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Every country has its own repository of art forms, but whether it takes pride and interest in preserving them, re-understanding the contexts of their production, or even has the means to constantly exhibit them worldwide is another matter. In Afghanistan and places that are situated on the western portions of the Silk Road, we hear of stories such as the one describing how colossal and cliff-sized sculptures of Buddha were destroyed and damaged due to warfare and religious reasons. In Japan, so far, despite the heated arguments about “datsu –A–,” many of the imported art forms from Asia, particularly those