Explore the vast range of titles available.

Infant vocal production has been studied mainly from the perspective of language development. We studied it from the perspective of singing development by analyzing a 15-month-old’s imitations of songs. The infant wore a recording device that yielded a continuous, 16-hr audio recording of all the sounds produced by him and around him throughout the day. We listened to the audio file and identified instances in which his unprompted vocalizations resembled songs he had heard earlier. One imitation was recognized by his father, who then sang the song himself and engaged in imitative turn taking with the infant; the other imitation went unnoticed by his parents. Perceptual and acoustic analyses of the imitations and the song models showed that the infant imitated critical music features of the songs, including pitches, intervals, and rhythms. We discuss the use of new technologies for the study of singing development in infancy; such technologies facilitate the collection of spontaneous vocalizations that may go unnoticed by parents and make it possible to trace connections between music environment opportunities and specific singing outcomes in infants.

We propose a new framework to understand singing accuracy, based on multi-modal imagery associations: the MMIA model. This model is based on recent data suggesting a link between auditory imagery and singing accuracy, evidence for a link between imagery and the functioning of internal models for sensorimotor associations, and the use of imagery in singing pedagogy. By this account, imagery involves automatic associations between different modalities, which in the present context comprise associations between pitch height and the regulation of vocal fold tension. Importantly, these associations are based on probabilistic relationships that may vary with respect to their precision and accuracy. We further describe how this framework may be extended to multi-modal associations at the sequential level, and how these associations develop. The model we propose here constitutes one part of a larger architecture responsible for singing, but at the same time is cast at a general level that can extend to multi-modal associations outside the domain of singing.

The development of singing accuracy, and the relative role of training versus maturation, is a central issue for both music educators and those within music cognition. Although various studies have focused on singing accuracy in different age groups, to date we know of no data sets that maintain the consistency in recruitment, methodology, and measurement that is necessary to make direct comparisons. We report analyses of three data sets that meet these criteria: two groups of children (kindergarten, middle school), and one group of adults (college aged). The data were collected at different times, but used a similar set of tasks and identical scoring procedures. Results indicate considerable improvement in accuracy from kindergarten to late elementary that dramatically reverses such that college students perform at the level of kindergartners. It appears singing accuracy may be related to variables involving singing experience rather than general development, and singing skill could decline over time if not maintained through engagement. A secondary purpose was to explore the efficacy of acoustic scoring for some singing tasks and how well it mimics human judgments of accuracy. The acoustic scoring procedure was highly correlated with expert judgment and could provide a standard approach to scoring that is largely automated. We discuss the potential benefits of a more unified approach to measuring singing accuracy and suggest future research that includes children, adolescents and adults in the sample.

The Routledge Companion to Interdisciplinary Studies in Singing, Volume I: Development introduces the many voices necessary to better understand the act of singing-a complex human behavior that emerges without deliberate training. Presenting research from the social sciences and humanities alongside that of the natural sciences and medicine alike, this companion explores the relationship between hearing sensitivity and vocal production, in turn identifying how singing is integrated with sensory and cognitive systems while investigating the ways we test and measure singing ability and development. Contributors consider the development of singing within the context of the entire lifespan, focusing on its cognitive, social, and emotional significance in four parts: Musical, Historical and Scientific Foundations Perception and Production Multimodality Assessment In 2009, the Social Sciences and Humanities Research Council of Canada funded a seven-year major collaborative research initiative known as Advancing Interdisciplinary Research in Singing (AIRS). Together, global researchers from a broad range of disciplines addressed three challenging questions: How does singing develop in every human being? How should singing be taught and used to teach? How does singing impact wellbeing? Across three volumes, The Routledge Companion to Interdisciplinary Studies in Singing consolidates the findings of each of these three questions, defining the current state of theory and research in the field. Volume I: Development tackles the first of these three questions, tracking development from infancy through childhood to adult years.

This chapter contains sections titled: Background music Who wants to change their voices? Voice problems and voice disorders The voice practitioner groups Different voice practitioners: one client The continuum of voice work Working along the continuum

Prispevek obravnava izkušnje pri delovanju otroškega pevskega zbora na eni od slovenskih osnovnih šol z namenom, da ponazori in ovrednoti pomen zborovskega petja za učenje prosocialnosti in oblikovanje skupnosti. Ta pomen polaga na dva temelja: priznavanje človekovega dostojanstva ter krepitev zavedanja in ravnanja, ki mu je vrednota, smoter in cilj človečnost. Zborovsko petje utemeljuje kot normo skupnosti, ki ima svoj proces oblikovanja ter vzpostavlja etične in estetske vezi tudi navzven. Ob tem je v ospredju vloga zborovodje, ki pri svojem delu nenehno povezuje um in srce ter je pevcem model ravnanja. V svojem delovanju je zborovodja usmerjen na neposredno delo s pevci in obenem pozoren na kontekst časa ustvarjanja. Ob tem je podana tudi kritična analiza aktualnega dogajanja v času t. i. pandemije in po njej z namenom, da bi prepoznali in zmogli presoditi opozorila, ki terjajo modro presojo delovanja. Ta je pri odgovornosti do mladih temeljnega pomena.

Enriching caregiving practices foster the course and outcome of child development. This study examined 2 developmentally significant domains of positive caregiving— cognitive and socioemotional— in more than 127,000 families with under-5 year children from 28 developing countries. Mothers varied widely in cognitive and socioemotional caregiving and engaged in more socioemotional than cognitive activities. More than half of mothers played with their children and took them outside, but only a third or fewer read books and told stories to their children. The GDP of countries related to caregiving after controlling for life expectancy and education. The majority of mothers report that they do not leave their under-5s alone. Policy and intervention recommendations are elaborated.

This paper aims to study how different musical act modes influence the student’s psychological state, creative development, and music appreciation. In particular, the research focuses on concert videos, video clips, and audio records. Based on the Likert scale, the authors determined that video clips significantly influenced students’ learning process since they contributed to the combination of visual and sound effects. Video concerts were less important. Concerts are mainly staged actions with frequent use of pre-recorded music, affecting the accuracy of singing techniques. The authors concluded that the most effective approach is systematical learning using the effect of colors and sounds with a preliminary analysis of musical compositions. The results showed that the most significant number of students significantly improved their knowledge (87%, with an average score of 0.92), and the elements of a musical act (rhythm, color scheme, text, and performance) influenced their development. The practical significance of the paper lies in the use of approaches to learning using colors and sound effects with an emphasis on the development of certain elements. The study prospects involve determining how effectively the elements of a musical act influence the psychological state resulting from comparing music genres.

This research revealed that the frequency of reported parent-infant singing interactions predicted 6-month-old infants’ performance in laboratory music experiments and mediated their language development in the second year. At 6 months, infants (n = 36) were tested using a preferential listening procedure assessing their sustained attention to instrumental and sung versions of the same novel tunes whilst the parents completed an ad-hoc questionnaire assessing home musical interactions with their infants. Language development was assessed with a follow-up when the infants were 14-month-old (n = 26). The main results showed that 6-month-olds preferred listening to sung rather than instrumental melodies, and that self-reported high levels of parental singing with their infants [i] were associated with less pronounced preference for the sung over the instrumental version of the tunes at 6 months, and [ii] predicted significant advantages on the language outcomes in the second year. The results are interpreted in relation to conceptions of developmental plasticity.