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"visual communication"
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The Semiotics of Emoji
2016
Shortlisted for the BAAL Book Prize 2017 Emoji have gone from being virtually unknown to being a central topic in internet communication. What is behind the rise and rise of these winky faces, clinking glasses and smiling poos? Given the sheer variety of verbal communication on the internet and English's still-controversial role as lingua mundi for the web, these icons have emerged as a compensatory universal language. The Semiotics of Emoji looks at what is officially the world's fastest-growing form of communication. Emoji, the colourful symbols and glyphs that represent everything from frowning disapproval to red-faced shame, are fast becoming embedded into digital communication. Controlled by a centralized body and regulated across the web, emoji seems to be a language: but is it? The rapid adoption of emoji in such a short span of time makes it a rich study in exploring the functions of language. Professor Marcel Danesi, an internationally-known expert in semiotics, branding and communication, answers the pertinent questions. Are emoji making us dumber? Can they ultimately replace language? Will people grow up emoji literate as well as digitally native? Can there be such a thing as a Universal Visual Language? Read this book for the answers.
Visual collaboration : a powerful toolkit for improving meetings, projects, and processes
\"Drawing and sketching ideas in groups is a smarter way of thinking, communicating, and working. The core method of the book, FIVE DESIGNLOOPS, gives leaders simple drawing tools, techniques and examples of visual collaboration, that can be implemented, in any context, including meetings, strategy sessions, project planning, innovating, business plans, etc. For example, draw your strategy and hang it in the lunch room or next to the coffee machine. A good drawing is a catalyst for good dialog. It can drive engagement and ownership. Visual Collaboration offers business leaders, entrepreneurs, facilitators, designers and change agents a method and tools to: develop visual languages for any context visualize any process and project formulate engaging questions develop templates for any situation, presentation or important conversation mapping skills and setting improvement targets Since many people haven't done any drawing since they were children, the authors have developed a simple and practical method by which ANYONE will be able to draw almost anything. We need to be agile, robust, and sustainable- but what exactly does it look like when we are? Can you draw it? Drawing forces us to be specific. When we draw together, we learn together, and with a world in constant change, our ability to learn together is an absolute necessity for success. Over 300,000 have seen their video (Bigger Picture's Guide to Graphic Facilitation). Author videos are seen by 5,000 new viewers every month. Speaking engagements 3 to 7 times a month for audiences of between 20 and 1,200 attendees, reaching over 10,000 attendees a year. The book will be a core part of our course package. Our business model is based on partnerships with large organizations who wish to change the way they work. Our clients, such as Maersk, Novo Nordisk, LEGO and Schindler Group implement projects, processes and communities of practice, with the book as an integral part, resulting in stable growth of users and readers\"-- Provided by publisher.
Art for animals : visual culture and animal advocacy, 1870-1914
by
Cronin, J. Keri
in
20th Century
,
Animal welfare -- History -- 19th century
,
Animal welfare -- History -- 20th century
2018,2021
Animal rights activists today regularly use visual imagery in their efforts to shape the public's understanding of what it means to be \"kind,\" \"cruel,\" and \"inhumane\" toward animals. Art for Animals explores the early history of this form of advocacy through the images and the people who harnessed their power.
Following in the footsteps of earlier-formed organizations like the RSPCA and ASPCA, animal advocacy groups such as the Victoria Street Society for the Protection of Animals from Vivisection made significant use of visual art in literature and campaign materials. But, enabled by new and improved technologies and techniques, they took the imagery much further than their predecessors did, turning toward vivid, pointed, and at times graphic depictions of human-animal interactions. Keri Cronin explains why the activist community embraced this approach, details how the use of such tools played a critical role in educational and reform movements in the United States, Canada, and England, and traces their impact in public and private spaces. Far from being peripheral illustrations of points articulated in written texts or argued in impassioned speeches, these photographs, prints, paintings, exhibitions, \"magic lantern\" slides, and films were key components of animal advocacy at the time, both educating the general public and creating a sense of shared identity among the reformers.
Uniquely focused on imagery from the early days of the animal rights movement and filled with striking visuals, Art for Animals sheds new light on the history and development of modern animal advocacy.
Visual communication : understanding images in media culture
A theoretical and empirical toolkit for analysing and understanding media and mediated images - from branding and PR, to tweets and selfies. It explores a range of approaches to visual analysis, while also providing a hands-on guide to applying methods to your own work.
Indigenous Graphic Communication Systems
2020,2019,2024
Indigenous Graphic Communication Systems challenges the adequacy of Western academic views on what writing is and explores how they can be expanded by analyzing the sophisticated graphic communication systems found in Central Mesoamerica and Andean South America. By examining case studies from across the Americas, the authors pursue an enhanced understanding of Native American graphic communication systems and how the study of graphic expression can provide insight into ancient cultures and societies, expressed in indigenous words. Focusing on examples from Central Mexico and the Andes, the authors explore the overlap among writing, graphic expression, and orality in indigenous societies, inviting reevaluation of the Western notion that writing exists only to record language (the spoken chain of speech) as well as accepted beliefs of Western alphabetized societies about the accuracy, durability, and unambiguous nature of their own alphabetized texts. The volume also addresses the rapidly growing field of semasiography and relocates it more productively as one of several underlying operating principles in graphic communication systems. Indigenous Graphic Communication Systems reports new results and insights into the meaning of the rich and varied content of indigenous American graphic expression and culture as well as into the societies and cultures that produce them. It will be of great interest to Mesoamericanists, students, and scholars of anthropology, archaeology, art history, ancient writing systems, and comparative world history. The research for and publication of this book have been supported in part by the National Science Centre of Poland (decision no. NCN-KR-0011/122/13) and the Houston Museum of Natural Science. Contributors: Angélica Baena Ramírez, Christiane Clados, Danièle Dehouve, Stanisław Iwaniszewski, Michel R. Oudijk, Katarzyna Szoblik, Loïc Vauzelle, Gordon Whittaker, Janusz Z. Wołoszyn, David Charles Wright-Carr
Information visualization : perception for design
2013,2012
Most designers know that yellow text presented against a blue background reads clearly and easily, but how many can explain why, and what really are the best ways to help others and ourselves clearly see key patterns in a bunch of data?.
Images from Paradise
2017,2022
Drawing upon the disciplines of politics, anthropology, psychoanalysis, aesthetics and cinema studies, Salgó presents a new way of looking at the \"art of European unification.\" The official visual narratives of the European Union constitute the main object of inquiry – the iconography of the new series of euro banknotes and the videos through which the supranational elite seek to generate \"collective effervescence,\" allow for a European carnival to take place, and prompt citizens to pledge allegiance to the sacred dogma of the \"ever closer union,\" thereby strengthening the mythical sources of the organization's legitimacy. The author seeks to illustrate how and why the federalist utopia turned into a political soteriology after the outbreak of the 2008 crisis.