadalcanal in the Solomon Islands. Some say it was the site of the lost empire of the Solomon king and that great treasure lies beneath the waters. Others say terrible things happened here, atrocities and disappearances at the hands of cannibal giants, and those who venture there do not return. It is cursed. Which is exactly what attracts the attention of husband-and-wife treasure-hunting team Sam and Remi Fargo. How could they resist? Clues and whispers lead them on a hunt from the Solomons to Australia to Japan, and what they find at the end of the trail is both wonderful and monstrous--and like nothing they have ever seen before.
Book
Enhanced method for digital projection of root carving paper cultural relics: Reconstruction and rendering optimization based on 3D Gaussian splatting
This study proposes a 3D reconstruction method based on 3D Gaussian Splatting (3DGS) for cultural relics, such as root carvings and paper-based relics, which are characterized by fine fiber structures and complex surface details. A consumer-grade smartphone was used to capture multi-view images of the root carvings and paper-based relics. Subsequently, the FFmpeg tool was employed to extract image frames, which serve as input images. COLMAP software was utilized to perform feature matching, Structure from Motion (SfM) computation, and camera pose estimation. This process generated a sparse point cloud, which was used as the initialization data for the 3D Gaussian distribution. This workflow produced high-quality reconstruction of the micro-details of paper materials (such as fiber textures and carved indentations). Comparative evaluations were conducted against Neural Radiance Fields (NeRF) and Instant Neural Graphics Primitives (Instant-NGP). The proposed 3DGS framework achieved superior performance. Compared with NeRF, the average PSNR increased by 39.60%, SSIM by 65.84%, and LPIPS by 90.57%, while the reconstruction time was shortened by 68.89%. Compared with Instant-NGP, the framework achieved an increase of 31.56% in average PSNR, 42.58% in SSIM, a decrease of 89.21% in LPIPS, and a reduction of 48.15% in reconstruction time.
Journal Article
Public uses of human remains and relics in history
\"The principal theme of this volume is the importance of the public use of human remains in a historical perspective. The book presents a series of case studies aimed at offering historiographical and methodological reflections and providing interpretative approaches highlighting how, through the ages and with a succession of complex practices and uses, human remains have been imbued with a plurality of meanings. Covering a period running from late antiquity to the present day, the contributions are the combined results of multidisciplinary research pertaining to the realities of the Italian peninsula, hitherto not investigated with a long-term and multidisciplinary historical perspective. From the relics of great men to the remains of patriots, and from anatomical specimens to the skeletons of the saints: through these case studies the scholars involved have investigated a wide range of human remains (real or reputed) and of meanings attributed to them, in order to decipher their function over the centuries. In doing so, they have traversed the interpretative boundaries of political history, religious history and the history of science, as required by questions aimed at integrating the anthropological, social and cultural aspects of a complex subject\"-- Provided by publisher.
Book
Images, Legends, and Relics Worship in Southern Song Mingzhou: Interpretating “King Aśoka Stupa” and “Relics’ Light” from the Daitokuji Old Collection’s 500 Luohans Paintings
The Daitokuji Old Collection’s 500 Luohans Paintings 五百羅漢圖, painted by Southern Song Mingzhou 明州 artists Lin Tinggui 林庭珪 and Zhou Jichang 周季常, have become a focal point in recent studies on the Chinese Buddhist material culture of the Song Dynasty. Among the 500 Luohans series, five paintings are related to the ancient Indian legend of Emperor Aśoka’s creation of 84,000 stupas. These paintings include “Building a Stupa” (No.78), “King Aśoka Stupa Emitting Light” (No.79), “Precious Stupa on the Rock” (No.80), and “Miracle of Light-Emitting Relics” (No.81), which are currently housed in the Daitokuji 大德寺 in Kyoto, Japan, and “Luohans Watching the Relics’ Light” (B5), which is housed in the Museum of Fine Arts in Boston, the US. However, the way in which the “King Aśoka Stupa” 阿育王塔 and “Relics’ Light” 舍利光 series were integrated into the overall visual narrative of the 500 Luohans in the Daitokuji and Boston collections, as well as the profound meanings and social-cultural contexts embedded in these images, have been rarely studied in depth. The introduction of the miraculous relics theme into the Daitokuji Old Collection’s 500 Luohans Paintings originates from an earlier version by the monk Fa Neng. However, Fa Neng’s version recorded by the Northern Song literati Qin Guan 秦觀 does not mention the King Aśoka Stupa. The artists had considerable freedom in depicting miraculous relic phenomena and King Aśoka Stupa. The specific details of King Aśoka Stupa’s background in Tiantai Mountain 天台山, such as rock bridges, waterfalls, and rock caves, as well as the craftsmanship of King Aśoka Stupa, reflect particular contemporary ideas. The vivid depictions of the “King Aśoka Stupa” and “Relics’ Light” in the Daitokuji Present Collection and the Boston Collection of the 500 Luohans may indicate a close connection between the creation of these images and the fervent Relics Worship at King Aśoka Temple 阿育王寺 in Mingzhou during Southern Song. This paper synthesizes these images, ancient Chinese and Japanese manuscripts, and fieldwork insights to interpret the sources and significance of these images.
Journal Article