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Photography and September 11th : spectacle, memory, trauma
by
Good, Jennifer
in
September 11 Terrorist Attacks, 2001 Pictorial works.
/ World Trade Center (New York, N.Y.) Pictorial works.
/ Terrorism New York (State) New York Pictorial works.
/ PHOTOGRAPHY / General.
/ PHOTOGRAPHY / Photojournalism.
/ HISTORY / United States / 21st Century.
/ PSYCHOLOGY / Movements / Psychoanalysis.
/ New York (N.Y.) Pictorial works.
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Photography and September 11th : spectacle, memory, trauma
by
Good, Jennifer
in
September 11 Terrorist Attacks, 2001 Pictorial works.
/ World Trade Center (New York, N.Y.) Pictorial works.
/ Terrorism New York (State) New York Pictorial works.
/ PHOTOGRAPHY / General.
/ PHOTOGRAPHY / Photojournalism.
/ HISTORY / United States / 21st Century.
/ PSYCHOLOGY / Movements / Psychoanalysis.
/ New York (N.Y.) Pictorial works.
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Do you wish to request the book?
Photography and September 11th : spectacle, memory, trauma
by
Good, Jennifer
in
September 11 Terrorist Attacks, 2001 Pictorial works.
/ World Trade Center (New York, N.Y.) Pictorial works.
/ Terrorism New York (State) New York Pictorial works.
/ PHOTOGRAPHY / General.
/ PHOTOGRAPHY / Photojournalism.
/ HISTORY / United States / 21st Century.
/ PSYCHOLOGY / Movements / Psychoanalysis.
/ New York (N.Y.) Pictorial works.
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Photography and September 11th : spectacle, memory, trauma
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Photography and September 11th : spectacle, memory, trauma
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Overview
\"It is all but impossible to think of September 11th 2001 and not, at the same time, recall an image. The overwhelmingly visual coverage in the world's media pictured a spectacle of terror, from images of the collapsing towers, to injured victims and fatigued firefighters. In the days, weeks and months that followed, this vast collection of photographs continued to circulate relentlessly. This book investigates the psychological impact of those photographs on a stunned American audience. Drawing on trauma theory, this book asks whether the prolonged exposure of audience to photographs was cathartic or damaging. It explores how first the collective memory of the event was established in the American psyche and then argues that through repetitive use of the most powerful pictures, the culture industry created a dangerously simple 9/11 metanarrative. At the same time, people began to reclaim and use photography to process their own feelings, most significantly in 'communities' of photographic memorial websites. Such exercises were widely perceived as democratic and an aid to recovery. This book interrogates that assumption, providing a new understanding of how audiences see and process news photography in times of crisis\"-- Provided by publisher.
Publisher
Bloomsbury
Subject
ISBN
9781472533319, 1472533313
Item info:
1
item available
1
item total in all locations
| Call Number | Copies | Material | Location |
|---|---|---|---|
| HV6432.7.G657 2015 | 1 | BOOK | AUTOSTORE |
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